Showing posts with label eyup. Show all posts
Showing posts with label eyup. Show all posts

Friday, December 14, 2018

BÜYÜK İSKELE MOSQUE

Eyüp - İstanbul - Turkey

GPS : 41°02'50.1"N 28°56'12.3"E / 41.047250, 28.936750



Büyük İskele Cami (Kaptan Paşa Mosque) is situated in the harbor square of Eyüp. It was built by Hacı Mahmud Ağa in 1577. The mosque that was restored by Cevri usta (the master) in 1819 was converted into its current structure today by the Minister of Navy of the period, Bozcaadalı Hasan Hüsnü Paşa in 1900.

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MAKTUL MUSTAFA PASHA MOSQUE

Eyüp - İstanbul - Turkey

GPS : 41°02'05.8"N 28°56'00.7"E / 41.034944, 28.933528



PHOTOGRAPHS ALBUM

Maktul Mustafa Paşa Mosque is located outside Edirnekapı on the left corner where Fethi Çelebi Avenue and Otakcıbaşı Street meet. Mustafa Paşa, the builder of the mosque, was exiled to Mytilene in his third time as a prime minister and was killed in 1765. He was buried there.

Mustafa Paşa mosque was restored in 1996 by the Istanbul Metropolitan Municipality. The square-planned temple was made of one row of hewn stone and two rows of bricks.

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Tuesday, November 27, 2018

MİHRİŞAH VALİDE SULTAN COMPLEX

Eyüp - İstanbul - Turkey

GPS : 41°02'54.5"N 28°56'03.5"E / 41.048472, 28.934306



PHOTOGRAPHS ALBUM

This baroque complex, which was built for Mihrişah Sultan, wife of Sultan Mustafa III and mother of Sultan Selim III, near to Bostan Pier of Eyüp in between 1792 - 1795, is quite broad. The complex was built by Arif Ağa the chief architect in between 1792 - 1794.

The inscription on the baroque - rococo style fountain, which dates to 1795 and is in the southeast direction of the complex, belongs to Galip who was the sheikh of the Galata Mevlevihane. The tomb, which was built in 1792 for Mihrişah Sultan who died in 1805, is a quite beautiful example of the Ottoman baroque style. The names of the Prophet Muhammad and four caliphs were inscribed on the roundels between the window arches.

Leaving Eyüp Mosque by the north gate, one finds oneself in a narrow street that leads down to the Golden Horn. Most of the left side of this street is occupied by the enormous külliye built in 1794 by Mihrişah Valide Sultan. This is one of the largest and most elaborate of all the baroque complexes and includes the türbe of the foundress together with a mektep, an imaret, and a splendid sebil and çeşmes.

The türbe is round, but the façade undulates turning it into a polygon, the various faces being separated by slender columns of red or dark grey marble; in general it recalls the türbe of Nakşidil at Fatih, though it is not quite so flamboyant.

The entrance is in a little courtyard filled with tombstones and trees, along one side of which runs the columned portico of the mektep or primary school.

Farther along the street another monumental gateway leads into the vast courtyard with more and tombstones and surrounded on three sides by the porticoes of the huge imaret or public kitchen. This is one of the very few imarets in Istanbul which still fulfil their function as food kitchens for the poor of the district; some 500 people are served daily at 11 o’clock with food to take away.

In leaving you should notice the magnificent sebil at the end of the garden wall on the street side. Continuing towards the water, one passes on the right the türbe and on the left the library of Hüsrev Paşa, dated 1839 and both in heavy Empire style; but the domes of the library reading-rooms contain a good example of that horrendous Italianate comic opera painted decoration of garlands, draperies and columns, which is so distressing when it occurs in classical buildings but is quite appropriate here.

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Sunday, November 18, 2018

BABA HAYDAR MOSQUE

Eyüp - İstanbul - Turkey

GPS : 41°02'31.5"N 28°56'01.3"E / 41.042083, 28.933694



PHOTOGRAPHS ALBUM

It is located on the corner where Haydar Baba Avenue and Baba Haydar Cami Street meet. It has doors opening to both streets. The stairs that open to the Haydar Baba Avenue leads you to the courtyard of the mosque.

