Üsküdar - İstanbul - Turkey
GPS : 41°03'18.4"N 29°04'28.1"E / 41.055115, 29.074480
PHOTOGRAPHS ALBUM
M E N U
STARTERS
Acılı Salata : Domates Soğan Maydanoz
Yeşil Salata : Marul Domates Maydanoz Roka
Acılı Ezme : Soğan Domates Acı Biber Sarımsak
Söğürme
POPULAR TASTES
Patlıcan Yoğurt Sarımsak
Humus : Nohut Tahin
Tulum Tereyağı : Tulum Peyniri Tereyağı
Köz Soğan : Kuru Soğan Pul Biber
Haydari : Yoğurt Dereotu Nane Sarımsak
Ciğ Köfte : Bulgur Salça Özel Baharatlar
Turşu : Lahana Salatalık Havuç Biber
SOUPS
Ezogelin Çorbası
Mercimek Çorbası
KEBABS
Adana : Közlenmiş Domates Közlenmiş Biber Pide Lavaş
Urfa : Közlenmiş Domates Közlenmiş Biber Pide Lavaş
Çöp Şiş : Kuşbaşı Et Domates Soğan
Ciğer : Közlenmiş Biber Közlenmiş Domates Maydanoz Lavaş
Tavuk Şiş : Maydanoz Közlenmiş Biber Közlenmiş Domates Pide Lavaş
Patlıcan Kebap : Patlıcan Közlenmiş Domates Közlenmiş Biber Soğan Lavaş
Fırın Beyti : Közlenmiş Biber Közlenmiş Domates Yoğurt Maydanoz
Sarma Beyti : Közlenmiş Biber Közlenmiş Domates Yoğurt Maydanoz
Et Beyti : Közlenmiş Biber Közlenmiş Domates Maydanoz
Karışık Kebap : Kebap Çeşitleri Közlenmiş Domates Közlenmiş Biber Lavaş
Ali Nazik : Kıyma Kebabı Közlenmiş Patlıcan Biber Yoğurt Sarımsak
Köfte : Közlenmiş Biber Közlenmiş Domates Pide
Pirzola : Közlenmiş Biber Közlenmiş Domates Maydanoz Pide
Biftek : Közlenmiş Domates Közlenmiş Biber
Kanat : Közlenmiş Biber Közlenmiş Domates Salata Pide Lavaş
Tavuk Bonfile : Közlenmiş Biber Közlenmiş Domates Salata Pide Lavaş
Kaburga : Közlenmiş Biber Közlenmiş Domates Pide
PITAS
Kavurmalı Pide : Kavurma Et ile hazırladığımız pidemiz
Kuşbaşılı Pide : Kuşbaşı Et ile hazırladığımız pidemiz
Kıymalı Pide : Kıyma ile hazırladığımız pidemiz
Kaşarlı Pide : Kaşar ile hazırladığımız pidemiz
Karışık Pide : Birden fazla malzeme ile hazırlanan lezzet noktası
Pastırmalı Pide : Pastırma ile zenginleştirdiğimiz pidemiz
Lahmacun : Taze yeşillikler eşliğinde
Fındık Lahmacun : Taze yeşillikler eşliğinde
PANS
Et Sote : Domates Biber Maydanoz
Çoban Kavurma : Domates ve Biber eşliğinde
Soya Soslu Tavuk : Soya sosu eşliğinde
Tavuk Kavurma : Domates Biber Maydanoz
DESSERTS
Künefe : Fıstık eşliğinde
İncir Tatlısı : Kaymak ve Ceviz eşliğinde
Kabak Tatlısı : Ceviz eşliğinde
LOCATION SATELLITE MAP
WEB SITE : Ceyhan Kebap Restaurant
MORE INFO & CONTACT
E-Mail : bilgi@ceyhankebapevi.com
Phone : +90 216 332 2290 / +90 216 462 2698
These scripts and photographs are registered under © Copyright 2019, respected writers and photographers from the internet. All Rights Reserved.
Istanbul is Turkey's most populous city, and its cultural and financial center. It is located on the Bosphorus Strait, and encompasses the natural harbor known as the Golden Horn, in the northwest of the country. It extends both on the European (Thrace) and on the Asian (Anatolia) side of the Bosphorus, and is thereby the only metropolis in the world which is situated on two continents.
Showing posts with label uskudar. Show all posts
Showing posts with label uskudar. Show all posts
Saturday, September 7, 2019
CEYHAN KEBAP EVİ RESTAURANT
Thursday, August 22, 2019
NAKKAŞ KEBAB RESTAURANT
Nakkaştepe, Üsküdar - İstanbul - Turkey
GPS : 41°01'56.5"N 29°02'25.2"E / 41.032367, 29.040332
PHOTOGRAPHS ALBUM
Our restaurant, which is located in Nakkaştepe, one of the most beautiful hills of Istanbul, offers different assortment of kebab, one more delicious than the other, and these kebabs are served in company with organic vegetables produced in its own horticulture.
Nakkaş Kebap, which is located in Nakkaştepe, one of the most beautiful hills of Istanbul, offers different assortment of kebab, one more delicious than the other, and these kebabs are served in company with organic vegetables produced in its own horticulture.
The meat in Nakkaş Kebap’s cuisine is produced in Thrace and Balıkesir and the greens are produced in its garden in Cumhuriyet Village. We offer our guests a unique taste with our dishes prepared with vegetables and greenery which are produced in our private garden without using any hormones, genetically modified seeds and agricultural pesticides.
With its view and atmosphere; Nakkaş Kebab, which has succeeded in making all your dishes, from breakfasts to business meals and from evening feasts to celebrations, special, with its branches in Selamiçeşme, Göztepe and Çekmeköy, offers unique tastes to all Istanbulites.
Nakkaş Kebap, which has a unique taste of Kebab Culture in Istanbul, with its open garden for 600 people, hall for 450 people, restaurant for 120 people and distinguished staff, is honored to host you for your engagement, wedding, henna night, special birthdays and parties, invitations, special days, graduation and ball organizations.
MENU
Grills
Chicken Wings Shish : Chicken wings sihsh that is sauced with our special formula is served after cooked in a wood fire.
Liver Shish : Liver Shicsh; It is chosen from calf liver, sauced and cooked in a wood fire.
Chop : Lamb chop sauced with a special sauce of Nakkaşkebap
Çöp Shish :Ç Çöp Shish is made of meat cubes with a sauce and cooked in a wood fire.
Lamb Shish : It is prepared from the meat which is obtained from the rump of the lamb and cooked in a wood fire.
Lamb Shish With A Sauce : The lamb is seasoned with marinating and served after cooked in a wood fire.
Grilled Chicken : Special Nakkaş Grilled Chicken With A Sauce
Mixed Grill : Nakkaşkebap Special Mixed Grill
Grilled Cutlet : Grilled Cutlet, the most delicious example of Anatolian cuisine which is prepared with lamb
Spare Rib : Spare Rib Grill
Kebabs
Beyti Kebab : Our Beyti kebab is prepared with taking fat and nerves from carefully selected lambs.
Ali Nazik : Aubergine Puree With Yoghurt Served With Seasoned Ground Meat
Mutton Leg Kebab : It is specially prepared from lamb.
Aubergine Kebab : Meatballs prepared with spices and minced meat with a sauce are served with fresh aubergines
Urfa Kebab : Urfa Kebab, unique flavor of Anatolian cuisine, is prepared in accordance with the actual adana kebap
Adana Kebab : Our famous Adana Kebab is prepared from meats which chosen carefully…
Warm Starters
Roasted Onion : You must absolutely taste Roasted Onion special to Nakkaş Kebap.
Aubergine With Old Kasseri (A Kind of Cheddar)
Lahmacun (A Pizza With Spicy Meat Filling) : Nakkaşkebap special lahmacun (a pizza with spicy meat filling)
Steak Tartar A La Turca : Unique flavor of Anatolia which is kneaded in hand, Steak Tartar A La Turca
Pitas
Pita With Veal Cubes : Our Pita With Veal Cubes special to Nakkaş Kebap regulars.
Pita With Fermented Sausage : Our delicious Pita With Fermented Sausage special to Nakkaş Kebap regulars.
Mixed Pita
Pita With Minced Meat : Pita With Minced Meat, Our delightful Pita made from thinly sliced meats.
Mini Mixed Pita
Pita With Kasseri : Pita With Egg And Kasseri (A Kind of Cheddar)
Salad
Ezme Salad : Ezme Salad (Tomato Salad Similar To Gazpacho). Indispensable Ezme salad of Anatolian cuisine,
Shepherd Salad : Our regional shepherd salad prepared from seasonal fresh and organic vegetables.
Nakkaş Salad : Nakkaş salad, which is prepared with daily fresh vegetables, includes tomatoes, cucumbers,
Blend Salad : Nakkaş Kebap Blend Salad; Tomatoes, cucumbers, carrots, parsley, lemon, cabbage, vinegar, oil
Cucumber Yoghurt : Nakkaş Kebap Cucumber Yoghurt; Fresh daily cucumbers are peeled off and shred. Yoghurt and cold
Gavurdağı Salad : Tomatoes and green peppers are cubed, the onion is cut in small pieces and rubbed with a little salt.
Desserts
Katmer : Katmer is an ancient flaky pastry of Anatolia, traditionally eaten during breakfast; but rather
Künefe : Künefe is a crispy cheese-filled dessert made with kadayıf (kah-dah-YUF’), which is a
Ice-cream : Variety of fruit ice-creams with fruit pieces
Kadayıf : Oven Baked Shredded Pastry With Pistachio Filling in Thick Syrup Angel’s Hair Dessert
Kadayif With Ice-cream : You can treat yourself with our delicious kadayif with any kind of ice-cream that you want to taste.
LOCATION SATELLITE MAP
WEB SITE : Nakkaş Kebap Restaurant
MORE INFO & CONTACT
E-Mail : nakkas@nakkaskebap.com
Phone : +90 216 495 6515
These scripts and photographs are registered under © Copyright 2019, respected writers and photographers from the internet. All Rights Reserved.
GPS : 41°01'56.5"N 29°02'25.2"E / 41.032367, 29.040332
PHOTOGRAPHS ALBUM
Our restaurant, which is located in Nakkaştepe, one of the most beautiful hills of Istanbul, offers different assortment of kebab, one more delicious than the other, and these kebabs are served in company with organic vegetables produced in its own horticulture.
Nakkaş Kebap, which is located in Nakkaştepe, one of the most beautiful hills of Istanbul, offers different assortment of kebab, one more delicious than the other, and these kebabs are served in company with organic vegetables produced in its own horticulture.
The meat in Nakkaş Kebap’s cuisine is produced in Thrace and Balıkesir and the greens are produced in its garden in Cumhuriyet Village. We offer our guests a unique taste with our dishes prepared with vegetables and greenery which are produced in our private garden without using any hormones, genetically modified seeds and agricultural pesticides.
With its view and atmosphere; Nakkaş Kebab, which has succeeded in making all your dishes, from breakfasts to business meals and from evening feasts to celebrations, special, with its branches in Selamiçeşme, Göztepe and Çekmeköy, offers unique tastes to all Istanbulites.
Nakkaş Kebap, which has a unique taste of Kebab Culture in Istanbul, with its open garden for 600 people, hall for 450 people, restaurant for 120 people and distinguished staff, is honored to host you for your engagement, wedding, henna night, special birthdays and parties, invitations, special days, graduation and ball organizations.
MENU
Grills
Chicken Wings Shish : Chicken wings sihsh that is sauced with our special formula is served after cooked in a wood fire.
Liver Shish : Liver Shicsh; It is chosen from calf liver, sauced and cooked in a wood fire.
Chop : Lamb chop sauced with a special sauce of Nakkaşkebap
Çöp Shish :Ç Çöp Shish is made of meat cubes with a sauce and cooked in a wood fire.
Lamb Shish : It is prepared from the meat which is obtained from the rump of the lamb and cooked in a wood fire.
Lamb Shish With A Sauce : The lamb is seasoned with marinating and served after cooked in a wood fire.
Grilled Chicken : Special Nakkaş Grilled Chicken With A Sauce
Mixed Grill : Nakkaşkebap Special Mixed Grill
Grilled Cutlet : Grilled Cutlet, the most delicious example of Anatolian cuisine which is prepared with lamb
Spare Rib : Spare Rib Grill
Kebabs
Beyti Kebab : Our Beyti kebab is prepared with taking fat and nerves from carefully selected lambs.
Ali Nazik : Aubergine Puree With Yoghurt Served With Seasoned Ground Meat
Mutton Leg Kebab : It is specially prepared from lamb.
Aubergine Kebab : Meatballs prepared with spices and minced meat with a sauce are served with fresh aubergines
Urfa Kebab : Urfa Kebab, unique flavor of Anatolian cuisine, is prepared in accordance with the actual adana kebap
Adana Kebab : Our famous Adana Kebab is prepared from meats which chosen carefully…
Warm Starters
Roasted Onion : You must absolutely taste Roasted Onion special to Nakkaş Kebap.
Aubergine With Old Kasseri (A Kind of Cheddar)
Lahmacun (A Pizza With Spicy Meat Filling) : Nakkaşkebap special lahmacun (a pizza with spicy meat filling)
Steak Tartar A La Turca : Unique flavor of Anatolia which is kneaded in hand, Steak Tartar A La Turca
Pitas
Pita With Veal Cubes : Our Pita With Veal Cubes special to Nakkaş Kebap regulars.
Pita With Fermented Sausage : Our delicious Pita With Fermented Sausage special to Nakkaş Kebap regulars.
Mixed Pita
Pita With Minced Meat : Pita With Minced Meat, Our delightful Pita made from thinly sliced meats.
Mini Mixed Pita
Pita With Kasseri : Pita With Egg And Kasseri (A Kind of Cheddar)
Salad
Ezme Salad : Ezme Salad (Tomato Salad Similar To Gazpacho). Indispensable Ezme salad of Anatolian cuisine,
Shepherd Salad : Our regional shepherd salad prepared from seasonal fresh and organic vegetables.
Nakkaş Salad : Nakkaş salad, which is prepared with daily fresh vegetables, includes tomatoes, cucumbers,
Blend Salad : Nakkaş Kebap Blend Salad; Tomatoes, cucumbers, carrots, parsley, lemon, cabbage, vinegar, oil
Cucumber Yoghurt : Nakkaş Kebap Cucumber Yoghurt; Fresh daily cucumbers are peeled off and shred. Yoghurt and cold
Gavurdağı Salad : Tomatoes and green peppers are cubed, the onion is cut in small pieces and rubbed with a little salt.
Desserts
Katmer : Katmer is an ancient flaky pastry of Anatolia, traditionally eaten during breakfast; but rather
Künefe : Künefe is a crispy cheese-filled dessert made with kadayıf (kah-dah-YUF’), which is a
Ice-cream : Variety of fruit ice-creams with fruit pieces
Kadayıf : Oven Baked Shredded Pastry With Pistachio Filling in Thick Syrup Angel’s Hair Dessert
Kadayif With Ice-cream : You can treat yourself with our delicious kadayif with any kind of ice-cream that you want to taste.
LOCATION SATELLITE MAP
WEB SITE : Nakkaş Kebap Restaurant
MORE INFO & CONTACT
E-Mail : nakkas@nakkaskebap.com
Phone : +90 216 495 6515
These scripts and photographs are registered under © Copyright 2019, respected writers and photographers from the internet. All Rights Reserved.
KARDEŞİM KEBAP RESTAURANT
Bağlarbaşı, Üsküdar - İstanbul - Turkey
GPS : 41°02'04.4"N 29°02'28.8"E / 41.034551, 29.041330
PHOTOGRAPHS ALBUM
M E N U
DÖNERS
İskender
Pilav Üstü Döner
Fırında Dürüm
Yarım Ekmek Döner
Tam Ekmek Döner
Dürüm Döner
Pide Arası
Üç Çeyrek Döner
CHICKENS
Yarım Ekmek Tavuk
Tavuk Dürüm
Tavuk İskender
Tavuk Pirzola
Tavuk Bonfile
Tavuk Şiş
Tavuk Kanat
Tavuk Sote
Tavuk Güveç
Karışık Tavuk Izgara
Pide Arası Tavuk
Tam Ekmek Tavuk
KEBABS
Beyti Kebap
Halep İşi
Kuzu Şiş
Abu Ganuş
Çöp Şiş
Et Güveç
Karışık Kebap
Et Sote
1,5 karışık Izgara
İçli Köfte
Altı Ezmeli
Adana Dürüm
Adana Kebap
Urfa Dürüm
Urfa Kebap
Çöpşiş Dürüm
Yoğurtlu Kebap
Porsiyon Köfte
Patlıcanlı Kebap
Yarım Ekmek Köfte
Domatesli Kebap
Pide Arası Köfte
Ali Nazik Kebap
Dürüm Köfte
PITAS
Fındık lahmucun
Lahmacun
Karışık pide
Kıymalı Pide
Kuşbaşılı pide
Kavurmalı pide
Kaşarlı pide
Tavuklu Pide
Kaşarlı Sucuklu pide
Beyaz Peynirli pide
SOUPS
Ezo Gelin Çorba
Mercimek Çorba
PİLAFS
Pirinç Pilavı
Bulgur Pilavı
DESSERTS
Fırın Sütlaç
Künefe
Kadayıf
SALADS
Çoban Salata
Mevsim Salata
Karışık Salata
Ezme Salata
Göbek Salata
LOCATION SATELLITE MAP
WEB SITE : Kardeşim Kebap Restaurant
MORE INFO & CONTACT
E-Mail : info@kardesimkebap.com.tr
Phone : +90 216 474 4556 / +90 216 474 4569 / +90 216 651 7719
Mobile : +90 533 460 8243
These scripts and photographs are registered under © Copyright 2019, respected writers and photographers from the internet. All Rights Reserved.
