Monday, August 20, 2018

MOLLA ÇELEBİ (FINDIKLI) MOSQUE

Fındıklı, Beyoğlu - İstanbul - Turkey

GPS : 41°01'56.3"N 28°59'26.1"E / 41.032306, 28.990583



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Kazasker Mehmed Vusuli Efendi, the Chief Judge of Istanbul, ordered its construction by Architect Sinan on Meclisi Mebusan Street, in the Fındıklı district of Beyoğlu county. It is said that it was built between 1561 - 1562. However, the precise date of the mosque’s construction is unknown, it is held that the mosque was established between the above mentioned dates.

The mosque is located in Istanbul in the Fındıklı district of Beyoğlu county in the Meclisi Mebusan Street, on the lower shores of the European Bosphorus, at Fındıklı. The Molla Çelebi mosque, also known as Fındıklı Camii, as viewed from the waterside, near the Kabataş funicular and ferry stations, looks very elegant and impressive, particularly under the reflection of the evening sun over the Bosphorus Straits.

Over centuries, it was damaged by a number of fires, natural disasters, and the 1950’s road construction campaigns. In spite of everything, the building still displays the details of the architecture of Sinan’s period. The portico was damaged and replaced with a wooden porch structure in the 18th century.

During the 1957 restoration, following the road construction, this section was replaced with a five-dome wooden structure portico, based on its 16th century original form. The Molla Çelebi Bath House was destroyed during the same year in 1957. The minaret, which was damaged during the 1999 earthquake, has since been rebuilt.

When it was brought together with the Sıbyan mektebi (Ottoman elementary-primary school) and bath, which have not reached our time, the Molla Çelebi Mosque, said to have been designed as a small complex, is a hexagonal mosque designed by the architect Sinan.

In addition, ten windows, which were placed on the lower part of  the dome, and window gaps, placed in two vertical ranks on the wall window’s sides made of limestone (küfeki taşı) blocks, illuminate the mosque.

The minbar (pulpit) is decorated with polychrome wall paintings (kalem işi) and the decorative mihrab (niche) is in the same style of the Classical Architectural tradition which is visible throughout the structure. Furthermore, the thin minaret with its single sherefe (minaret balcony) rises from the right corner of the arcaded entrance which is covered by four domes overlooking the street.

The mosque was initially built as a small complex, with a hexagonal plan designed by the architect Mimar Sinan. Principally, the mosque was built in two sections, the central prayer hall of size of 18.90 x 16.40 m, and the mihrab yeri (chancel) of size of 8.80 x 4.60 m. The pillars are built into the walls and between the pillars there are four small semicircular domes in the east-west direction and the central dome, which is the central prayer section.

This section is also covered by semicircular dome of 11.8 m diameter and covered with six arches built between the six embedded columns; the rectangular apse in which the mihrab is built projects out. In addition there are ten windows, placed above the lower part of the dome. The window gaps, placed in two vertical. The wall window’s sides made of limestone (küfeki taşı) blocks, illuminate the mosque.

The mosque structure is built entirely in the Classical Ottoman Architectural tradition. The minbar or the pulpit in the mosque, is a unique special feature from where the imam addresses prayer meetings, which is embellished with kalem işi, polychrome wall paintings. The mihrab (niche) is also embellished in the same style as the minbar. There is a slim minaret built at the arcaded entrance, which has four domes.

The mosque facing the street, has the minaret to its the right corner. The minaret has a sherefe (minaret balcony). The extensions on the sides are covered by semi domes as it provides better continuity for both the cover system and the interior. the mihrab is for the first time is located in an apse that projects from the middle portion of the qibla wall. This interior layout design compensates for the lack of depth on the north-south axis.

Over centuries, it was damaged by a number of fires, natural disasters, and the 1950’s road construction campaigns. In spite of everything, the building still displays the details of the architecture of Sinan’s period. The portico was damaged and replaced with a wooden porch structure in the 18th century. During the 1957 restoration, following the road construction, this section was replaced with a five-dome wooden structure portico, based on its 16th century original form.

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