Behind the necessity window on the right side, there is the tomb of Haydar Baba. The large fringe of the wooden late comers’ area is supported by the props.

Its minaret is on the right hand side and its bastion (şerefe) is enclosed by a metal railings. The square-planned temple located on a set considering the avenue, has a wooden roof and pulpit.

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Thursday, October 18, 2018

SOFU ALİ ÇAVUŞ MOSQUE

Sofular, Eyüp - İstanbul - Turkey

GPS : 41°02'44.6"N 28°55'56.1"E / 41.045722, 28.932250



Sofu Ali Çavuş Mosque (also Sofular Mosque) is in the Sofular Avenue. It was built by Ali Ağa, one of the sergeants of the Fatih period. Çavuş Ali Ağa is buried in the courtyard of this mosque built in 1464. It was restored by the General Directorate for Foundations in 2011. The building whose landscape planning was carried out by the Municipality of Eyüp is now ready for worship.

The Sofular Mescidi was built by the brother of Kâsım Çavuş and it is also the focus point of another Eyüp neighbourhood formed during the reign of Sultan Mehmed the Conqueror. This building is also known as the Sofu Ali Çavuş Mescidi. According to Tahsin Öz it was built in 1464 and the chronicler şeyhülislam Hoca Saadettin Efendi had the minber added. Ayvansaray gives us information about the founder and his foundation.

Searching through the register of repairs, we notice that the minaret was rebuilt in 1189 (1775) when it collapsed as a result of having been struck by lightning. In the 1950’s and in 1975 the entrance section was repaired and in 1977 the mosque was completely rebuilt. The ground around it has risen through time so access to the courtyard happens by means of steps. The entrance is enclosed by an iron and glass structure.

On the southern side of this section the reare two windows and a door in the western corner leading to the inside of the mosque. On this side there is also a mükebbire (special place from which the müezzin recites his call to prayer). The main section of the mosque is 12,15 x 9,80 m. Its walls, the mihrab and the minber are covered with late Kütahya ceramic tiles.

The building receives natural lighting by means of two windows at each corner. The women’s gallery stands on the northern side, supported by polygonal columns. The interior of the roof is flat wooden and its exterior slopes towards all four sides and is covered with roof-tiles. The minaret stands on the western side supported by a square base.

The base is made up of alternate rows of bricks and cut stones, while the transition to the main spiral body of the minaretis by means of triangles. The masjid’s walls are made of roughly hewn stone and bricks.To the west of the mihrab there is the tomb-stone of Ali Çavuş, founder of the mosque. The inscription on the tombstone shows us that itwas renewed in 1200 (1785).

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Tuesday, October 16, 2018

EVLİCE (ULUCA) BABA MOSQUE

Bülbülderesi, Eyüp - İstanbul - Turkey

GPS : 41°03'10.0"N 28°55'46.5"E / 41.052778, 28.929583



Another building, around which a neigh bourhood was formed during Turkish times, is Evlice Baba (Uluca Baba) Mescidi. In front of the masjid there is a public square fountain built by grand vizier Çorlulu Ali Paşa in 1119 (1707) and the Evlice (Ülice) Baba Dervish Lodge. To the southwest, stand the mausolea of Nuri Baba and Hafız Hüseyin Nazmî Geylanî, built in 1216 of the Muslim era.

On the tombstone of Veliyüddin Efendi, founder of the mosque, there is the following inscription : "Ebû’l-feth ve’l-megâzi Sultan Mehemmed Gâzi Hazratları’nın Meşk hacesi sâhib’ül-hayrât Ve’l-hasenât Veli Baba’nın Rûhı şerifine el-fâtiha Sene 857"

Veli Baba, participant in the conquest, teacher of calligraphy of Sultan Mehmed the Conqueror, philanthropist and doer of good works, a prayer forhis soul. Year 857 (1453). Here, we notice that the date 1453 was also inscribed when the tombstone was renewed.