GPS : 41°02'04.4"N 29°02'28.8"E / 41.034551, 29.041330
PHOTOGRAPHS ALBUM
M E N U
DÖNERS
İskender
Pilav Üstü Döner
Fırında Dürüm
Yarım Ekmek Döner
Tam Ekmek Döner
Dürüm Döner
Pide Arası
Üç Çeyrek Döner
CHICKENS
Yarım Ekmek Tavuk
Tavuk Dürüm
Tavuk İskender
Tavuk Pirzola
Tavuk Bonfile
Tavuk Şiş
Tavuk Kanat
Tavuk Sote
Tavuk Güveç
Karışık Tavuk Izgara
Pide Arası Tavuk
Tam Ekmek Tavuk
KEBABS
Beyti Kebap
Halep İşi
Kuzu Şiş
Abu Ganuş
Çöp Şiş
Et Güveç
Karışık Kebap
Et Sote
1,5 karışık Izgara
İçli Köfte
Altı Ezmeli
Adana Dürüm
Adana Kebap
Urfa Dürüm
Urfa Kebap
Çöpşiş Dürüm
Yoğurtlu Kebap
Porsiyon Köfte
Patlıcanlı Kebap
Yarım Ekmek Köfte
Domatesli Kebap
Pide Arası Köfte
Ali Nazik Kebap
Dürüm Köfte
PITAS
Fındık lahmucun
Lahmacun
Karışık pide
Kıymalı Pide
Kuşbaşılı pide
Kavurmalı pide
Kaşarlı pide
Tavuklu Pide
Kaşarlı Sucuklu pide
Beyaz Peynirli pide
SOUPS
Ezo Gelin Çorba
Mercimek Çorba
PİLAFS
Pirinç Pilavı
Bulgur Pilavı
DESSERTS
Fırın Sütlaç
Künefe
Kadayıf
SALADS
Çoban Salata
Mevsim Salata
Karışık Salata
Ezme Salata
Göbek Salata
LOCATION SATELLITE MAP
WEB SITE : Kardeşim Kebap Restaurant
MORE INFO & CONTACT
E-Mail : info@kardesimkebap.com.tr
Phone : +90 216 474 4556 / +90 216 474 4569 / +90 216 651 7719
Mobile : +90 533 460 8243
These scripts and photographs are registered under © Copyright 2019, respected writers and photographers from the internet. All Rights Reserved.
Sunday, November 11, 2018
VANİKÖY MOSQUE
Kandilli, Üsküdar - İstanbul - Turkey
GPS : 41°03'51.5"N 29°03'18.8"E / 41.064306, 29.055222

PHOTOGRAPHS ALBUM
Vaniköy Mosque is one of the few Bosporus mosques that has regular attendants who visit at times other than during Friday prayers. There has always been sycamore tree in its courtyard. The mosque, which gave its name to the neighborhood around it, is only unlocked at prayer times.
On the seafront next to the quay is the unassuming Vaniköy Mosque, built in 1665 by Vani Mehmet Efendi. Sultan Mahmut I (1730-1754) added a royal gallery to the rectangular mosque, which has masonry walls and a pitched roof. Now we come to Göksu, a favourite picnic and excursion place in the 19th century.
Vanî Mehmed Efendi (b.?- d.1685), who lived during the era of Ottoman empire Sultans called Mehmed IV and Sultan Ibrahim, is one of the distinguished scientists raised by the 17th Turkish period. After completing his education in Van he worked as a hodja and preacher in Erzurum, Istanbul and Bursa. Furthermore, he served as a sultan preacher and hace-i sultan in İstanbul.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
GPS : 41°03'51.5"N 29°03'18.8"E / 41.064306, 29.055222
PHOTOGRAPHS ALBUM
Vaniköy Mosque is one of the few Bosporus mosques that has regular attendants who visit at times other than during Friday prayers. There has always been sycamore tree in its courtyard. The mosque, which gave its name to the neighborhood around it, is only unlocked at prayer times.
On the seafront next to the quay is the unassuming Vaniköy Mosque, built in 1665 by Vani Mehmet Efendi. Sultan Mahmut I (1730-1754) added a royal gallery to the rectangular mosque, which has masonry walls and a pitched roof. Now we come to Göksu, a favourite picnic and excursion place in the 19th century.
Vanî Mehmed Efendi (b.?- d.1685), who lived during the era of Ottoman empire Sultans called Mehmed IV and Sultan Ibrahim, is one of the distinguished scientists raised by the 17th Turkish period. After completing his education in Van he worked as a hodja and preacher in Erzurum, Istanbul and Bursa. Furthermore, he served as a sultan preacher and hace-i sultan in İstanbul.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
Tuesday, October 30, 2018
İMRAHOR MOSQUE
Doğancılar, Üsküdar - İstanbul - Turkey
GPS : 41°01'17.2"N 29°00'36.9"E / 41.021444, 29.010250

PHOTOGRAPHS ALBUM
This mosque was built in 1597 by Mehmed Ağa, Vizier Sinan Paşa's mirahur (stableman). Over time, the word mirahur became distorted to imrahor, and thus became the name of the district.
The most charming element of the structure which preserves traces of Ottoman architecture from the Classical period is the red and white panelled arch. This arch is decorated with palmated rosettes that are tiered with a slight arch molding. By incorporating these techniques, the aesthetic image of the structure was reinforced.
This outstanding Ottoman fountain and its facade decorated with plant motifs was actively used until 1940. In the following years, the water of the fountain was provided from the city’s water network.
Next to the mosque there is a water depot that was built in 1813. On the right is the fountain of Başkadın, built during the Tulip Era by Ematullah Kadın of Sultan Ahmet III. The fountain of Ayşe Sultan, built in 1599 by the daughter of Sultan Murad III, can also be found here.
To the south of the mosque there is one of the few "charity stones" that have survived until today. The stone, which used to be taller than the height of an average man, was broken due to frequent changes in location. Poor people used to take the money that was put on the high niche, taking only as much as they needed.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
GPS : 41°01'17.2"N 29°00'36.9"E / 41.021444, 29.010250
PHOTOGRAPHS ALBUM
This mosque was built in 1597 by Mehmed Ağa, Vizier Sinan Paşa's mirahur (stableman). Over time, the word mirahur became distorted to imrahor, and thus became the name of the district.
The most charming element of the structure which preserves traces of Ottoman architecture from the Classical period is the red and white panelled arch. This arch is decorated with palmated rosettes that are tiered with a slight arch molding. By incorporating these techniques, the aesthetic image of the structure was reinforced.
This outstanding Ottoman fountain and its facade decorated with plant motifs was actively used until 1940. In the following years, the water of the fountain was provided from the city’s water network.
Next to the mosque there is a water depot that was built in 1813. On the right is the fountain of Başkadın, built during the Tulip Era by Ematullah Kadın of Sultan Ahmet III. The fountain of Ayşe Sultan, built in 1599 by the daughter of Sultan Murad III, can also be found here.
To the south of the mosque there is one of the few "charity stones" that have survived until today. The stone, which used to be taller than the height of an average man, was broken due to frequent changes in location. Poor people used to take the money that was put on the high niche, taking only as much as they needed.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
Labels:
cami,
charity stones,
dogancilar,
fountain,
istanbul,
mirahur,
ottoman,
turkey,
uskudar,
water depot
Tuesday, October 16, 2018
KAYMAK MUSTAFA PAŞA MOSQUE
Çengelköy, Üsküdar - İstanbul - Turkey
GPS : 41°03'25.2"N 29°03'11.1"E / 41.057011, 29.053081

PHOTOGRAPHS ALBUM
Located in Çengelköy, this mosque was constructed by Kaymak Mustafa Paşa, son-in-law to Nevşehirli Ibrahim Paşa, who served as the fleet admiral for the Ottoman Navy, during the Tulip Era in 1720. Kuleli Kaymak Mustafa Paşa mosque, on the Bosphorus Asia shore, Istanbul, Turkey built in 1720 and extended in the 1800s.early.
On the ground floor of this timber mosque is a boathouse. Another interesting feature is the stubby minaret with a balcony in the form of a pavilion. This rectangular stone mosque with a wooden roof was extensively restored in recent years. The portico and royal gallery were added in 1837. In 1980, the mosque was restored by the Sabancı Foundation.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
GPS : 41°03'25.2"N 29°03'11.1"E / 41.057011, 29.053081
PHOTOGRAPHS ALBUM
Located in Çengelköy, this mosque was constructed by Kaymak Mustafa Paşa, son-in-law to Nevşehirli Ibrahim Paşa, who served as the fleet admiral for the Ottoman Navy, during the Tulip Era in 1720. Kuleli Kaymak Mustafa Paşa mosque, on the Bosphorus Asia shore, Istanbul, Turkey built in 1720 and extended in the 1800s.early.
On the ground floor of this timber mosque is a boathouse. Another interesting feature is the stubby minaret with a balcony in the form of a pavilion. This rectangular stone mosque with a wooden roof was extensively restored in recent years. The portico and royal gallery were added in 1837. In 1980, the mosque was restored by the Sabancı Foundation.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
Monday, September 17, 2018
MİHRİMAH SULTAN ÜSKÜDAR MOSQUE
Üsküdar Square - Istanbul - Turkey
GPS : 41°01'36.7"N 29°00'57.9"E / 41.026861, 29.016083

PHOTOGRAPHS ALBUM
Located in Üsküdar Square across from the quay, the complex was built by Sultan Süleyman, the Magnificient daughter, Mihrimah Sultan, in 1548. The architect was Mimar Sinan. The complex contains a mosque, medresse, tomb, primary school, caravanserai, soup kitchen, hospice and hospital. Only a part of the complex has survived.
It is one of the two complexes in Istanbul which were built on the instructions of Süleyman the Magnificient in 1548 in memory of his daughter Mihrimah Sultan, and has an attribute of carrying the same name in Edirnekapi District. The historical complex was located over against the port side of Uskudar in 1548. In addition, it was built by Sinan the Architect in the same period with the Şehzade Mosque (Prince Mosque).
It contained a mosque, a school for children, a fountain, a medresse consisting of sixteen rooms, a guesthouse of eight rooms, a stable, a larder, a store house and a caravanserai. It now consists of five sections: mosque, madrasah (theological school attached to a mosque), the tomb of Sinaneddin Yusuf Paşa and the tomb of İbrahim Ethem Paşa.
Originally built by the seaside, the complex includes mosque, madrasa, boys’ school buildings, and the tomb of the Grand Admiral Sinan Pasha. The plan of the mosque is unique to the architecture of Sinan and the design scheme has never been repeated again. Its courtyard is elevated, overlooking the hustle and bustle of Üsküdar Square. One of the main and unique design features here is the way one enters the interior space, underneath the main dome as in the Edirnekapı Mihrimah Sultan Mosque. Since the mosque is at a busy central point in the city, it is open until late every day.
Sinan never designed a second mosque with three domes, leaving the Mihrimah Sultan as the only example of its type. However, this exploration of structural configurations came to influence his later work.
The Mihrimah Sultan Mosque (Iskele Mosque, Jetty Mosque, Üsküdar Quay Mosque, Turkish: Mihrimah Sultan Camii, İskele Camii) is an Ottoman mosque located in the historic center of the Üsküdar municipality in Istanbul, Turkey.
The Mihrimah Sultan Mosque is one of Üsküdar's best-known landmarks and takes its nicknames from the ferry landing near which it stands. It is the first of two mosques built by Mihrimah Sultana, daughter of Sultan Suleiman the Magnificent and wife of Grand Vizier Rüstem Pasha. It was designed by Mimar Sinan and built between 1546 and 1548. It is a massive structure on a raised platform and already shows several hallmarks of Sinan's mature style; a spacious, high-vaulted basement, slender minarets, a single-domed baldacchino flanked by three semi-domes ending in three exedrae and a broad double portico. Mihr-î-Mah means Sun and Moon.
One of the early works of Mimar Sinan, this complex was built on the instructions of Süleyman the Magnificient in 1548 in memory of his daughter Mihrimah Sultan, whose mother was the famous Roxlene. It contained a mosque, a school for children, a fountain, a medresse consisting of sixteen rooms, a guesthouse of eight rooms, a stable, a larder, a store house and a caravanserai.
Mosque
On a sloping site along Iskele Square in Üskudar, the mosque has a rectangular plan aligned on the northeast-southwest axis. The diameter of the dome of the mosque is 10 m. There are two huge minarets having one balcony (sherefe) each. The decorative niche (mihrab) and the marble pulpit (mimber) reflect the formats of the Classical Ottoman Architecture. It is one of the few premier structures preserving the traces of the past on the Anatolian side of Istanbul. While the structure offers a distinct aesthetic view with a porch that covers the last prayer section, there is a twenty-cornered fountain located on the seaward side of the mosque.
It is entered from a portal on the northwest, the central bay of a five-bay portico. Surmounted by five domes, the open portico is carried by six columns along its northwest side. Running along the northwest side of the mosque is a secondary arcade, which is as deep as the portico and is carried over pointed arches resting on relatively slim columns. This arcade extends northwest to cover the circular fountain, which is on axis with the portal of the mosque. Made of marble, the portal carries an inscription with the construction date of 1547 that names Mihrimah Sultan and Süleyman the Magnificent as its patrons.
Architect Sinan opted for a design of the mosque more modern than that of Ayasofya Mosque. The half dome which is usually present above the entryway is absent; immediately upon entering the mosque one is under the main dome. The "Şadırvan", or ablution fountain, is one of the finest of all the mosques in İstanbul . The repousse ornamentation found on the window shutters, pulpits, and the marble mosque niche (mihrap) are products of expert workmanship.
The Mihrimah Sultan is one of Sinan's early mosques, where he made a structural experiment, choosing to flank the main dome on three sides with three half-domes. This was the first time Sinan used half-domes, with the end result that the spatial organization and the structural system of the mosque are not perfectly resolved. The asymmetry in the structure entailed both a heavy structure and an unusual configuration on the southeast elevation, which ended abruptly.
The portico was not adequate to overcome the effect of the southeast elevation, so another large arcade was added, which extended to cover the fountain. Another side effect of the asymmetrical design was the immediate entry into the prayer hall, which impaired the sense of spatial depth. However, this quick entry also created the opportunity for the visitor to experience all of the interior space simultaneously.
Above the prayer hall, the main dome has sixteen windows; the main dome and the three half-domes are supported with twin buttresses that appear on four sides of the exterior. The south and east corner bays of the prayer hall are surmounted with two smaller domes. The muezzin's platform (muezzin mahfili), which is carried over five piers, is articulated as a small square projection southwest of the entrance. The minbar is placed just across the muezzin's platform on the qibla wall, southwest of the mihrab. The mihrab itself is a marble niche with muqarnas carvings above.
The interior space is adorned with painted ornamentation, and the upper windows, as well as the windows in the domes, are filled with stained glass. The mosque has two minarets on the north and west corners of the prayer hall, both with single balconies. They are entered from the first and fifth bays of the portico. Their balconies have balustrades with stonework carried over four rows of stalactite carvings.
On the righthand wall of the mosque, next to the entrance to the graveyard, there is a sun dial, built by the Dervish Gaybî Muhyiddin, the timekeeper of the Yeni Camii. This was built in 1769 and was called the "Basita". The clock is one of the best examples of sun dials in İstanbul.
Mihrimah Sultan Complex
The Mihrimah Sultan mosque was built for Mihrimah Sultan, daughter of Süleyman the Magnificent (1520-1566), as part of a complex that includes a madrasa, an infirmary, a school, and baths.
One of the early works of Mimar Sinan, this complex was built on the instructions of Süleyman the Magnificient in 1548 in memory of his daughter Mihrimah Sultan, whose mother was the famous Roxlene. It contained a mosque, a school for children, a fountain, a medresse consisting of sixteen rooms, a guesthouse of eight rooms, a stable, a larder, a store house and a caravanserai.
The other sections of the mosque could not be reached until today. The Madrasah (religious school) is composed of 16 rooms that is being used as a health clinic today, the tomb of the two sons of Mihrimah Sultan, the tomb of the Osman Ağa, son of Rüstem Pasa-Grand (Grand Viziers of the Ottoman Empire), and the tomb of Sinan Paşa, Admirals of the Navy (Kaptan-ı Derya) are the structures that have stood until today.
Unfortunately, the soup kitchen and the caravanserai of this complex have not survived. At the time of "Sürre Alayı", an event which was organized during Ottoman times to send candidates for the pilgrimage to Mekka and Medina every year, many of the candidates stayed in the Mihrimah Sultan caravanserai.
The other building in the complex is a Quranic primary school (Sıbyan Mektebi), which consisted of a domed porch and classroom. The tabhane (hostel) disappeared during the fire in 1772 and the inn and kitchen have also been completely cleared away.
Today, the medresse is used as a health center and the school for the children is now a childrens library. There is a fountain located next to the wall closest to the Bosphorus and another one under the school. The Square Baths (the Grand Baths) was removed at the end of the 80's. The building that has replaced it no longer resembles the original form, and is now used as a super market.
The medresse is found to the north of the mosque. The interior of the medresse no longer resembles its original form and is used as a health center today. The tombs of Mihrimah Sultan's two sons and Prime Minister İbrahim Ethem Paşa can be seen between the mosque and the medresse. The primary school is found on the kiblah (direction facing Mecca) side of the mosque. The hospice, soup kitchen and caravanserai have not survived.
On the righthand wall of the mosque, next to the entrance to the graveyard, there is a sun dial, built by the Dervish Gaybî Muhyiddin, the timekeeper of the Yeni Camii. This was built in 1769 and was called the "Basita". The clock is one of the best examples of sun dials in İstanbul.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
GPS : 41°01'36.7"N 29°00'57.9"E / 41.026861, 29.016083
PHOTOGRAPHS ALBUM
Located in Üsküdar Square across from the quay, the complex was built by Sultan Süleyman, the Magnificient daughter, Mihrimah Sultan, in 1548. The architect was Mimar Sinan. The complex contains a mosque, medresse, tomb, primary school, caravanserai, soup kitchen, hospice and hospital. Only a part of the complex has survived.
It is one of the two complexes in Istanbul which were built on the instructions of Süleyman the Magnificient in 1548 in memory of his daughter Mihrimah Sultan, and has an attribute of carrying the same name in Edirnekapi District. The historical complex was located over against the port side of Uskudar in 1548. In addition, it was built by Sinan the Architect in the same period with the Şehzade Mosque (Prince Mosque).
It contained a mosque, a school for children, a fountain, a medresse consisting of sixteen rooms, a guesthouse of eight rooms, a stable, a larder, a store house and a caravanserai. It now consists of five sections: mosque, madrasah (theological school attached to a mosque), the tomb of Sinaneddin Yusuf Paşa and the tomb of İbrahim Ethem Paşa.
Originally built by the seaside, the complex includes mosque, madrasa, boys’ school buildings, and the tomb of the Grand Admiral Sinan Pasha. The plan of the mosque is unique to the architecture of Sinan and the design scheme has never been repeated again. Its courtyard is elevated, overlooking the hustle and bustle of Üsküdar Square. One of the main and unique design features here is the way one enters the interior space, underneath the main dome as in the Edirnekapı Mihrimah Sultan Mosque. Since the mosque is at a busy central point in the city, it is open until late every day.
Sinan never designed a second mosque with three domes, leaving the Mihrimah Sultan as the only example of its type. However, this exploration of structural configurations came to influence his later work.
The Mihrimah Sultan Mosque (Iskele Mosque, Jetty Mosque, Üsküdar Quay Mosque, Turkish: Mihrimah Sultan Camii, İskele Camii) is an Ottoman mosque located in the historic center of the Üsküdar municipality in Istanbul, Turkey.
The Mihrimah Sultan Mosque is one of Üsküdar's best-known landmarks and takes its nicknames from the ferry landing near which it stands. It is the first of two mosques built by Mihrimah Sultana, daughter of Sultan Suleiman the Magnificent and wife of Grand Vizier Rüstem Pasha. It was designed by Mimar Sinan and built between 1546 and 1548. It is a massive structure on a raised platform and already shows several hallmarks of Sinan's mature style; a spacious, high-vaulted basement, slender minarets, a single-domed baldacchino flanked by three semi-domes ending in three exedrae and a broad double portico. Mihr-î-Mah means Sun and Moon.
One of the early works of Mimar Sinan, this complex was built on the instructions of Süleyman the Magnificient in 1548 in memory of his daughter Mihrimah Sultan, whose mother was the famous Roxlene. It contained a mosque, a school for children, a fountain, a medresse consisting of sixteen rooms, a guesthouse of eight rooms, a stable, a larder, a store house and a caravanserai.
Mosque
On a sloping site along Iskele Square in Üskudar, the mosque has a rectangular plan aligned on the northeast-southwest axis. The diameter of the dome of the mosque is 10 m. There are two huge minarets having one balcony (sherefe) each. The decorative niche (mihrab) and the marble pulpit (mimber) reflect the formats of the Classical Ottoman Architecture. It is one of the few premier structures preserving the traces of the past on the Anatolian side of Istanbul. While the structure offers a distinct aesthetic view with a porch that covers the last prayer section, there is a twenty-cornered fountain located on the seaward side of the mosque.
It is entered from a portal on the northwest, the central bay of a five-bay portico. Surmounted by five domes, the open portico is carried by six columns along its northwest side. Running along the northwest side of the mosque is a secondary arcade, which is as deep as the portico and is carried over pointed arches resting on relatively slim columns. This arcade extends northwest to cover the circular fountain, which is on axis with the portal of the mosque. Made of marble, the portal carries an inscription with the construction date of 1547 that names Mihrimah Sultan and Süleyman the Magnificent as its patrons.
Architect Sinan opted for a design of the mosque more modern than that of Ayasofya Mosque. The half dome which is usually present above the entryway is absent; immediately upon entering the mosque one is under the main dome. The "Şadırvan", or ablution fountain, is one of the finest of all the mosques in İstanbul . The repousse ornamentation found on the window shutters, pulpits, and the marble mosque niche (mihrap) are products of expert workmanship.
The Mihrimah Sultan is one of Sinan's early mosques, where he made a structural experiment, choosing to flank the main dome on three sides with three half-domes. This was the first time Sinan used half-domes, with the end result that the spatial organization and the structural system of the mosque are not perfectly resolved. The asymmetry in the structure entailed both a heavy structure and an unusual configuration on the southeast elevation, which ended abruptly.
The portico was not adequate to overcome the effect of the southeast elevation, so another large arcade was added, which extended to cover the fountain. Another side effect of the asymmetrical design was the immediate entry into the prayer hall, which impaired the sense of spatial depth. However, this quick entry also created the opportunity for the visitor to experience all of the interior space simultaneously.
Above the prayer hall, the main dome has sixteen windows; the main dome and the three half-domes are supported with twin buttresses that appear on four sides of the exterior. The south and east corner bays of the prayer hall are surmounted with two smaller domes. The muezzin's platform (muezzin mahfili), which is carried over five piers, is articulated as a small square projection southwest of the entrance. The minbar is placed just across the muezzin's platform on the qibla wall, southwest of the mihrab. The mihrab itself is a marble niche with muqarnas carvings above.
The interior space is adorned with painted ornamentation, and the upper windows, as well as the windows in the domes, are filled with stained glass. The mosque has two minarets on the north and west corners of the prayer hall, both with single balconies. They are entered from the first and fifth bays of the portico. Their balconies have balustrades with stonework carried over four rows of stalactite carvings.
On the righthand wall of the mosque, next to the entrance to the graveyard, there is a sun dial, built by the Dervish Gaybî Muhyiddin, the timekeeper of the Yeni Camii. This was built in 1769 and was called the "Basita". The clock is one of the best examples of sun dials in İstanbul.
Mihrimah Sultan Complex
The Mihrimah Sultan mosque was built for Mihrimah Sultan, daughter of Süleyman the Magnificent (1520-1566), as part of a complex that includes a madrasa, an infirmary, a school, and baths.
One of the early works of Mimar Sinan, this complex was built on the instructions of Süleyman the Magnificient in 1548 in memory of his daughter Mihrimah Sultan, whose mother was the famous Roxlene. It contained a mosque, a school for children, a fountain, a medresse consisting of sixteen rooms, a guesthouse of eight rooms, a stable, a larder, a store house and a caravanserai.
The other sections of the mosque could not be reached until today. The Madrasah (religious school) is composed of 16 rooms that is being used as a health clinic today, the tomb of the two sons of Mihrimah Sultan, the tomb of the Osman Ağa, son of Rüstem Pasa-Grand (Grand Viziers of the Ottoman Empire), and the tomb of Sinan Paşa, Admirals of the Navy (Kaptan-ı Derya) are the structures that have stood until today.
Unfortunately, the soup kitchen and the caravanserai of this complex have not survived. At the time of "Sürre Alayı", an event which was organized during Ottoman times to send candidates for the pilgrimage to Mekka and Medina every year, many of the candidates stayed in the Mihrimah Sultan caravanserai.
The other building in the complex is a Quranic primary school (Sıbyan Mektebi), which consisted of a domed porch and classroom. The tabhane (hostel) disappeared during the fire in 1772 and the inn and kitchen have also been completely cleared away.
Today, the medresse is used as a health center and the school for the children is now a childrens library. There is a fountain located next to the wall closest to the Bosphorus and another one under the school. The Square Baths (the Grand Baths) was removed at the end of the 80's. The building that has replaced it no longer resembles the original form, and is now used as a super market.
The medresse is found to the north of the mosque. The interior of the medresse no longer resembles its original form and is used as a health center today. The tombs of Mihrimah Sultan's two sons and Prime Minister İbrahim Ethem Paşa can be seen between the mosque and the medresse. The primary school is found on the kiblah (direction facing Mecca) side of the mosque. The hospice, soup kitchen and caravanserai have not survived.
On the righthand wall of the mosque, next to the entrance to the graveyard, there is a sun dial, built by the Dervish Gaybî Muhyiddin, the timekeeper of the Yeni Camii. This was built in 1769 and was called the "Basita". The clock is one of the best examples of sun dials in İstanbul.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
Saturday, September 8, 2018
AYAZMA MOSQUE
Şemsipaşa, Üsküdar - Istanbul - Turkey
GPS : 41°01'22.0"N 29°00'31.0"E / 41.022778, 29.008611

PHOTOGRAPHS ALBUM
It is located in Üsküdar, between Salacak and Şemsipaşa on a hill before Marmara overlooking Kızkulesi. Sultan Mustafa III (1717-1774) had the Ayazma Mosque, which rises between the Salacak and Şemsipaşa districts of Üsküdar, built by the architect, Mehmed Tahir Ağa, in 1761. In addition, the mosque, which features predominately western style architectural aspects, was built in memory of his mother Mihrişah Emine Hatun and his elder brother Şehzade Süleyman.
It is understood from certain sources that the name of the mosque comes from the Ayazma Palace which had once been located on the site. The mosque was named after a water spring that was sacred among the ancient Greeks; this spring is located to the left of the street. The mosque is part of a large complex that consists of a school for children, baths, and a clock room. The mosque used to be in the square of the Ayazma Palace, but the palace is no longer standing.
If one leaves the mosque precinct by the back gate and follows the winding street outside, keeping firmly to the right, one comes before long to an imposing baroque mosque known as Ayazma Camii. It is one of the more successful of the baroque mosques, especially on the exterior. A handsome entrance portal opens onto a courtyard from which a pretty flight of semicircular steps leads up to the mosque porch.
On the left is a large cistern and beyond an elaborate two-storeyed colonnade gives access to the imperial loge. The upper structure is also diversified with little domes and turrets, and many windows give light to the interior. The interior, as generally in baroque mosques, is less successful, though the grey marble gallery along the entrance wall, supported by slender columns, is effective.
The Ayazma Mosque has been renovated several times during its lifetime. A new minaret has been built twice on the site of the demolished minaret. The muvakkitkane (time-keeping room) and the bath, which was built to generate income for the mosque, as well as many stores of the mosque have not reached the present day. According to the archival document, Ayazma Palace, in the place of Ayazma Mosque, was restored in 1740s and allocated to ambassador of Iran.
Birdhouses are built into the walls on each side of the doors. There is a sundial in the corner of the right façade. The pulpit of this mosque is a masterpiece of stonework. Dozens of ostrich eggs were hung on the circular oil lamp above in order to prevent the formation of cobwebs. There is no clear reason as to why the eggs have been removed today. In the courtyard there is a very large pool that was intended to be used in case of fire.
The mosque, which is placed in the middle of a wide field, is located on a hillside overlooking Istanbul. It is said that the architect, Mehmed Tahir Ağa, put 8,750 eggs, 625 okka of honey (an okka is the old Turkish weight measure, equalling 1,285 gr.) and quicksilver worth 1,080 kuruş (a kuruş is one hunderdth of the old Turkish pound) into the mixture he used as cement.
In addition to Western architectural elements, classical designs have added a different complexion to the structure. The main space of the building is built on a rectangular plan and is covered by a dome resting on four elephant legs. The Hünkar Köşk (Royal residence) of the building, built next to the mosque, is situated on the left hand side of the main site. A variety of colourful stones are used to decorate the sermon area, the niche, and the pulpit of the mosque.
Decorations with gold latten are used in the royal residence and are the creation of highly skilled craftsmanship. Furthermore, the pulpit, composed of colourful, engraved marble stones, as well as the niche, made of porphyry stones, are further reflections of the skilled workmanship of the building. The scripts on the portal gate belong to the calligrapher, Seyyid Abdullah, and scripts on the plaster windows belong to calligrapher, Seyyid Mustafa.
The structure is understood to have been dated to 1760 - 1761 from the inscriptions upon the door. According to the expense book, held very carefuly, 506.095 piasters 49 coins were spent for the mosque. The mosque inscription was inscribed with talik calligraphy by Sheikh ul-islam and Calligrapher Veliyüddin Efendi. The tiles on the wall of royal box are Italian.
The altar is made of white porphyry and the carved pulpit is made of colored marble. Calligraphies in the mosque belong to Seyyid Abdullah and calligrapher Seyyid Mustafa. Bird’s nests on the outer walls of the mosque and the sundial on the right wall are noteworthy. The central dome with 20 windows is supported by four elephant feet. The mosque has 86 windows in total.
There is a fountain located on one corner of the wall surrounding the courtyard of the Ayazma Mosque that was built during the same year with the mosque. The inscription written on the fountain belongs to the poet, Zihni.There are graves of several notable individuals of the Ottoman Palace in the mosque’s graveyard. The big marble fountain, in the corner of the wall surrounding the large courtyard, is understood from the inscription of Poet Zihni that it was built along with the mosque in 1761.
When Sultan Mahmud II abolished the Janissaries in 1826, he removed every symbol that could act as a reminder of them, including their tombstones. The only two tombs of Janissaries that have survived until today are in the graveyard of this mosque.
Leaving by the south gate and following the street to the east, one comes to a wider street, Doğancılar Caddesi, with two pretty baroque çeşmes at the intersection; turning right one finds at the end of this street a severely plain türbe built by Sinan for Hacı Mehmet Paşa, who died in 1559. It stands on an octagonal terrace bristling with tombstones and overshadowed by a dying terebinth tree.
It is one of the mosques under influence of European artistic style. It was commissioned by Sultan Mustafa his mother Mihrişah Emine Sultan. One can take the stairs to go up to the mosque from a three-gate courtyard. The minaret has single balcony. Central dome which has 20 windows is situated on four elephant legs. The floor is paved with marble. It has a total of 86 windows.
The mosque is part of a large complex that consists of a school for children, baths, and a clock room. There is a very beautiful fountain in the left corner. The mosque used to be in the square of the Ayazma Palace, but the palace is no longer standing. Birdhouses are built into the walls on each side of the doors. There is a sundial in the corner of the right façade. The pulpit of this mosque is a masterpiece of stonework.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
GPS : 41°01'22.0"N 29°00'31.0"E / 41.022778, 29.008611
PHOTOGRAPHS ALBUM
It is located in Üsküdar, between Salacak and Şemsipaşa on a hill before Marmara overlooking Kızkulesi. Sultan Mustafa III (1717-1774) had the Ayazma Mosque, which rises between the Salacak and Şemsipaşa districts of Üsküdar, built by the architect, Mehmed Tahir Ağa, in 1761. In addition, the mosque, which features predominately western style architectural aspects, was built in memory of his mother Mihrişah Emine Hatun and his elder brother Şehzade Süleyman.
It is understood from certain sources that the name of the mosque comes from the Ayazma Palace which had once been located on the site. The mosque was named after a water spring that was sacred among the ancient Greeks; this spring is located to the left of the street. The mosque is part of a large complex that consists of a school for children, baths, and a clock room. The mosque used to be in the square of the Ayazma Palace, but the palace is no longer standing.
If one leaves the mosque precinct by the back gate and follows the winding street outside, keeping firmly to the right, one comes before long to an imposing baroque mosque known as Ayazma Camii. It is one of the more successful of the baroque mosques, especially on the exterior. A handsome entrance portal opens onto a courtyard from which a pretty flight of semicircular steps leads up to the mosque porch.
On the left is a large cistern and beyond an elaborate two-storeyed colonnade gives access to the imperial loge. The upper structure is also diversified with little domes and turrets, and many windows give light to the interior. The interior, as generally in baroque mosques, is less successful, though the grey marble gallery along the entrance wall, supported by slender columns, is effective.
The Ayazma Mosque has been renovated several times during its lifetime. A new minaret has been built twice on the site of the demolished minaret. The muvakkitkane (time-keeping room) and the bath, which was built to generate income for the mosque, as well as many stores of the mosque have not reached the present day. According to the archival document, Ayazma Palace, in the place of Ayazma Mosque, was restored in 1740s and allocated to ambassador of Iran.
Birdhouses are built into the walls on each side of the doors. There is a sundial in the corner of the right façade. The pulpit of this mosque is a masterpiece of stonework. Dozens of ostrich eggs were hung on the circular oil lamp above in order to prevent the formation of cobwebs. There is no clear reason as to why the eggs have been removed today. In the courtyard there is a very large pool that was intended to be used in case of fire.
The mosque, which is placed in the middle of a wide field, is located on a hillside overlooking Istanbul. It is said that the architect, Mehmed Tahir Ağa, put 8,750 eggs, 625 okka of honey (an okka is the old Turkish weight measure, equalling 1,285 gr.) and quicksilver worth 1,080 kuruş (a kuruş is one hunderdth of the old Turkish pound) into the mixture he used as cement.
In addition to Western architectural elements, classical designs have added a different complexion to the structure. The main space of the building is built on a rectangular plan and is covered by a dome resting on four elephant legs. The Hünkar Köşk (Royal residence) of the building, built next to the mosque, is situated on the left hand side of the main site. A variety of colourful stones are used to decorate the sermon area, the niche, and the pulpit of the mosque.
Decorations with gold latten are used in the royal residence and are the creation of highly skilled craftsmanship. Furthermore, the pulpit, composed of colourful, engraved marble stones, as well as the niche, made of porphyry stones, are further reflections of the skilled workmanship of the building. The scripts on the portal gate belong to the calligrapher, Seyyid Abdullah, and scripts on the plaster windows belong to calligrapher, Seyyid Mustafa.
The structure is understood to have been dated to 1760 - 1761 from the inscriptions upon the door. According to the expense book, held very carefuly, 506.095 piasters 49 coins were spent for the mosque. The mosque inscription was inscribed with talik calligraphy by Sheikh ul-islam and Calligrapher Veliyüddin Efendi. The tiles on the wall of royal box are Italian.
The altar is made of white porphyry and the carved pulpit is made of colored marble. Calligraphies in the mosque belong to Seyyid Abdullah and calligrapher Seyyid Mustafa. Bird’s nests on the outer walls of the mosque and the sundial on the right wall are noteworthy. The central dome with 20 windows is supported by four elephant feet. The mosque has 86 windows in total.
There is a fountain located on one corner of the wall surrounding the courtyard of the Ayazma Mosque that was built during the same year with the mosque. The inscription written on the fountain belongs to the poet, Zihni.There are graves of several notable individuals of the Ottoman Palace in the mosque’s graveyard. The big marble fountain, in the corner of the wall surrounding the large courtyard, is understood from the inscription of Poet Zihni that it was built along with the mosque in 1761.
When Sultan Mahmud II abolished the Janissaries in 1826, he removed every symbol that could act as a reminder of them, including their tombstones. The only two tombs of Janissaries that have survived until today are in the graveyard of this mosque.
Leaving by the south gate and following the street to the east, one comes to a wider street, Doğancılar Caddesi, with two pretty baroque çeşmes at the intersection; turning right one finds at the end of this street a severely plain türbe built by Sinan for Hacı Mehmet Paşa, who died in 1559. It stands on an octagonal terrace bristling with tombstones and overshadowed by a dying terebinth tree.
It is one of the mosques under influence of European artistic style. It was commissioned by Sultan Mustafa his mother Mihrişah Emine Sultan. One can take the stairs to go up to the mosque from a three-gate courtyard. The minaret has single balcony. Central dome which has 20 windows is situated on four elephant legs. The floor is paved with marble. It has a total of 86 windows.
The mosque is part of a large complex that consists of a school for children, baths, and a clock room. There is a very beautiful fountain in the left corner. The mosque used to be in the square of the Ayazma Palace, but the palace is no longer standing. Birdhouses are built into the walls on each side of the doors. There is a sundial in the corner of the right façade. The pulpit of this mosque is a masterpiece of stonework.
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Wednesday, September 5, 2018
ÜSKÜDAR SELİMİYE MOSQUE
Selimiye, Üsküdar - Istanbul - Turkey
GPS : 41°00'35.0"N 29°00'58.9"E / 41.009722, 29.016361

PHOTOGRAPHS ALBUM
Located in Üsküdar across the Selimiye Barracks, Selimiye Mosque was commissioned by Sultan Selim III (reigned 1789–1807) in 1805. It is on a hill overlooking Marmara and the Golden Horn. It is a group of buildings with its lodge, barracks, Turkish bath, dervish lodge, warehouse and textile manufacturing facilities. It is located in front of a large rectangular courtyard. It has gates on north, south, east and west sides. The south gate is a marble arch. Its top is decorated by leaves. There is the imperial signature of Sultan Selim III on it.
The dome of this square cut stone mosque measures 14.6 m in diameter and it has twenty four windows. It is supported by small towers at the corners. The elevation of the dome is 25.7 m from ground level and its interior side is decorated with verses from the Quran and calligraphic script. The pulpit and mihrab are made of somaki marble and the portico is roofed with five domes supported by six marble columns.
The great dome of four walls and 24 windows is supported by one small tower on each edge. The main entrance is from the west and it has ten stairs. The cupola that covers the main area is covered by bricks and plated by lead. There are two minarets with single balcony with two storey sultan offices.
It is located in front of a large rectangular courtyard. It has gates on north, south, east and west sides. The main entrance is from the west and it has ten stairs. The cupola that covers the main area is covered by bricks and plated by lead. On the west side of the mosque two floored Sultan rooms were placed and they were erected on marble columns. On the right the Sultan’s praying room, and on the left his resting and guest rooms are located. Selimiye Mosque is famous for its decorations.
The cupola is ornamented with paintbrush and central cupola is ornamented with verses of Koran. The south gate is a marble arch. Its top is decorated by leaves. There is the imperial signature of Sultan Selim III on it. There is a wooden ribbon which is fine example of Turkish woodcraft under the preacher desk, the pulpit is marble. There are verses of the Koran on all the doors of the mosque. The number of scripts in this mosque is unparalleled.
The baroque style Selimiye Mosque opposite the Selimiye Kışlası (Barracks) in Üsküdar was built by Chief Architect Ahmet Nurettin for Sultan Selim III when the construction of the mosque was finalized, the minarets looked thicker than intended so they were chiseled down to make them thinner. There are two minarets with single balcony with two storey sultan offices. However, these slenderized minarets could not resist the winds and it collapsed in 1823 and this led to reconstruction being required. The mosque underwent an overall renovation in 1964.
The pulpit and mihrab are made of somaki marble and the portico is roofed with five domes supported by six marble columns. The interior of the mosque is rich in marble and wood engravings. The mihrab and mimbar is made of porphyry marble. The latest congregational area is sheltered by 5 domes over 6 marble columns.
On the west side of the mosque two floored Sultan rooms were placed and they were erected on marble columns. On the right the Sultan’s praying room, and on the left his resting and guest rooms are located. Selimiye Mosque is famous for its decorations. The cupola is ornamented with paintbrush and central cupola is ornamented with verses of Koran.
The exterior surface of the total four gates has verses from Quran written on them. The muvakkithane (timekeeping room), which does not bear an epitaph, can be seen in the large courtyard of the mosque.
It also treasures the graves of Zibifer Kadın, wife of Sultan Selim III and Minister of Finance Mehmed Hasip Pasha.
The south gate is a marble arch. Its top is decorated by leaves. There is a wooden ribbon which is fine example of Turkish woodcraft under the preacher desk, the pulpit is marble. There are verses of the Koran on all the doors of the mosque. The number of scripts in this mosque is unparalleled.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
GPS : 41°00'35.0"N 29°00'58.9"E / 41.009722, 29.016361
PHOTOGRAPHS ALBUM
Located in Üsküdar across the Selimiye Barracks, Selimiye Mosque was commissioned by Sultan Selim III (reigned 1789–1807) in 1805. It is on a hill overlooking Marmara and the Golden Horn. It is a group of buildings with its lodge, barracks, Turkish bath, dervish lodge, warehouse and textile manufacturing facilities. It is located in front of a large rectangular courtyard. It has gates on north, south, east and west sides. The south gate is a marble arch. Its top is decorated by leaves. There is the imperial signature of Sultan Selim III on it.
The dome of this square cut stone mosque measures 14.6 m in diameter and it has twenty four windows. It is supported by small towers at the corners. The elevation of the dome is 25.7 m from ground level and its interior side is decorated with verses from the Quran and calligraphic script. The pulpit and mihrab are made of somaki marble and the portico is roofed with five domes supported by six marble columns.
The great dome of four walls and 24 windows is supported by one small tower on each edge. The main entrance is from the west and it has ten stairs. The cupola that covers the main area is covered by bricks and plated by lead. There are two minarets with single balcony with two storey sultan offices.
It is located in front of a large rectangular courtyard. It has gates on north, south, east and west sides. The main entrance is from the west and it has ten stairs. The cupola that covers the main area is covered by bricks and plated by lead. On the west side of the mosque two floored Sultan rooms were placed and they were erected on marble columns. On the right the Sultan’s praying room, and on the left his resting and guest rooms are located. Selimiye Mosque is famous for its decorations.
The cupola is ornamented with paintbrush and central cupola is ornamented with verses of Koran. The south gate is a marble arch. Its top is decorated by leaves. There is the imperial signature of Sultan Selim III on it. There is a wooden ribbon which is fine example of Turkish woodcraft under the preacher desk, the pulpit is marble. There are verses of the Koran on all the doors of the mosque. The number of scripts in this mosque is unparalleled.
The baroque style Selimiye Mosque opposite the Selimiye Kışlası (Barracks) in Üsküdar was built by Chief Architect Ahmet Nurettin for Sultan Selim III when the construction of the mosque was finalized, the minarets looked thicker than intended so they were chiseled down to make them thinner. There are two minarets with single balcony with two storey sultan offices. However, these slenderized minarets could not resist the winds and it collapsed in 1823 and this led to reconstruction being required. The mosque underwent an overall renovation in 1964.
The pulpit and mihrab are made of somaki marble and the portico is roofed with five domes supported by six marble columns. The interior of the mosque is rich in marble and wood engravings. The mihrab and mimbar is made of porphyry marble. The latest congregational area is sheltered by 5 domes over 6 marble columns.
On the west side of the mosque two floored Sultan rooms were placed and they were erected on marble columns. On the right the Sultan’s praying room, and on the left his resting and guest rooms are located. Selimiye Mosque is famous for its decorations. The cupola is ornamented with paintbrush and central cupola is ornamented with verses of Koran.
The exterior surface of the total four gates has verses from Quran written on them. The muvakkithane (timekeeping room), which does not bear an epitaph, can be seen in the large courtyard of the mosque.
It also treasures the graves of Zibifer Kadın, wife of Sultan Selim III and Minister of Finance Mehmed Hasip Pasha.
The south gate is a marble arch. Its top is decorated by leaves. There is a wooden ribbon which is fine example of Turkish woodcraft under the preacher desk, the pulpit is marble. There are verses of the Koran on all the doors of the mosque. The number of scripts in this mosque is unparalleled.
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Monday, September 3, 2018
ÇİNİLİ MOSQUE
Üsküdar - İstanbul - Turkey
GPS : 41°01'12.1"N 29°01'43.6"E / 41.020028, 29.028778

PHOTOGRAPHS ALBUM
Çinili Mosque (known as Tiled Mosque or Orta Valide Sultan Mosque) was built by Mahpeyker Kösem Sultan, the wife of Sultan Ahmed I, in 1640. The architect Kasım Ağa designed the mosque along with a medresse, school, fountain, baths with two sections, and a fountain for ablutions.
This little mosque is fairly unprepossessing from the outside, but the interior is a totally different story. The walls are brilliant with İznik tiles, the bequest of Mahpeyker Kösem (1640), wife of Sultan Ahmet I and mother of Sultan Murat IV and Sultan İbrahim. It’s a 10-minute walk to get here from the Atik Valide Mosque. That social complex built in 1050 IC/1640 AD and composed of several buildings was situated at the top of a commanding hill.
The minaret was damaged due to streak of lightning in 1964. With a 9 m dome diameter, the mosque measures 9.12 x 9.16 m in to in. Sıraltı Kütahya tiles, used in the decoration, are considered as the final examples of classical Turkish art of tile making. Although the mosque is rather unremarkable from outside, the long walk to the mosque through will be rewarded by the exquisite interior decorations made by the famous Iznik tiles.
The mosque, in a pretty garden filled with flowers and trees, is small and simple: a square room covered by a dome, but it has both on the façade and in the interior a revetment of tiles (hence its name, çinili = tiled) just after the best period, but still quite fine, chiefly pale blue and turquoise on a white ground. Just outside the precinct is a handsome mektep, and not far off a large hamam also belongs to the foundation.
The mimber of white marble has its carving very prettily picked out in gold, red and green, and its conical roof is tiled. The porch of the mosque is a baroque addition, as is the minaret, of which the şerefe has a corbel of very pretty folded-back acanthus leaves, such as we have seen nowhere else. In the precinct is a very fine şadırvan with a huge witch’s cap for a roof, and a tiny medrese triangular in shape sloping headlong down hill.
The mosque was built by Mahpeyker Kösem Sultan, the wife of Ahmed I, in 1640. The architect Kasım Ağa designed the mosque along with a medresse, school, fountain, baths with two sections, and a fountain for ablutions. The bathhouse, which has no enameled tiles or ornaments at all, took its name from the Çinili Mosque. Across from the men's section is the Kösem Sultan School for children, across from the women's section is the dervish lodge of Ümmi Ahmet Efendi. This historical bath is still operational.
The bath without any tile decoration gets its name from the mosque. The bath operated until 1908 - 1909 and was kept closed for a substantial period following the fire of 1923. It passed into a private land. The bath came into operation again after restoration between 1963 and 1964.
Built of stone rubble, L planned madrasah was built by Mahpeyker Kösem Sultan along with the mosque in 1640 and was designed by the Architect Kasım Ağa. Closed in 1925, the madrasah was restored in 1970.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
GPS : 41°01'12.1"N 29°01'43.6"E / 41.020028, 29.028778
PHOTOGRAPHS ALBUM
Çinili Mosque (known as Tiled Mosque or Orta Valide Sultan Mosque) was built by Mahpeyker Kösem Sultan, the wife of Sultan Ahmed I, in 1640. The architect Kasım Ağa designed the mosque along with a medresse, school, fountain, baths with two sections, and a fountain for ablutions.
This little mosque is fairly unprepossessing from the outside, but the interior is a totally different story. The walls are brilliant with İznik tiles, the bequest of Mahpeyker Kösem (1640), wife of Sultan Ahmet I and mother of Sultan Murat IV and Sultan İbrahim. It’s a 10-minute walk to get here from the Atik Valide Mosque. That social complex built in 1050 IC/1640 AD and composed of several buildings was situated at the top of a commanding hill.
The minaret was damaged due to streak of lightning in 1964. With a 9 m dome diameter, the mosque measures 9.12 x 9.16 m in to in. Sıraltı Kütahya tiles, used in the decoration, are considered as the final examples of classical Turkish art of tile making. Although the mosque is rather unremarkable from outside, the long walk to the mosque through will be rewarded by the exquisite interior decorations made by the famous Iznik tiles.
The mosque, in a pretty garden filled with flowers and trees, is small and simple: a square room covered by a dome, but it has both on the façade and in the interior a revetment of tiles (hence its name, çinili = tiled) just after the best period, but still quite fine, chiefly pale blue and turquoise on a white ground. Just outside the precinct is a handsome mektep, and not far off a large hamam also belongs to the foundation.
The mimber of white marble has its carving very prettily picked out in gold, red and green, and its conical roof is tiled. The porch of the mosque is a baroque addition, as is the minaret, of which the şerefe has a corbel of very pretty folded-back acanthus leaves, such as we have seen nowhere else. In the precinct is a very fine şadırvan with a huge witch’s cap for a roof, and a tiny medrese triangular in shape sloping headlong down hill.
The mosque was built by Mahpeyker Kösem Sultan, the wife of Ahmed I, in 1640. The architect Kasım Ağa designed the mosque along with a medresse, school, fountain, baths with two sections, and a fountain for ablutions. The bathhouse, which has no enameled tiles or ornaments at all, took its name from the Çinili Mosque. Across from the men's section is the Kösem Sultan School for children, across from the women's section is the dervish lodge of Ümmi Ahmet Efendi. This historical bath is still operational.
The bath without any tile decoration gets its name from the mosque. The bath operated until 1908 - 1909 and was kept closed for a substantial period following the fire of 1923. It passed into a private land. The bath came into operation again after restoration between 1963 and 1964.
Built of stone rubble, L planned madrasah was built by Mahpeyker Kösem Sultan along with the mosque in 1640 and was designed by the Architect Kasım Ağa. Closed in 1925, the madrasah was restored in 1970.
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Monday, August 20, 2018
KAPTAN PAŞA MOSQUE
Üsküdar - İstanbul - Turkey
GPS : 41°01'22.3"N 29°00'44.2"E / 41.022861, 29.012278

PHOTOGRAPHS ALBUM
It is a little bit further than Rum Mehmet Pasha Mosque and gives its name to the quarter. The mosque, originally built here by Hamza Fakih in 1499. It was enlarged in 1630 and was renovated in 1720 by Kaymakçı Mustafa Paşa, who was later killed in the Patrona Halil Uprising.
The interior is decorated with enameled tiles and ornaments that are among the best examples of the 18th century. It is said that they were made in the Tekfur Palace near Edirnekapı. Before the fire the mosque had been completely covered by enameled tiles, which now only reach the lower windows.
The mosque was partially burnt in 1890 and restored by Şerife Nesife Hanım, the daughter of Helvacı. Since it collapsed during the big earthquake in 1888, it was rebuilt.
It was built of cut stone. The ascent to the minaret on the right is made of wood. It is understood from the plate on its door prepared by poet Refet, the founders are philanthropic Hamza Fakih and Kaymak Mustafa Pasha. Although it was built during Sultan Ahmet III's era, the traditions of Architect Sinan were followed.
LOCATION SATELLITE MAP
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GPS : 41°01'22.3"N 29°00'44.2"E / 41.022861, 29.012278
PHOTOGRAPHS ALBUM
It is a little bit further than Rum Mehmet Pasha Mosque and gives its name to the quarter. The mosque, originally built here by Hamza Fakih in 1499. It was enlarged in 1630 and was renovated in 1720 by Kaymakçı Mustafa Paşa, who was later killed in the Patrona Halil Uprising.
The interior is decorated with enameled tiles and ornaments that are among the best examples of the 18th century. It is said that they were made in the Tekfur Palace near Edirnekapı. Before the fire the mosque had been completely covered by enameled tiles, which now only reach the lower windows.
The mosque was partially burnt in 1890 and restored by Şerife Nesife Hanım, the daughter of Helvacı. Since it collapsed during the big earthquake in 1888, it was rebuilt.
It was built of cut stone. The ascent to the minaret on the right is made of wood. It is understood from the plate on its door prepared by poet Refet, the founders are philanthropic Hamza Fakih and Kaymak Mustafa Pasha. Although it was built during Sultan Ahmet III's era, the traditions of Architect Sinan were followed.
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Thursday, August 9, 2018
ŞEMSİ AHMED PASHA COMPLEX
Şemsipaşa, Üsküdar - Istanbul - Turkey
GPS : 41°01'33.0"N 29°00'41.0"E / 41.025833, 29.011389

PHOTOGRAPHS ALBUM
This mosque was designed by Mimar Sinan at the request of Şemsi Paşa, the vizier of Ottoman Sultan Süleyman (1520-1566) the Magnificient in 1580. Renowned as "the little gem" of Sinan, it is also called the Kuşkonmaz Camii, the mosque on which birds do not land (birds do not land there because of the wind off the Bosphorus). It is said that on the top of the dome, instead of the usual symbol (tombak alem) there used to be a golden inkstand and pen. The inside is covered with Ottoman glazed tiles and ornaments. There is an epitaph, written by Levni.
The chamber is crowned by a mirror vault at the height of the prayer hall drum. It has three casement windows facing the Bosphorus and nine upper windows on three walls, adorned with coloured glass. Surrounding the Mosque is a larger complex, situated on the coast of Üsküdar, also built by court architect Sinan near the Şemsi Pasha Palace and, according to the inscription over the mosque portal, construction was completed in 1580. In 1940, an extensive restoration project was undertaken by the General Directorate of Religious Endowments, supervised by architect Süreyya Yücel.
This is the only complex in Istanbul that still enjoys the cool effect of the waves by the seaside. The mosque, which fronts one of the most curvilinear edges of the Bosphorous. It is now difficult to visualize how the original interior space of the mosque was, due to some later changes and additions, such as an added attendant's room and a women's section. Overall, the mosque and the gardens are well kept. A walled cemetery occupies the eastern precinct, behind the mosque's qibla wall.
The complex stands on a roughly rectangular site aligned east-west with the Bosphorus shoreline. The square, single domed mosque abuts the coast at an angle, with the adjoining tomb of the donor projecting towards the waterfront. Its precinct is enclosed by an L-shaped madrasa to the west and south, and a seawall with grill-windows to the north, giving the impression that one is in a picture gallery looking at framed Bosphorus seascapes.
The complex has two gates, one facing the land and the other facing the sea; the land gate opens to a private walled cemetery which occupies the eastern precinct, behind the mosque's qibla wall, which has become a burial site for generations of Şemsi Pasha. A gate along the seawall opens into the precinct courtyard, which is shared by the mosque and the madrasa. A secondary gate along the cemetery wall to the east also leads to this courtyard via a narrow passage.
The mosque portico, which envelops the prayer hall to the northwest and southwest, is faced across the courtyard with the madrasa arcade, at a smaller scale. Both the portico and arcade are covered by shed roofs and have pointed arches carried on columns with diamond-cut capitals. The mosque portico was rebuilt during the 1940 restoration. A single minaret with a single balcony rises above it, adjoining the southwest corner of the prayer hall.
Entered through a marble portal on its northwest wall, the prayer hall is surmounted by a single dome, which measures about eight meters in diameter. The transition to the dome is achieved with four squinches over an octagonal drum pierced with four arched windows. The prayer hall has nine casement windows - two on each wall with an additional window on the southeast wall.
Each casement is topped by an arched window with a different colored glass composition, and a circular window is placed above the mihrab. The simple marble mihrab has a muqarnas hood. Muqarnas carvings were also used to highlight the springing of the squinch arches. The wooden minbar is a modern replacement.
Tomb
The tomb chamber, which measures about four meters by four and a half meters, is attached to the prayer hall. It is entered from the outside from northwest, but opens into the prayer hall with a grilled archway. The chamber is crowned by a mirror vault at the height of the prayer hall drum. It has three casement windows facing the Bosporus and nine upper windows on three walls, adorned with colored glass. Decoration is limited to the stalactite carvings of the portal and painted floral and geometrical motifs on the mirror vault. Although its portal inscription was lost, inscriptive plaques over the archway in the prayer hall were preserved. The tomb, like the mosque, is made of cut stone.
Madrasa
The L-shaped madrasa has twelve domed cells and a large classroom, all fronted by an arcade whose shed roof is carried by nineteen columns. Cells are placed all in a row except at the northern end, where a single cell encloses the arcade before the seawall. The classroom, which is seven meters square, occupies the center of the western wing of and projects beyond the madrasa wall. It is surmounted by a dome carried on squinches and raised on an octagonal drum.
There are six windows on three of the classroom's walls, leaving the western wall for a furnace and two shelving niches. Each madrasa cell has two windows, a furnace and one or two shelving niches. The arcade was enlarged following the restoration and the madrasa was refurnished to house a library in 1953 with the classroom use as the reading room. An additional room with privy cells is attached at the end of the southern wing.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
GPS : 41°01'33.0"N 29°00'41.0"E / 41.025833, 29.011389
PHOTOGRAPHS ALBUM
This mosque was designed by Mimar Sinan at the request of Şemsi Paşa, the vizier of Ottoman Sultan Süleyman (1520-1566) the Magnificient in 1580. Renowned as "the little gem" of Sinan, it is also called the Kuşkonmaz Camii, the mosque on which birds do not land (birds do not land there because of the wind off the Bosphorus). It is said that on the top of the dome, instead of the usual symbol (tombak alem) there used to be a golden inkstand and pen. The inside is covered with Ottoman glazed tiles and ornaments. There is an epitaph, written by Levni.
The chamber is crowned by a mirror vault at the height of the prayer hall drum. It has three casement windows facing the Bosphorus and nine upper windows on three walls, adorned with coloured glass. Surrounding the Mosque is a larger complex, situated on the coast of Üsküdar, also built by court architect Sinan near the Şemsi Pasha Palace and, according to the inscription over the mosque portal, construction was completed in 1580. In 1940, an extensive restoration project was undertaken by the General Directorate of Religious Endowments, supervised by architect Süreyya Yücel.
This is the only complex in Istanbul that still enjoys the cool effect of the waves by the seaside. The mosque, which fronts one of the most curvilinear edges of the Bosphorous. It is now difficult to visualize how the original interior space of the mosque was, due to some later changes and additions, such as an added attendant's room and a women's section. Overall, the mosque and the gardens are well kept. A walled cemetery occupies the eastern precinct, behind the mosque's qibla wall.
The complex stands on a roughly rectangular site aligned east-west with the Bosphorus shoreline. The square, single domed mosque abuts the coast at an angle, with the adjoining tomb of the donor projecting towards the waterfront. Its precinct is enclosed by an L-shaped madrasa to the west and south, and a seawall with grill-windows to the north, giving the impression that one is in a picture gallery looking at framed Bosphorus seascapes.
The complex has two gates, one facing the land and the other facing the sea; the land gate opens to a private walled cemetery which occupies the eastern precinct, behind the mosque's qibla wall, which has become a burial site for generations of Şemsi Pasha. A gate along the seawall opens into the precinct courtyard, which is shared by the mosque and the madrasa. A secondary gate along the cemetery wall to the east also leads to this courtyard via a narrow passage.
The mosque portico, which envelops the prayer hall to the northwest and southwest, is faced across the courtyard with the madrasa arcade, at a smaller scale. Both the portico and arcade are covered by shed roofs and have pointed arches carried on columns with diamond-cut capitals. The mosque portico was rebuilt during the 1940 restoration. A single minaret with a single balcony rises above it, adjoining the southwest corner of the prayer hall.
Entered through a marble portal on its northwest wall, the prayer hall is surmounted by a single dome, which measures about eight meters in diameter. The transition to the dome is achieved with four squinches over an octagonal drum pierced with four arched windows. The prayer hall has nine casement windows - two on each wall with an additional window on the southeast wall.
Each casement is topped by an arched window with a different colored glass composition, and a circular window is placed above the mihrab. The simple marble mihrab has a muqarnas hood. Muqarnas carvings were also used to highlight the springing of the squinch arches. The wooden minbar is a modern replacement.
Tomb
The tomb chamber, which measures about four meters by four and a half meters, is attached to the prayer hall. It is entered from the outside from northwest, but opens into the prayer hall with a grilled archway. The chamber is crowned by a mirror vault at the height of the prayer hall drum. It has three casement windows facing the Bosporus and nine upper windows on three walls, adorned with colored glass. Decoration is limited to the stalactite carvings of the portal and painted floral and geometrical motifs on the mirror vault. Although its portal inscription was lost, inscriptive plaques over the archway in the prayer hall were preserved. The tomb, like the mosque, is made of cut stone.
Madrasa
The L-shaped madrasa has twelve domed cells and a large classroom, all fronted by an arcade whose shed roof is carried by nineteen columns. Cells are placed all in a row except at the northern end, where a single cell encloses the arcade before the seawall. The classroom, which is seven meters square, occupies the center of the western wing of and projects beyond the madrasa wall. It is surmounted by a dome carried on squinches and raised on an octagonal drum.
There are six windows on three of the classroom's walls, leaving the western wall for a furnace and two shelving niches. Each madrasa cell has two windows, a furnace and one or two shelving niches. The arcade was enlarged following the restoration and the madrasa was refurnished to house a library in 1953 with the classroom use as the reading room. An additional room with privy cells is attached at the end of the southern wing.
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Friday, July 13, 2018
YENİ (CEDİT) VALİDE MOSQUE
Üsküdar - İstanbul - Turkey
GPS : 41°01'28.8"N 29°00'55.2"E / 41.024667, 29.015333

PHOTOGRAPHS ALBUM
The Yeni Valide Mosque is an Ottoman mosque in the Üsküdar district of Istanbul. Designed by Kayserili Mehmed Ağa, the chief architect of the palace, this mosque was built in 1710 on the decree of Sultan Ahmet III in memory of his mother, Emetullah Rabi'a Gülnış Sultan. It consists of a group of buildings, including a soup kitchen, a mausoleum, fountains, a clock room, a chamber for the Sultans, a market, etc. The social complex, bearing the touch of Classical Ottoman architecture, constitutes one of the female attributes of Üsküdar.
The complex was composed of a mosque in the center and a madrasah parallel to the mosque sharing the same courtyard, a dervish lodge that is on the left side of the mosque on the same street, a primary school, an imaret (soup kitchen), a caravansary, printing house, a school for Quran reciters, a Turkish Bath and a Daruşşifa, which was designed as a full-scale hospital. The treatment and needs of the patients admitted to the darüşşifa were funded by revenues from the land properties donated by Nurbanu Sultan.
Construction on this mosque began in 1708, and was completed in 1711, when the mosque first opened for prayers. The Yeni Valide Mosque is also known as the Valide-i Cedid. The main part of the building is square in shape and covered with a flattened main dome and four half domes. Calligraphy inside the mosque is the work of Hezarfen Mehmet Efendi.
This mosque boasts two minarets with two galleries apiece, as well as a notably serene courtyard, access to which can be found via five different gates. As the benefactor of this historic mosque, the Valide Sultan lies in her tomb - which itself is reminiscent of a paradisiacal garden - in the courtyard of the mosque. When you finally come to see this mosque, you might hear writer Yahya Kemal whisper in your ears, “As the years pass by, İstanbul, appears to have depth not just through land but through history.”
The clock room is to the right of the graveyard. This room has three walls and three windows, and it is the place where prayer times were determined for the mosques in Üsküdar. There are four birdhouses built into the walls of the mosque. In particular, the birdhouse consisting of three domes and two minarets that protudes on the upper walls, facing the stone bier, is a masterpiece of Turkish stonework.
Located on Hakimiyet-i Milliyet Street, the octagon mausoleum of white marble was designed in 1708-1711 by Mehmet Ağa, the chief architect of Tulip Era, in the form of a bird cage; Gülnüş Vâlide Sultan had wished for an open-air tomb. Near to the tomb there is a building where drinking water was served in cups as a form of charity. Above its windows there is an epitaph belonging to the famous Divan poet Naima.
Across from the Balaban gate of the mosque, to the left of the soup kitchens, is the Sineperver Vâlide Sultan fountain, built on the orders of the second wife of Sultan Abdülhamid I in memory of his dead son, Şehzade Ahmed. The fountain is in the Turkish Baroque style. Next to the soup kitchen, there is a market consisting of twelve shops, that are located both on the left and the right. It was badly damaged by an earthquake in 1794. Only a small part of it and the fountain have survived.
It was one of the last big complexes to go up in the city in the days when mosques formed the centerpieces in networks of social facilities, including schools and hospitals, known as külliyes. The mosque itself has been restored recently and is well worth a look, as is the Yeni Valide Camii, mere steps away across another busy road. If you leave the Yeni Valide Camii on the sea-facing side, you will emerge opposite the newly restored Cedid Valide İmareti (soup kitchen), with its twin domes and a very pretty corner fountain.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
GPS : 41°01'28.8"N 29°00'55.2"E / 41.024667, 29.015333
PHOTOGRAPHS ALBUM
The Yeni Valide Mosque is an Ottoman mosque in the Üsküdar district of Istanbul. Designed by Kayserili Mehmed Ağa, the chief architect of the palace, this mosque was built in 1710 on the decree of Sultan Ahmet III in memory of his mother, Emetullah Rabi'a Gülnış Sultan. It consists of a group of buildings, including a soup kitchen, a mausoleum, fountains, a clock room, a chamber for the Sultans, a market, etc. The social complex, bearing the touch of Classical Ottoman architecture, constitutes one of the female attributes of Üsküdar.
The complex was composed of a mosque in the center and a madrasah parallel to the mosque sharing the same courtyard, a dervish lodge that is on the left side of the mosque on the same street, a primary school, an imaret (soup kitchen), a caravansary, printing house, a school for Quran reciters, a Turkish Bath and a Daruşşifa, which was designed as a full-scale hospital. The treatment and needs of the patients admitted to the darüşşifa were funded by revenues from the land properties donated by Nurbanu Sultan.
Construction on this mosque began in 1708, and was completed in 1711, when the mosque first opened for prayers. The Yeni Valide Mosque is also known as the Valide-i Cedid. The main part of the building is square in shape and covered with a flattened main dome and four half domes. Calligraphy inside the mosque is the work of Hezarfen Mehmet Efendi.
This mosque boasts two minarets with two galleries apiece, as well as a notably serene courtyard, access to which can be found via five different gates. As the benefactor of this historic mosque, the Valide Sultan lies in her tomb - which itself is reminiscent of a paradisiacal garden - in the courtyard of the mosque. When you finally come to see this mosque, you might hear writer Yahya Kemal whisper in your ears, “As the years pass by, İstanbul, appears to have depth not just through land but through history.”
The clock room is to the right of the graveyard. This room has three walls and three windows, and it is the place where prayer times were determined for the mosques in Üsküdar. There are four birdhouses built into the walls of the mosque. In particular, the birdhouse consisting of three domes and two minarets that protudes on the upper walls, facing the stone bier, is a masterpiece of Turkish stonework.
Located on Hakimiyet-i Milliyet Street, the octagon mausoleum of white marble was designed in 1708-1711 by Mehmet Ağa, the chief architect of Tulip Era, in the form of a bird cage; Gülnüş Vâlide Sultan had wished for an open-air tomb. Near to the tomb there is a building where drinking water was served in cups as a form of charity. Above its windows there is an epitaph belonging to the famous Divan poet Naima.
Across from the Balaban gate of the mosque, to the left of the soup kitchens, is the Sineperver Vâlide Sultan fountain, built on the orders of the second wife of Sultan Abdülhamid I in memory of his dead son, Şehzade Ahmed. The fountain is in the Turkish Baroque style. Next to the soup kitchen, there is a market consisting of twelve shops, that are located both on the left and the right. It was badly damaged by an earthquake in 1794. Only a small part of it and the fountain have survived.
It was one of the last big complexes to go up in the city in the days when mosques formed the centerpieces in networks of social facilities, including schools and hospitals, known as külliyes. The mosque itself has been restored recently and is well worth a look, as is the Yeni Valide Camii, mere steps away across another busy road. If you leave the Yeni Valide Camii on the sea-facing side, you will emerge opposite the newly restored Cedid Valide İmareti (soup kitchen), with its twin domes and a very pretty corner fountain.
LOCATION SATELLITE MAP
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Saturday, June 9, 2018
RUMİ MEHMET PASHA MOSQUE
Üsküdar - Istanbul - Turkey
GPS : 41°01'28.7"N 29°00'39.1"E / 41.024639, 29.010861

PHOTOGRAPHS ALBUM
The Rumi Mehmed Pasha Mosque is an old Ottoman mosque located in a large and densely populated district of Üsküdar, in Istanbul. It was built for the Grand Vizier Rum Mehmed Pasha, who was of Greek origin. The mosque combines architectural elements of Ottoman and Byzantine styles. Rumi Mehmed Pasha Mosque is located close to the Bosphorus waterfront. One of the oldest Ottoman works in Üsküdar dating back to 1466 and 1471. It was restored in 1953.
This was built on the orders of Mehmed Paşa, who was of Greek origin, the vizier of Sultan Mehmed II, Fatih the Conqueror, in 1471. It is said that there used to be a Byzantine temple here. This was the first large mosque built by the Turks in Üsküdar. There are two rooms on each sides of its winged hall. The great Sufi Aziz, Mahmud Hüdayi, stayed in one of these rooms with his wife for a period.
Rumi Mehmed Pasha became the grand vizier (Veziriazam) of Sultan Mehmed II in 1466 and held this position until 1469 when he was executed and replaced by the former grand vizier, Mahmud Pasha. His mosque is located on a hill overlooking the Bosphorus on the Anatolian side, in the district of Üsküdar. The inscriptive plaque of the mosque, composed in Arabic, dates the building to 876 (1471).
Adjoining buildings, a madrasa, baths (hamam) and a soup kitchen (imaret) were also built in the 15th century. The madrasa is no longer extant while some walls from the baths and the soup kitchen remain. The mosque quarter is still named after the grand vizier. The side hospice (tabhane) rooms, equipped with a fireplace and shelving niches, open directly into the central hall and into each other. During the restoration, plaster was removed from the walls to reveal period decoration. The madrasa is no longer extant while some walls from the baths and the soup kitchen remain. The mosque quarter is still named after the grand vizier.
The mosque is composed of a five bay porch leading into a square central hall that is extended to the south by half a bay and four rooms flanking the central hall to the east and west. The porch is covered by domes that were rebuilt during the 1953 restoration. Its marble columns are crowned by capitals that are oval in section. Passing through the muqarnas portal, two steps lead into the domed central hall.
The semi-dome at Rumi Mehmed Paşa is carried on stalactite squinches that droop down to the corners of the walls, in tune with the six rows of stalactites crowning the mihrab. The women's prayer space, found on either side of the door upon entering, is doubled in area with wooden platforms that cross the entry with a narrow balcony. The side hospice (tabhane) rooms, equipped with a fireplace and shelving niches, open directly into the central hall and into each other. During the restoration, plaster was removed from the walls to reveal period decoration.
The dome measuring 11.15 m in diameter is carried on pendentives covers the mosque's central space. The picking, round shaped column headings, which were used in the construction of last congregation gathering place, and windows extended to the dome contrary to Turkish architecture are rather interesting. The restoration of the mosque, whose end congregation portico collapsed in 1950, was started in 1953 and finished along with the domes in 1959.
To the south, the mihrab is placed in a rectangular extension of the central hall raised by a step and covered by a semi-dome. The semi-dome at Rumi Mehmed Paşa is carried on stalactite squinches that droop down to the corners of the walls, in tune with the six rows of stalactites crowning the mihrab. The women's prayer space, found on either side of the door upon entering, is doubled in area with wooden platforms that cross the entry with a narrow balcony.
While the plan, the interior decoration, and to some extent the portico, are Ottoman in style, the mosque's exterior appearance is expressively Byzantine. Where most Ottoman mosques have used polygonal drums, the dome of Rumi Mehmed Paşa Mosque sits on a circular drum, a common feature in Byzantine churches. Placed on a square base, its load is carried on arches on three sides and a semi-dome on the forth. These thick brick arches, complete with clerestory windows, culminate above the emergent roof creating a wavy effect along the cornice line.
The arched frames of the drum windows, similarly, are extended beyond the skirts of the dome. These unusual domes are covered with lead in a manner typical of Ottoman mosques. The construction of the mosque is cut stone, with rows of brick introduced the base and drum of the dome. There is a single minaret on the northwest corner; stairs leading to its single balcony are accessed from outside the mosque.
In the mosque there are two works by the famous calligraphers, Hattat Arif and Mehmed Sami. Tombstones, including that of Rumi Mehmed Paşa, can be found to the left of the courtyard. The medresse is in ruins. The street where the mosque is located has one of the most beautiful street names of Istanbul: Eşref Saati (Lucky Moment).
Near to the mosque, the Tarihî Şifa Hamamı (Historical Medical Baths) was built to create an income for the mosque. It is the oldest baths in Üskudar and is still operational. Across from the men's section there is a fountain that was built in 1729 and is named in honor of the vizier, Nevşehirli Damat İbrahim Paşa, who was violently killed in the Patrona Halil Uprising. Across from the women's section is the mosque of Hüsrev Ağa, built in memory of the head footman of the palace in 1520.
The mosque is thought to have been built by a Greek master since its general appearance resembles a church. The bath nearby the mosque is considered as the oldest bath in Üsküdar. The bath, whose operating right was transferred to a person in 1860, was restored in 1885. The madrasah of the complex was removed. The mosque combines architectural elements of Ottoman and Byzantine styles.
While the plan, the interior decoration, and to some extent the portico, are Ottoman in style, the mosque's exterior appearance is expressively Byzantine. Where most Ottoman mosques have used polygonal drums, the dome of Rumi Mehmed Paşa Mosque sits on a circular drum, a common feature in Byzantine churches.
Placed on a square base, its load is carried on arches on three sides and a semi-dome on the forth. These thick brick arches, complete with clerestory windows, culminate above the emergent roof creating a wavy effect along the cornice line. The arched frames of the drum windows, similarly, are extended beyond the skirts of the dome.
These unusual domes are covered with lead in a manner typical of Ottoman mosques. The construction of the mosque is cut stone, with rows of brick introduced the base and drum of the dome. There is a single minaret on the northwest corner; stairs leading to its single balcony are accessed from outside the mosque. In the mosque there are two works by the famous calligraphers, Hattat Arif and Mehmed Sami.
Tomb
Rumi Mehmed Paşa was executed before the completion of his mosque and is buried in a separate tomb outside the western corner of the qibla wall. The tomb is an octagonal building made of ashlar stone and crowned by a dome without windows. The interior, with the single sarcophagus of the grand vizier, is lit by an upper and lower window on each side.
The tomb is an octagonal building made of ashlar stone and crowned by a dome without windows. The interior, with the single sarcophagus of the grand vizier, is lit by an upper and lower window on each side. His relatives are buried in the enclosed cemetery behind the mosque. Kufeki stone tomb of Mehmet Pasha is behind the mosque. Tombstones, including that of Rumi Mehmed Paşa, can be found to the left of the courtyard.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
GPS : 41°01'28.7"N 29°00'39.1"E / 41.024639, 29.010861
PHOTOGRAPHS ALBUM
The Rumi Mehmed Pasha Mosque is an old Ottoman mosque located in a large and densely populated district of Üsküdar, in Istanbul. It was built for the Grand Vizier Rum Mehmed Pasha, who was of Greek origin. The mosque combines architectural elements of Ottoman and Byzantine styles. Rumi Mehmed Pasha Mosque is located close to the Bosphorus waterfront. One of the oldest Ottoman works in Üsküdar dating back to 1466 and 1471. It was restored in 1953.
This was built on the orders of Mehmed Paşa, who was of Greek origin, the vizier of Sultan Mehmed II, Fatih the Conqueror, in 1471. It is said that there used to be a Byzantine temple here. This was the first large mosque built by the Turks in Üsküdar. There are two rooms on each sides of its winged hall. The great Sufi Aziz, Mahmud Hüdayi, stayed in one of these rooms with his wife for a period.
Rumi Mehmed Pasha became the grand vizier (Veziriazam) of Sultan Mehmed II in 1466 and held this position until 1469 when he was executed and replaced by the former grand vizier, Mahmud Pasha. His mosque is located on a hill overlooking the Bosphorus on the Anatolian side, in the district of Üsküdar. The inscriptive plaque of the mosque, composed in Arabic, dates the building to 876 (1471).
Adjoining buildings, a madrasa, baths (hamam) and a soup kitchen (imaret) were also built in the 15th century. The madrasa is no longer extant while some walls from the baths and the soup kitchen remain. The mosque quarter is still named after the grand vizier. The side hospice (tabhane) rooms, equipped with a fireplace and shelving niches, open directly into the central hall and into each other. During the restoration, plaster was removed from the walls to reveal period decoration. The madrasa is no longer extant while some walls from the baths and the soup kitchen remain. The mosque quarter is still named after the grand vizier.
The mosque is composed of a five bay porch leading into a square central hall that is extended to the south by half a bay and four rooms flanking the central hall to the east and west. The porch is covered by domes that were rebuilt during the 1953 restoration. Its marble columns are crowned by capitals that are oval in section. Passing through the muqarnas portal, two steps lead into the domed central hall.
The semi-dome at Rumi Mehmed Paşa is carried on stalactite squinches that droop down to the corners of the walls, in tune with the six rows of stalactites crowning the mihrab. The women's prayer space, found on either side of the door upon entering, is doubled in area with wooden platforms that cross the entry with a narrow balcony. The side hospice (tabhane) rooms, equipped with a fireplace and shelving niches, open directly into the central hall and into each other. During the restoration, plaster was removed from the walls to reveal period decoration.
The dome measuring 11.15 m in diameter is carried on pendentives covers the mosque's central space. The picking, round shaped column headings, which were used in the construction of last congregation gathering place, and windows extended to the dome contrary to Turkish architecture are rather interesting. The restoration of the mosque, whose end congregation portico collapsed in 1950, was started in 1953 and finished along with the domes in 1959.
To the south, the mihrab is placed in a rectangular extension of the central hall raised by a step and covered by a semi-dome. The semi-dome at Rumi Mehmed Paşa is carried on stalactite squinches that droop down to the corners of the walls, in tune with the six rows of stalactites crowning the mihrab. The women's prayer space, found on either side of the door upon entering, is doubled in area with wooden platforms that cross the entry with a narrow balcony.
While the plan, the interior decoration, and to some extent the portico, are Ottoman in style, the mosque's exterior appearance is expressively Byzantine. Where most Ottoman mosques have used polygonal drums, the dome of Rumi Mehmed Paşa Mosque sits on a circular drum, a common feature in Byzantine churches. Placed on a square base, its load is carried on arches on three sides and a semi-dome on the forth. These thick brick arches, complete with clerestory windows, culminate above the emergent roof creating a wavy effect along the cornice line.
The arched frames of the drum windows, similarly, are extended beyond the skirts of the dome. These unusual domes are covered with lead in a manner typical of Ottoman mosques. The construction of the mosque is cut stone, with rows of brick introduced the base and drum of the dome. There is a single minaret on the northwest corner; stairs leading to its single balcony are accessed from outside the mosque.
In the mosque there are two works by the famous calligraphers, Hattat Arif and Mehmed Sami. Tombstones, including that of Rumi Mehmed Paşa, can be found to the left of the courtyard. The medresse is in ruins. The street where the mosque is located has one of the most beautiful street names of Istanbul: Eşref Saati (Lucky Moment).
Near to the mosque, the Tarihî Şifa Hamamı (Historical Medical Baths) was built to create an income for the mosque. It is the oldest baths in Üskudar and is still operational. Across from the men's section there is a fountain that was built in 1729 and is named in honor of the vizier, Nevşehirli Damat İbrahim Paşa, who was violently killed in the Patrona Halil Uprising. Across from the women's section is the mosque of Hüsrev Ağa, built in memory of the head footman of the palace in 1520.
The mosque is thought to have been built by a Greek master since its general appearance resembles a church. The bath nearby the mosque is considered as the oldest bath in Üsküdar. The bath, whose operating right was transferred to a person in 1860, was restored in 1885. The madrasah of the complex was removed. The mosque combines architectural elements of Ottoman and Byzantine styles.
While the plan, the interior decoration, and to some extent the portico, are Ottoman in style, the mosque's exterior appearance is expressively Byzantine. Where most Ottoman mosques have used polygonal drums, the dome of Rumi Mehmed Paşa Mosque sits on a circular drum, a common feature in Byzantine churches.
Placed on a square base, its load is carried on arches on three sides and a semi-dome on the forth. These thick brick arches, complete with clerestory windows, culminate above the emergent roof creating a wavy effect along the cornice line. The arched frames of the drum windows, similarly, are extended beyond the skirts of the dome.
These unusual domes are covered with lead in a manner typical of Ottoman mosques. The construction of the mosque is cut stone, with rows of brick introduced the base and drum of the dome. There is a single minaret on the northwest corner; stairs leading to its single balcony are accessed from outside the mosque. In the mosque there are two works by the famous calligraphers, Hattat Arif and Mehmed Sami.
Tomb
Rumi Mehmed Paşa was executed before the completion of his mosque and is buried in a separate tomb outside the western corner of the qibla wall. The tomb is an octagonal building made of ashlar stone and crowned by a dome without windows. The interior, with the single sarcophagus of the grand vizier, is lit by an upper and lower window on each side.
The tomb is an octagonal building made of ashlar stone and crowned by a dome without windows. The interior, with the single sarcophagus of the grand vizier, is lit by an upper and lower window on each side. His relatives are buried in the enclosed cemetery behind the mosque. Kufeki stone tomb of Mehmet Pasha is behind the mosque. Tombstones, including that of Rumi Mehmed Paşa, can be found to the left of the courtyard.
LOCATION SATELLITE MAP
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Sunday, June 3, 2018
NURBANU VALİDEİ ATİK SULTAN MOSQUE COMPLEX
Üsküdar - İstanbul - Turkey
GPS : 41°01'07.8"N 29°01'25.0"E / 41.018833, 29.023611

PHOTOGRAPHS ALBUM
The Atik Valide Mosque (Eski Valide Camii) is an Ottoman mosque located on the hill above a large and densely populated district of Üsküdar, in Istanbul, Turkey. The Atik Valide complex was commissioned by Sultan Selim II (1524-1574) in 1570 for his wife Nurbanu Sultan, and was fully completed by his son, Sultan Murad III (1546-1595) in 1579. Mimar Sinan completed the mosque in 1583, and it was his last major work. Constructed on a site that descends towards the northwest, it consists of three building groups separated by streets and two small, free-standing structures.
Moving from northeast to southwest, the first and the smallest of the three building groups is the dervish hostel (tekke or dergah) on the northeast. The largest building group, located on the southwest, consists of a house for readers of the Koran (darül-kurra), a college of Islamic law (darül-hadis), a hospital with an insane asylum (darüssifa), and a soup kitchen for students (imaret). The imaret is subdivided into a kitchen, a hospice (tabhane) and a caravanserai.
Standing between the tekke and the imaret cluster is the mosque, together with a large fountain courtyard that surrounds it on three sides, and the madrasa, attached to the northwest side of the mosque courtyard. Of the two freestanding structures, the larger is the bathhouse, located on the west of the complex. The smaller is the Quranic school (sibyan mektebi), and it is located southeast of the mosque.
The Atik Valide Sultan bath is a part of Atik Valide Complex, combined of mosque, madrasa, darul-hadis, convent, sıbyanmektebi, public kitchen and bath. It also known as Nurbanu Valide Sultan Hamam, which takes the name from the founder.
Mosque
It has a wide shallow dome which rest on five semidomes, with a flat arch over the entrance portal. The interior is surrounded on three sides by galleries. On the southeast of this building group, the prayer hall sits on a rectangular plan aligned on the northeast-southwest axis. A central dome flanked by five semi-domes tops the central space, and four smaller domes surmount the side bays of the prayer hall.
The prayer hall is fronted by a double portico on its northwest, where it is connected to the fountain courtyard. In the courtyard, four of the thirty-eight surrounding domed bays with pendentives serve as entrances. The entrance on the northwest, which is located in the center of the courtyard wall, leads to a staircase that descends to the madrasa courtyard. Two of the entrances are located within the fifth bay of the southwestern and the northeastern courtyard walls; these entrances lead directly from the bordering streets into the courtyard.
The fourth entrance is southwest of the prayer hall, in the southeast wing of the courtyard wall. Entered through any one of the four entrances, one encounters the fountain in the center of the courtyard, on the qibla axis between the door leading to the madrasa (on the northwest) and the portico of the mosque (on the southeast). Within the double portico of the mosque, the secondary portico is carried over sixteen columns, and surrounds the five-bay primary portico on three sides.
The entrance to the prayer hall through the double portico is emphasized in three ways: articulations in both porticos separate it from the other bays, the primary portico contains a mirror vault rather than a dome, and the secondary portico is distinguished by an arch at the entrance. As one passes through this entry, one sees two mihrab niches (within the primary portico) and the two entrances to the minarets, which are symmetrically placed along the sides of the portal (on the northwest wall of the mosque).
The portal, made entirely of white marble, is highly ornamented with muqarnas carvings. A wooden inscription plate is placed above the entrance, giving the name of Nurbanu Sultan and the date of 1583, which indicates the date of its expansion, rather than its construction date. First completed in 1579 as a single domed structure with a hexagonal drum, the mosque was enlarged during a second phase of construction headed by the architect Davud. During the second phase, the primary portico was not altered, and the secondary portico was enlarged on its northeastern and southwestern ends; the minarets retained their original positions.
Entering through the portal, the main dome, approximately thirteen meters in diameter, sits on six pointed arches. These arches are supported by two freestanding piers and four buttresses that are embedded into the qibla and entrance walls. Unlike the symmetrically placed four semi-domes along the boundary of the rectangular prayer hall, the fifth semi-dome roofs the projecting qibla niche. Rather than a sixth semi-dome to balance the qibla semi-dome, a thick wall containing the entrance portal is located opposite the qibla. The four domes that roof the the (1583) extension of the side bays are each approximately six meters in diameter, and each rests on two arches and the side walls of the prayer hall.
Within the mihrab projection, the mihrab niche is placed between two windows. The narrow galleries surround the prayer hall on three sides and are carried over pointed arches on thirty columns. The prayer hall is lit by a total of a hundred and fourteen windows, eighteen of which pierce the drum of the main dome, while seventy-three open the walls of the prayer hall.
The mosque is unadorned on the exterior, yet its interior is highly ornamented. Iznik tiles featuring floral motifs and Quranic inscriptions are densely clustered around the mihrab niche. Geometrical inlay work, pencil-work, and carved woodwork are also found in the prayer hall. After the mosque was completed, it was again altered ca. 1835, during the reign of Mahmud II. A sultan's platform and a muezzin's platform were added, and the fenestration in the west wall of the prayer hall was reconfigured. The mosque was most recently restored between 1956-1972 by the General Directorate of Religious Endowments.
Tekke
Located on the northeastern edge of the complex, the tekke has a trapezoidal plan. It consists of thirty-five domed cells, fronted by a portico, surrounding a courtyard. The ceremonial hall (tevhidhane) is located in the middle of the northeastern row of cells and is projected on the elevation. The entrance into the tekke is through the cell located on the southern corner. This entrance is articulated with a shallow arch and topped by an inscription. Instead of leading directly into the courtyard, this entrance leads into the bay on its northwest, which in turn adjoins the courtyard.
The courtyard featured an octagonal fountain in its center, of which only the base now remains. Each of the thirty-five cells is entered through an individual door under the portico, which has a wooden pitched roof. On the courtyard side, each cell contains a rectangular window with a circular window above; the exterior walls are unfenestrated. The domes of the cells rest on pendentives.
The tevhidhane is the size of four of its cells, and is topped by a central dome sitting on a dodecagonal drum; the drum is visible on the exterior. Interior squinches enable the transition from the dome to the walls. The dome is flanked by four semi-domes on its corners. The tevhidhane contains fourteen windows and two niches with muqarnas carvings on the northwestern and southeastern walls.
Imaret Group
The imaret has a T-shaped courtyard surrounded by thirteen cells. Roofed by domes with pendentives, the cells have different configurations, following different functions. Each cell is entered through doors located beneath a U-shaped portico supported by fourteen columns. The main kitchen is located southwest of the imaret, and is connected to a narrow rectangular courtyard located between the imaret and the southeastern wing of the caravanserai. This courtyard was used both as a service passage and for distribution of food to the poor.
Within the large southwestern building group, the imaret is located on the southeast side of a large courtyard; the tabhane is located on the northwest side of the courtyard. Southwest of the courtyard is the caravanserai; on its northeast, the courtyard is connected to the street via an ascending staircase. The darül-hadis is located between this staircase and the darül-kurra, which stands on the eastern corner of the building group. The darüssifa, which is a rectangular building with an interior courtyard, is located on the northwest of the cluster; it is attached to the wall of the tabhane.
The main entrance to this group, which carries an inscription above, is found on the southwest side of the group. It leads to a rectangular hall centered between the two wings of the caravanserai. This hall is surmounted by a central dome and two barrel vaults on the sides. Two doors on the northwestern and southeastern walls of this rectangular hall lead to the central courtyards of the symmetrical caravanserai wings. Within these two wings, the courtyards are encircled by rectangular rooms on two stories.
A third gate on the northeast elevation of the hall leads to the tabhane courtyard, which is wrapped by a twenty-nine bay portico topped by domes with pendentives. Within the courtyard, the bay opposite the southwest entrance leads to the staircase that rises the street on the northeast side of the building group. Two barrel-vaulted rooms are found on either side of this staircase; they are located below the rooms of the darül-hadis. On the northwest and southeast sides of the courtyard, two doors connect, respectively, to the tabhane and the imaret.
The imaret has a T-shaped courtyard surrounded by thirteen cells. Roofed by domes with pendentives, the cells have different configurations, following different functions. Each cell is entered through doors located beneath a U-shaped portico supported by fourteen columns. The main kitchen is located southwest of the imaret, and is connected to a narrow rectangular courtyard located between the imaret and the southeastern wing of the caravanserai. This courtyard was used both as a service passage and for distribution of food to the poor.
Darüşşifa
The darüşşifa is a rectangular structure with a central courtyard; its primary entrance is on its northwest. This entrance leads to a rectangular space roofed by domes and aligned on the northeast-southwest axis. The courtyard is encircled by a portico carried over thirty columns. The rooms of the darüşşifa are not identical; they include rectangular rooms with barrel vaults and square planned ones with domes. Some of the rooms of the darüssifa are connected to the hospice on its southeast; these were are used as the hospice baths.
This building group has undergone many changes in program, beginning in the eighteenth century, when it was converted into a prison. The consequent revisions and modifications in the structures have changed their original built characteristics.
The darüşşifa (hospital) building was used for storing tobacco in 1935; then converted into a school called Üsküdar İmam Hatip Lisesi (Religious High School) but the imaret was neglected. The cedar tree within the complex is considered the oldest cedar tree in the whole Middle East. The darüşşifa is a rectangular structure with a central courtyard; its primary entrance is on its northwest. This entrance leads to a rectangular space roofed by domes and aligned on the northeast-southwest axis.
The courtyard is encircled by a portico carried over thirty columns. The rooms of the darüssifa are not identical; they include rectangular rooms with barrel vaults and square planned ones with domes. Some of the rooms of the darüssifa are connected to the hospice on its southeast; these were are used as the hospice baths.
Hospice
The tabhane opposite the imaret is designed in a similar fashion, including the presence of a rectangular courtyard between it and the northwestern wing of the madrasa. The only difference lies in the shapes of their respective courtyards; the hospice courtyard is rectangular, rather than T-shaped.
Madrasa
The madrasah of the complex consists of eighteen rooms and it remained in operation until 1918. While fifteen of the rooms were dedicated to be used by the students, two of them were used by teaching assistants and the latter was reserved for the custodian. The madrasah was renovated between 1960 and 1963. It was a shelter for the homeless for a period of time.
The madrasa, which is attached to the northwest of the mosque courtyard, has a trapezoidal plan that narrows from southwest to northeast. Composed of eighteen cells and a classroom, the madrasa is fronted by a nineteen-bay portico that encircles its courtyard on three sides. Its fenestrated southeastern wall forms the border of and contains an entrance into the mosque fountain courtyard.
The main entrance from the street is located at the south corner of the madrasa. The classroom of the madrasa, located in the middle of the northwestern wall, can be accessed from either entrance. This classroom, which is as large as four of its student cells, is shifted off axis towards the northwest, allowing space for a secondary, three-bay portico in front of the classroom.
Articulation on the main portico highlights the presence of the classroom; in addition, the secondary portico contains a central domed bay flanked by two mirror-vaulted, rectangular bays. One enters through the double portico to view the classroom, which is topped by a dome on an octagonal drum. The classroom has two rows of windows on three sides; its northwestern elevation is left blind for privacy, as the classroom projects northwest, extending over a street. The street is located below the floor level of the madrasa, and this projection is supported by a vault as it passes over the street.
In the madrasa, the student cells, all furnished with stoves, are roofed by domes with pendentives. They are accessed via the doors beneath the portico. Each madrasa cell has one window on the courtyard side and two on the elevation. Inside the portico of the madrasa, all of the nineteen bays are domed, with the exception of the vaulted bays in front of the classroom and the bay at the northeastern end of the portico. An octagonal fountain, whose roof has since vanished, stands in the madrasa courtyard before the entrance to the classroom.
They are accessed via the doors beneath the portico. Each madrasa cell has one window on the courtyard side and two on the elevation. Inside the portico of the madrasa, all of the nineteen bays are domed, with the exception of the vaulted bays in front of the classroom and the bay at the northeastern end of the portico. An octagonal fountain, whose roof has since vanished, stands in the madrasa courtyard before the entrance to the classroom.
Baths
The hamam is built on Eski Topbaşı Road, which also gives another name to the bath, in Üsküdar. Located to the west of the complex, the baths are composed of a symmetrical arrangement of rectangular units along the northeast-southwest axis. Entered from the northeast, the dressing space is connected to the cold rooms. These are roofed in the center by domes with pendentives and on the sides by mirror vaults. The hot rooms, located further to the southwest, are roofed by domes.
The water storage unit is a rectangular, barrel-vaulted structure attached to the southwest side of the hot rooms. Following a period of use as a wood workshop, the bathes were renovated by the General Directorate of Religious Endowments. Today, the dressing spaces house shops.
The bath was built for providing income to the complex; however in many other examples in baths, the bath was sold to a private owner; is not belonging to the Waqf anymore. It is a part of a complex but physically it is independent from the complex. There is no inscription but according to some sources it was built simultaneous with the complex in 1577-79, but according to another sources, it was built in 1583.
The Atik Valide Sultan Bath was known to be in ruins until 1985 and was restored in this year. The hamam is a small one among other Sinan baths. The authenticity is lost by many interventions. Basically, using the place as a carpenter atelier damaged the space. Later interventions, for covering the damaged walls are improper.
Today the bath is a colorful one with lack of original details. The dressing rooms are painted and covered with improper colors and imitative coverings. This causes the loss of bath comprehension. In women part, the original roof in the dressing part is lost and is capped by a reinforced concrete roofing.
Quranic school
The Quranic school is a cubical structure surmounted by a dome with pendentives. Entered through the portal on the north, which was once fronted with a portico, it features windows on all but the north elevation. Converted to a library in the eighteenth century, it was later abandoned. This building group has undergone many changes in program, beginning in the eighteenth century, when it was converted into a prison. The consequent revisions and modifications in the structures have changed their original built characteristics.
Mental Hospital
The first mental hospital in the Ottoman Empire was founded in this complex in the 16th century. From 1865, the kitchen, and the hospital were used as mental hospital until Bakırköy Mental Hospital came into service in 1927. The first doctor of this hospital, which was listed as Toptaşı Bimarhanesi (lunatic asylum), was an Italian Physician named Mongeri.
The hospital building was reserved women patients and the Hadith School was for male patients. While it was being used as a mental hospital, a gramophone was purchased as the listening to music was used in the treatment of patients. After Bakırköy Mental Hospital came into service, patients with leprosy were transferred to the hospital.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
GPS : 41°01'07.8"N 29°01'25.0"E / 41.018833, 29.023611
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The Atik Valide Mosque (Eski Valide Camii) is an Ottoman mosque located on the hill above a large and densely populated district of Üsküdar, in Istanbul, Turkey. The Atik Valide complex was commissioned by Sultan Selim II (1524-1574) in 1570 for his wife Nurbanu Sultan, and was fully completed by his son, Sultan Murad III (1546-1595) in 1579. Mimar Sinan completed the mosque in 1583, and it was his last major work. Constructed on a site that descends towards the northwest, it consists of three building groups separated by streets and two small, free-standing structures.
Moving from northeast to southwest, the first and the smallest of the three building groups is the dervish hostel (tekke or dergah) on the northeast. The largest building group, located on the southwest, consists of a house for readers of the Koran (darül-kurra), a college of Islamic law (darül-hadis), a hospital with an insane asylum (darüssifa), and a soup kitchen for students (imaret). The imaret is subdivided into a kitchen, a hospice (tabhane) and a caravanserai.
Standing between the tekke and the imaret cluster is the mosque, together with a large fountain courtyard that surrounds it on three sides, and the madrasa, attached to the northwest side of the mosque courtyard. Of the two freestanding structures, the larger is the bathhouse, located on the west of the complex. The smaller is the Quranic school (sibyan mektebi), and it is located southeast of the mosque.
The Atik Valide Sultan bath is a part of Atik Valide Complex, combined of mosque, madrasa, darul-hadis, convent, sıbyanmektebi, public kitchen and bath. It also known as Nurbanu Valide Sultan Hamam, which takes the name from the founder.
Mosque
It has a wide shallow dome which rest on five semidomes, with a flat arch over the entrance portal. The interior is surrounded on three sides by galleries. On the southeast of this building group, the prayer hall sits on a rectangular plan aligned on the northeast-southwest axis. A central dome flanked by five semi-domes tops the central space, and four smaller domes surmount the side bays of the prayer hall.
The prayer hall is fronted by a double portico on its northwest, where it is connected to the fountain courtyard. In the courtyard, four of the thirty-eight surrounding domed bays with pendentives serve as entrances. The entrance on the northwest, which is located in the center of the courtyard wall, leads to a staircase that descends to the madrasa courtyard. Two of the entrances are located within the fifth bay of the southwestern and the northeastern courtyard walls; these entrances lead directly from the bordering streets into the courtyard.
The fourth entrance is southwest of the prayer hall, in the southeast wing of the courtyard wall. Entered through any one of the four entrances, one encounters the fountain in the center of the courtyard, on the qibla axis between the door leading to the madrasa (on the northwest) and the portico of the mosque (on the southeast). Within the double portico of the mosque, the secondary portico is carried over sixteen columns, and surrounds the five-bay primary portico on three sides.
The entrance to the prayer hall through the double portico is emphasized in three ways: articulations in both porticos separate it from the other bays, the primary portico contains a mirror vault rather than a dome, and the secondary portico is distinguished by an arch at the entrance. As one passes through this entry, one sees two mihrab niches (within the primary portico) and the two entrances to the minarets, which are symmetrically placed along the sides of the portal (on the northwest wall of the mosque).
The portal, made entirely of white marble, is highly ornamented with muqarnas carvings. A wooden inscription plate is placed above the entrance, giving the name of Nurbanu Sultan and the date of 1583, which indicates the date of its expansion, rather than its construction date. First completed in 1579 as a single domed structure with a hexagonal drum, the mosque was enlarged during a second phase of construction headed by the architect Davud. During the second phase, the primary portico was not altered, and the secondary portico was enlarged on its northeastern and southwestern ends; the minarets retained their original positions.
Entering through the portal, the main dome, approximately thirteen meters in diameter, sits on six pointed arches. These arches are supported by two freestanding piers and four buttresses that are embedded into the qibla and entrance walls. Unlike the symmetrically placed four semi-domes along the boundary of the rectangular prayer hall, the fifth semi-dome roofs the projecting qibla niche. Rather than a sixth semi-dome to balance the qibla semi-dome, a thick wall containing the entrance portal is located opposite the qibla. The four domes that roof the the (1583) extension of the side bays are each approximately six meters in diameter, and each rests on two arches and the side walls of the prayer hall.
Within the mihrab projection, the mihrab niche is placed between two windows. The narrow galleries surround the prayer hall on three sides and are carried over pointed arches on thirty columns. The prayer hall is lit by a total of a hundred and fourteen windows, eighteen of which pierce the drum of the main dome, while seventy-three open the walls of the prayer hall.
The mosque is unadorned on the exterior, yet its interior is highly ornamented. Iznik tiles featuring floral motifs and Quranic inscriptions are densely clustered around the mihrab niche. Geometrical inlay work, pencil-work, and carved woodwork are also found in the prayer hall. After the mosque was completed, it was again altered ca. 1835, during the reign of Mahmud II. A sultan's platform and a muezzin's platform were added, and the fenestration in the west wall of the prayer hall was reconfigured. The mosque was most recently restored between 1956-1972 by the General Directorate of Religious Endowments.
Tekke
Located on the northeastern edge of the complex, the tekke has a trapezoidal plan. It consists of thirty-five domed cells, fronted by a portico, surrounding a courtyard. The ceremonial hall (tevhidhane) is located in the middle of the northeastern row of cells and is projected on the elevation. The entrance into the tekke is through the cell located on the southern corner. This entrance is articulated with a shallow arch and topped by an inscription. Instead of leading directly into the courtyard, this entrance leads into the bay on its northwest, which in turn adjoins the courtyard.
The courtyard featured an octagonal fountain in its center, of which only the base now remains. Each of the thirty-five cells is entered through an individual door under the portico, which has a wooden pitched roof. On the courtyard side, each cell contains a rectangular window with a circular window above; the exterior walls are unfenestrated. The domes of the cells rest on pendentives.
The tevhidhane is the size of four of its cells, and is topped by a central dome sitting on a dodecagonal drum; the drum is visible on the exterior. Interior squinches enable the transition from the dome to the walls. The dome is flanked by four semi-domes on its corners. The tevhidhane contains fourteen windows and two niches with muqarnas carvings on the northwestern and southeastern walls.
Imaret Group
The imaret has a T-shaped courtyard surrounded by thirteen cells. Roofed by domes with pendentives, the cells have different configurations, following different functions. Each cell is entered through doors located beneath a U-shaped portico supported by fourteen columns. The main kitchen is located southwest of the imaret, and is connected to a narrow rectangular courtyard located between the imaret and the southeastern wing of the caravanserai. This courtyard was used both as a service passage and for distribution of food to the poor.
Within the large southwestern building group, the imaret is located on the southeast side of a large courtyard; the tabhane is located on the northwest side of the courtyard. Southwest of the courtyard is the caravanserai; on its northeast, the courtyard is connected to the street via an ascending staircase. The darül-hadis is located between this staircase and the darül-kurra, which stands on the eastern corner of the building group. The darüssifa, which is a rectangular building with an interior courtyard, is located on the northwest of the cluster; it is attached to the wall of the tabhane.
The main entrance to this group, which carries an inscription above, is found on the southwest side of the group. It leads to a rectangular hall centered between the two wings of the caravanserai. This hall is surmounted by a central dome and two barrel vaults on the sides. Two doors on the northwestern and southeastern walls of this rectangular hall lead to the central courtyards of the symmetrical caravanserai wings. Within these two wings, the courtyards are encircled by rectangular rooms on two stories.
A third gate on the northeast elevation of the hall leads to the tabhane courtyard, which is wrapped by a twenty-nine bay portico topped by domes with pendentives. Within the courtyard, the bay opposite the southwest entrance leads to the staircase that rises the street on the northeast side of the building group. Two barrel-vaulted rooms are found on either side of this staircase; they are located below the rooms of the darül-hadis. On the northwest and southeast sides of the courtyard, two doors connect, respectively, to the tabhane and the imaret.
The imaret has a T-shaped courtyard surrounded by thirteen cells. Roofed by domes with pendentives, the cells have different configurations, following different functions. Each cell is entered through doors located beneath a U-shaped portico supported by fourteen columns. The main kitchen is located southwest of the imaret, and is connected to a narrow rectangular courtyard located between the imaret and the southeastern wing of the caravanserai. This courtyard was used both as a service passage and for distribution of food to the poor.
Darüşşifa
The darüşşifa is a rectangular structure with a central courtyard; its primary entrance is on its northwest. This entrance leads to a rectangular space roofed by domes and aligned on the northeast-southwest axis. The courtyard is encircled by a portico carried over thirty columns. The rooms of the darüşşifa are not identical; they include rectangular rooms with barrel vaults and square planned ones with domes. Some of the rooms of the darüssifa are connected to the hospice on its southeast; these were are used as the hospice baths.
This building group has undergone many changes in program, beginning in the eighteenth century, when it was converted into a prison. The consequent revisions and modifications in the structures have changed their original built characteristics.
The darüşşifa (hospital) building was used for storing tobacco in 1935; then converted into a school called Üsküdar İmam Hatip Lisesi (Religious High School) but the imaret was neglected. The cedar tree within the complex is considered the oldest cedar tree in the whole Middle East. The darüşşifa is a rectangular structure with a central courtyard; its primary entrance is on its northwest. This entrance leads to a rectangular space roofed by domes and aligned on the northeast-southwest axis.
The courtyard is encircled by a portico carried over thirty columns. The rooms of the darüssifa are not identical; they include rectangular rooms with barrel vaults and square planned ones with domes. Some of the rooms of the darüssifa are connected to the hospice on its southeast; these were are used as the hospice baths.
Hospice
The tabhane opposite the imaret is designed in a similar fashion, including the presence of a rectangular courtyard between it and the northwestern wing of the madrasa. The only difference lies in the shapes of their respective courtyards; the hospice courtyard is rectangular, rather than T-shaped.
Madrasa
The madrasah of the complex consists of eighteen rooms and it remained in operation until 1918. While fifteen of the rooms were dedicated to be used by the students, two of them were used by teaching assistants and the latter was reserved for the custodian. The madrasah was renovated between 1960 and 1963. It was a shelter for the homeless for a period of time.
The madrasa, which is attached to the northwest of the mosque courtyard, has a trapezoidal plan that narrows from southwest to northeast. Composed of eighteen cells and a classroom, the madrasa is fronted by a nineteen-bay portico that encircles its courtyard on three sides. Its fenestrated southeastern wall forms the border of and contains an entrance into the mosque fountain courtyard.
The main entrance from the street is located at the south corner of the madrasa. The classroom of the madrasa, located in the middle of the northwestern wall, can be accessed from either entrance. This classroom, which is as large as four of its student cells, is shifted off axis towards the northwest, allowing space for a secondary, three-bay portico in front of the classroom.
Articulation on the main portico highlights the presence of the classroom; in addition, the secondary portico contains a central domed bay flanked by two mirror-vaulted, rectangular bays. One enters through the double portico to view the classroom, which is topped by a dome on an octagonal drum. The classroom has two rows of windows on three sides; its northwestern elevation is left blind for privacy, as the classroom projects northwest, extending over a street. The street is located below the floor level of the madrasa, and this projection is supported by a vault as it passes over the street.
In the madrasa, the student cells, all furnished with stoves, are roofed by domes with pendentives. They are accessed via the doors beneath the portico. Each madrasa cell has one window on the courtyard side and two on the elevation. Inside the portico of the madrasa, all of the nineteen bays are domed, with the exception of the vaulted bays in front of the classroom and the bay at the northeastern end of the portico. An octagonal fountain, whose roof has since vanished, stands in the madrasa courtyard before the entrance to the classroom.
They are accessed via the doors beneath the portico. Each madrasa cell has one window on the courtyard side and two on the elevation. Inside the portico of the madrasa, all of the nineteen bays are domed, with the exception of the vaulted bays in front of the classroom and the bay at the northeastern end of the portico. An octagonal fountain, whose roof has since vanished, stands in the madrasa courtyard before the entrance to the classroom.
Baths
The hamam is built on Eski Topbaşı Road, which also gives another name to the bath, in Üsküdar. Located to the west of the complex, the baths are composed of a symmetrical arrangement of rectangular units along the northeast-southwest axis. Entered from the northeast, the dressing space is connected to the cold rooms. These are roofed in the center by domes with pendentives and on the sides by mirror vaults. The hot rooms, located further to the southwest, are roofed by domes.
The water storage unit is a rectangular, barrel-vaulted structure attached to the southwest side of the hot rooms. Following a period of use as a wood workshop, the bathes were renovated by the General Directorate of Religious Endowments. Today, the dressing spaces house shops.
The bath was built for providing income to the complex; however in many other examples in baths, the bath was sold to a private owner; is not belonging to the Waqf anymore. It is a part of a complex but physically it is independent from the complex. There is no inscription but according to some sources it was built simultaneous with the complex in 1577-79, but according to another sources, it was built in 1583.
The Atik Valide Sultan Bath was known to be in ruins until 1985 and was restored in this year. The hamam is a small one among other Sinan baths. The authenticity is lost by many interventions. Basically, using the place as a carpenter atelier damaged the space. Later interventions, for covering the damaged walls are improper.
Today the bath is a colorful one with lack of original details. The dressing rooms are painted and covered with improper colors and imitative coverings. This causes the loss of bath comprehension. In women part, the original roof in the dressing part is lost and is capped by a reinforced concrete roofing.
Quranic school
The Quranic school is a cubical structure surmounted by a dome with pendentives. Entered through the portal on the north, which was once fronted with a portico, it features windows on all but the north elevation. Converted to a library in the eighteenth century, it was later abandoned. This building group has undergone many changes in program, beginning in the eighteenth century, when it was converted into a prison. The consequent revisions and modifications in the structures have changed their original built characteristics.
Mental Hospital
The first mental hospital in the Ottoman Empire was founded in this complex in the 16th century. From 1865, the kitchen, and the hospital were used as mental hospital until Bakırköy Mental Hospital came into service in 1927. The first doctor of this hospital, which was listed as Toptaşı Bimarhanesi (lunatic asylum), was an Italian Physician named Mongeri.
The hospital building was reserved women patients and the Hadith School was for male patients. While it was being used as a mental hospital, a gramophone was purchased as the listening to music was used in the treatment of patients. After Bakırköy Mental Hospital came into service, patients with leprosy were transferred to the hospital.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
Friday, June 1, 2018
ALTUNİZADE MOSQUE
Altunizade, Üsküdar - İstanbul - Turkey
GPS : 41°01'14.0"N 29°02'43.0"E / 41.020556, 29.045278

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Built by the commander in chief, Altunizade İsmail Zühdü Paşa, who was also a deputy of the senate in 1865, in Üsküdar, the site surrounded by Koşuyolu and Ismail Pasha Street.
It was built as a complex consisting of a Turkish bath, school, clock room, fountain and a row of stores that would act as an income for the mosque. The school and most of the stores have not survived until today, and the bath is derelict.
The mosque measures 17 x 22 m in to in. Used as a house, the two-storey Sıbyan (Juvenile, Children) School has separate classes for girls and boys. The small bath of the complex is getting ruined.
İsmail Efendi formed a body of voluntary troops for the War of 1877-78 between the Ottoman Empire and Russia. He supplied food, guns and clothing for them and to sustain their families. The flag belonged to the voluntary corp of the troops. Unfortunately, the flag in the mosque niche has been stolen recently. It used to be a very valuable souvenir:
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
GPS : 41°01'14.0"N 29°02'43.0"E / 41.020556, 29.045278
PHOTOGRAPHS ALBUM
Built by the commander in chief, Altunizade İsmail Zühdü Paşa, who was also a deputy of the senate in 1865, in Üsküdar, the site surrounded by Koşuyolu and Ismail Pasha Street.
It was built as a complex consisting of a Turkish bath, school, clock room, fountain and a row of stores that would act as an income for the mosque. The school and most of the stores have not survived until today, and the bath is derelict.
The mosque measures 17 x 22 m in to in. Used as a house, the two-storey Sıbyan (Juvenile, Children) School has separate classes for girls and boys. The small bath of the complex is getting ruined.
İsmail Efendi formed a body of voluntary troops for the War of 1877-78 between the Ottoman Empire and Russia. He supplied food, guns and clothing for them and to sustain their families. The flag belonged to the voluntary corp of the troops. Unfortunately, the flag in the mosque niche has been stolen recently. It used to be a very valuable souvenir:
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
Friday, May 25, 2018
AZİZ MAHMUT HÜDAYİ MOSQUE AND LODGE
Üsküdar - Istanbul - Turkey
GPS : 41°01'20.3"N 29°00'51.0"E / 41.022306, 29.014167

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Aziz Mahmud Hüdayi (1541–1628), (b. Şereflikoçhisar, d. Üsküdar), is amongst the most famous sufi saints of Turkey, mystic, poet, composer, author, statesman and Islamic scholar. He was the Sheikh of Sultan Ahmed I who constructed the famous Blue Mosque and especially gained the respect of Sultan Murat III. He read the first Friday prayer in this Mosque on its opening.
Born in Şereflikoçhisar, he completed his studies in a medrese in Istanbul. Aziz Mahmud Hudayi served as Qadi in Edirne, Egypt, Sham (Syria), and Bursa. He was a murid and khalifah of Üftade Hazretleri. Aziz Mahmud Hudayi died in Üsküdar, Istanbul and is buried next to his mosque. He is something of the patron saint of Asian Istanbul.
The mosque was built in 1594 by Ayşe Hanım Sultan, the daughter of Mihrimah Sultan and by the Grand Vizier Rüstem Paşa for Azîz Mahmûd Hüdâyî; it is part of the complex that consists of a soup kitchen, a mausoleum, a library, a chamber for Sultans, a fountain, dervish rooms, a house for the sheikh and a bakery that occupy in total an area of 10,000 square meters.
The mosque was built in accordance with dervish lodge architecture, and took its final shape during the reign of Sultan Abdülmecid. Over the gate of the courtyard there is the ornamented monogram of Abdülmecid. To the right of this gate there is a fountain built by Mehmed Paşa, the son-in-law of Nevşehirli Damat İbrahim Paşa, in 1724.
On the left are the Aziz Mahmud Hüdayi fountains, built at the same time as the mosque. At the intersection of Açık Türbe Street and Aziz Mahmud Hüdayi Street the Halil Paşa fountain can be found; Halil Paşa was four times commander of the Sultan's naval forces and twice a vizier.
One of the most frequently visited religious sites in Üsküdar, the lodge offers meals to the poor and students, as well as distributing meals to the homes of the poor.
The complex, excluding the tomb, underwent major restoration after a fire in 1850. The tomb itself was renovated based on its original architectural plan in 1855 by Sultan Abdülmecid Khan. There were also restorations in 1950, 1954 and 1990. The leaden coverings of the dome were stolen in 1962 and later replaced by türbedar (tomb keeper), who served this saint of God for over two decades and who was one of the greatest masters of paper marbling.
Aziz Mahmut's spiritual presence draws tens of thousands of people from across Turkey every year. People flock to Üsküdar's Doğancılar quarter, eagerly climbing the stairs or the cobble-stone hills to visit this saint of God, paying their homage to him by reciting the Holy Quran and hoping that the supplications they make in his presence will be accepted by God for his sake.
Jelveti is the name of a Sufi order that was founded by the Turkish saint Aziz Mahmud Hüdayi. It shares the same spiritual chain as the Khalwati order and thus there are many similarities between them. The two orders split however with Sheikh Zahed Gilani, where the Jelveti order then goes on to Hajji Bayram and Aziz Mahmud Hüdayi. The Jelveti order was not a very widespread order and did not extend much further than the borders of modern Turkey having a number of tekkes in the Balkans.
Tomb
The exact date of the tomb's construction remains unknown, but according to historical accounts it was Aziz Mahmut Hüdayi himself who bought the land and had the complex built in 1598, upon his arrival from the town of Bursa, where for years he had served his sheikh, Muhammad Uftade. Located beyond the main street and surrounded by modern apartments, the modesty of Aziz Mahmut's tomb is in harmony with the humble personality of this friend of God.
Aziz Mahmut's wooden sarcophagus lies at the center of the tomb, surrounded by gilt iron railings. The sarcophagi of his five sons, four daughters and granddaughter are also located around him. His tomb welcomes visitors throughout the week.
The small, rectangular tomb's single dome, standing on four marble columns, is adorned with classical Ottoman-style ornaments. It is made up of piled stones. The upper parts of the walls of the tomb, which is lighted by seven large windows as well as a Venetian-style chandelier hanging at the center of the dome, are decorated with several inscriptions. The dome consists of 13 equal segments, which also appear on the dark green top part of Aziz Mahmud's green turban, symbolic of the Sufi order he founded.
The glass-covered entrance to the tomb is through a small room that was built in 1918. There is also a marble well on the right side of the tomb's entrance According to many people - and many books that give accounts of real Sufi stories - the wells in every asitane are miraculously connected with the well of Zamzam in Mecca.
The sign above the doorway to Hudayi’s tomb says: "This burial place is where the pure souls gather together, who come here with courtesy (adab), Oh my heart, if you want to benefit from the Divine taste, you will surely get your portion when you enter through the door of Hüdayi."
His Written Works
Meanwhile, Aziz Mahmut is also known for his Sufi poems. He has 23 known works written both in verse and prose, seven of which are in Turkish. His divan has also been published. His manuscripts are preserved at the Üsküdar Hacı Selim Ağa Library. Hüdayi wrote many books, none of which are yet translated into English, and in them he makes many references to the teaching of Ibni Arabi and his followers.
His Dua
His dua, “Those who follow my path, those who visit my tomb and recite the Fatiha, are ours. May they not drown in the sea, and not experience poverty in their old age. May they only die after saying their testimony of faith. May they know the time of their death and inform their relatives”, has prompted many sailors of the Ottoman Empire to visit his grave before going out to sea.
Safe Sea Route
Aziz Mahmut Hüdayi was and is still known to work many wonders. He once set out to sea from Üsküdar on a small boat to attend the inauguration ceremony of the Blue Mosque on a very stormy day and made it to Sarayburnu (Seraglio Point) in safety, with all the waves becoming placid along the route he took. The route he followed is still known as the "Hüdayi route" and some old boatmen still follow it in harsh weather conditions. Still showing the way for sailors.
Sufi Lodge
Going up the hill above Üsküdar, you may come across the Aziz Mahmut Hüdayi Asitanesi - as the main lodge and gathering place of a Sufi order used to be called. It is one of the most frequently visited and prominent religious monuments of İstanbul's Asian side.
This lodge is actually a part of a complex that exemplifies the Tanzimat architectural style, which flourished in the second half of the 19th century. It is located within the courtyard of the mosque that bears the name of Aziz Mahmud Hüdayi, which spreads over a large space with no unity in its design, since different parts of the complex were built in different times.
The tekke was closed in 1925 and its assets and library dispersed. It was reopened in 1985 and is now set up as a charitable foundation (waqf), which provides for the poor of the area. They feed 3-4,000 people a day, provide medical care and medicines, coal and clothing, houses for elderly people, student hostels and Quran schools. Some of the land around, which was originally part of the waqf but was sold off when the tekke was closed, is now being reclaimed. There are also charitable foundations in other places, such as Bangladesh, and there is now a Hüdayi village which was set up in southern India after the tsunami.
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These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
GPS : 41°01'20.3"N 29°00'51.0"E / 41.022306, 29.014167
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Aziz Mahmud Hüdayi (1541–1628), (b. Şereflikoçhisar, d. Üsküdar), is amongst the most famous sufi saints of Turkey, mystic, poet, composer, author, statesman and Islamic scholar. He was the Sheikh of Sultan Ahmed I who constructed the famous Blue Mosque and especially gained the respect of Sultan Murat III. He read the first Friday prayer in this Mosque on its opening.
Born in Şereflikoçhisar, he completed his studies in a medrese in Istanbul. Aziz Mahmud Hudayi served as Qadi in Edirne, Egypt, Sham (Syria), and Bursa. He was a murid and khalifah of Üftade Hazretleri. Aziz Mahmud Hudayi died in Üsküdar, Istanbul and is buried next to his mosque. He is something of the patron saint of Asian Istanbul.
The mosque was built in 1594 by Ayşe Hanım Sultan, the daughter of Mihrimah Sultan and by the Grand Vizier Rüstem Paşa for Azîz Mahmûd Hüdâyî; it is part of the complex that consists of a soup kitchen, a mausoleum, a library, a chamber for Sultans, a fountain, dervish rooms, a house for the sheikh and a bakery that occupy in total an area of 10,000 square meters.
The mosque was built in accordance with dervish lodge architecture, and took its final shape during the reign of Sultan Abdülmecid. Over the gate of the courtyard there is the ornamented monogram of Abdülmecid. To the right of this gate there is a fountain built by Mehmed Paşa, the son-in-law of Nevşehirli Damat İbrahim Paşa, in 1724.
On the left are the Aziz Mahmud Hüdayi fountains, built at the same time as the mosque. At the intersection of Açık Türbe Street and Aziz Mahmud Hüdayi Street the Halil Paşa fountain can be found; Halil Paşa was four times commander of the Sultan's naval forces and twice a vizier.
One of the most frequently visited religious sites in Üsküdar, the lodge offers meals to the poor and students, as well as distributing meals to the homes of the poor.
The complex, excluding the tomb, underwent major restoration after a fire in 1850. The tomb itself was renovated based on its original architectural plan in 1855 by Sultan Abdülmecid Khan. There were also restorations in 1950, 1954 and 1990. The leaden coverings of the dome were stolen in 1962 and later replaced by türbedar (tomb keeper), who served this saint of God for over two decades and who was one of the greatest masters of paper marbling.
Aziz Mahmut's spiritual presence draws tens of thousands of people from across Turkey every year. People flock to Üsküdar's Doğancılar quarter, eagerly climbing the stairs or the cobble-stone hills to visit this saint of God, paying their homage to him by reciting the Holy Quran and hoping that the supplications they make in his presence will be accepted by God for his sake.
Jelveti is the name of a Sufi order that was founded by the Turkish saint Aziz Mahmud Hüdayi. It shares the same spiritual chain as the Khalwati order and thus there are many similarities between them. The two orders split however with Sheikh Zahed Gilani, where the Jelveti order then goes on to Hajji Bayram and Aziz Mahmud Hüdayi. The Jelveti order was not a very widespread order and did not extend much further than the borders of modern Turkey having a number of tekkes in the Balkans.
Tomb
The exact date of the tomb's construction remains unknown, but according to historical accounts it was Aziz Mahmut Hüdayi himself who bought the land and had the complex built in 1598, upon his arrival from the town of Bursa, where for years he had served his sheikh, Muhammad Uftade. Located beyond the main street and surrounded by modern apartments, the modesty of Aziz Mahmut's tomb is in harmony with the humble personality of this friend of God.
Aziz Mahmut's wooden sarcophagus lies at the center of the tomb, surrounded by gilt iron railings. The sarcophagi of his five sons, four daughters and granddaughter are also located around him. His tomb welcomes visitors throughout the week.
The small, rectangular tomb's single dome, standing on four marble columns, is adorned with classical Ottoman-style ornaments. It is made up of piled stones. The upper parts of the walls of the tomb, which is lighted by seven large windows as well as a Venetian-style chandelier hanging at the center of the dome, are decorated with several inscriptions. The dome consists of 13 equal segments, which also appear on the dark green top part of Aziz Mahmud's green turban, symbolic of the Sufi order he founded.
The glass-covered entrance to the tomb is through a small room that was built in 1918. There is also a marble well on the right side of the tomb's entrance According to many people - and many books that give accounts of real Sufi stories - the wells in every asitane are miraculously connected with the well of Zamzam in Mecca.
The sign above the doorway to Hudayi’s tomb says: "This burial place is where the pure souls gather together, who come here with courtesy (adab), Oh my heart, if you want to benefit from the Divine taste, you will surely get your portion when you enter through the door of Hüdayi."
His Written Works
Meanwhile, Aziz Mahmut is also known for his Sufi poems. He has 23 known works written both in verse and prose, seven of which are in Turkish. His divan has also been published. His manuscripts are preserved at the Üsküdar Hacı Selim Ağa Library. Hüdayi wrote many books, none of which are yet translated into English, and in them he makes many references to the teaching of Ibni Arabi and his followers.
His Dua
His dua, “Those who follow my path, those who visit my tomb and recite the Fatiha, are ours. May they not drown in the sea, and not experience poverty in their old age. May they only die after saying their testimony of faith. May they know the time of their death and inform their relatives”, has prompted many sailors of the Ottoman Empire to visit his grave before going out to sea.
Safe Sea Route
Aziz Mahmut Hüdayi was and is still known to work many wonders. He once set out to sea from Üsküdar on a small boat to attend the inauguration ceremony of the Blue Mosque on a very stormy day and made it to Sarayburnu (Seraglio Point) in safety, with all the waves becoming placid along the route he took. The route he followed is still known as the "Hüdayi route" and some old boatmen still follow it in harsh weather conditions. Still showing the way for sailors.
Sufi Lodge
Going up the hill above Üsküdar, you may come across the Aziz Mahmut Hüdayi Asitanesi - as the main lodge and gathering place of a Sufi order used to be called. It is one of the most frequently visited and prominent religious monuments of İstanbul's Asian side.
This lodge is actually a part of a complex that exemplifies the Tanzimat architectural style, which flourished in the second half of the 19th century. It is located within the courtyard of the mosque that bears the name of Aziz Mahmud Hüdayi, which spreads over a large space with no unity in its design, since different parts of the complex were built in different times.
The tekke was closed in 1925 and its assets and library dispersed. It was reopened in 1985 and is now set up as a charitable foundation (waqf), which provides for the poor of the area. They feed 3-4,000 people a day, provide medical care and medicines, coal and clothing, houses for elderly people, student hostels and Quran schools. Some of the land around, which was originally part of the waqf but was sold off when the tekke was closed, is now being reclaimed. There are also charitable foundations in other places, such as Bangladesh, and there is now a Hüdayi village which was set up in southern India after the tsunami.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
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