It is further stated that the founder of the mosque lived in the days of Sultan Mehmed the Conqueror, was his teacher of calligraphy and that he had had built the mosque. The date 1173 (1759) at the end of the inscription on the wall of the enclosed space within which Veliyüddin Efendi is buried, refers to the renewal of the tomb. The building stands on the Bülbülderesi slope and has been built according to the topographic characteristics of the location.

The entrance on the western side leads directly to the main section of the mosque. The building’s dimensions are 12.45 x 9.40 m and it is clear that recent restoration work has increased its size, changing the proportions between the spaces.

The building’s interior is lighted by means of two windows each on three walls. The northern wall is the only one without windows. The interior of the mosque and the mihrab are decorated up to a height of one metre, with late period Kütahya ceramic tiles. Both the mihrab and the minber are new. On the northern side there is a concrete women’s gallery.

The roof is flat concrete in the inside and sloping towards all foursides and tile covered on the outside. The minaret is on the western side to the south of the entrance, has a polygonal base, is adjacent to the building’s wall and part of the base projects into the inside.This masjid was repaired in the 1950’s, in1967 and in 1993 and is till in use nowadays.

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Wednesday, September 26, 2018

EYÜP SULTAN MOSQUE

Eyüp - Istanbul - Turkey

GPS : 41°02'54.0"N 28°56'02.0"E / 41.048333, 28.933889



PHOTOGRAPHS ALBUM

The Eyüp Sultan Mosque is situated outside the Walls of Constantinople, near the Golden Horn, in the district of Eyüp on the European side of İstanbul. Built in 1458, it was the first mosque constructed by the Ottoman Turks following their conquest of Constantinople in 1453. The complex is located in Eyüp on the shores of the Golden Horn. The mosque, mausoleum and hamam of the complex still stand today, but the medresse and soup kitchen for the poor no longer survive. The first structure built in the complex was the tomb of Ebu Eyyub El-Ensari a "sahabe", or companion of the Prophet Mohammed. He is said to have hosted Mohammed the first time he journeyed to Medina.

Known as "Eyüp Sultan", he is believed to have been martyred during the siege of İstanbul by the Umayyad people in 668-669. It is believed that after the conquest of Istanbul by the Ottomans, the site was revealed to Sultan Mehmed, the Conqueror's teacher, Akşemseddin, in a dream. The Conqueror had a mausoleum built on the site. It is built where Hz Eyyubu El-Ensari (An important Islamic character) was thought to be buried, he was one of the first acceptors of Islam and died during the first Islamic siege of Istanbul in 688-669. A tomb and a mosque was built by the command of Mehmed the Conqueror.

The mosque rises on the spot where Abu Ayyub al-Ansari (Turkish: Eyüp Sultan), the standard-bearer of the Islamic prophet Muhammad, died during the Arab assault on Constantinople in 670. His tomb is greatly venerated by Muslims, attracting many pilgrims. Some of the personal belongings of Prophet Mohammed are preserved inside this mosque. His other belongings are preserved in the Topkapı Palace and in several other mosques of İstanbul, which was the final seat of the Islamic Caliphate.

Two outstanding structures in this district - the Eyüp Sultan Mosque and the adjacent tomb of Abu Ayyub al-Ansari, a companion of Prophet Mohammed - draw thousands of people from across Turkey every year. In 1459 Sultan Mehmed, The Conqueror went on to build a mosque, a medresse, a soup kitchen and a hamam, so that the site became a full complex.

The Eyup Sultan Complex, located in the middle of the city, gave its own name to its district It is one of the most prominent complexes experiencing a stream of sightseers visiting Istanbul. The name of the complex comes from Eyüp el-Ensari, a host of the Prophet, who participated in pincer movement of Istanbul by the Umayyad army and was martyred in the area of the present mosque.

The current mosque has substantially different features compared to the original. The main dome of the mosque, built from limestone blocks, measures 17.50 meters in diameter which consists of the ceiling structure of the Harim (sanctum sanctorum) at a size of 26 x 11m. It is supported by two half-domes, each of which has same diameter, and the interior lighting of the mosque is strengthened by window gaps placed on the half domes and the pulley of the central dome. The mosque’s decorations are of an Ottoman Baroque style and are remarkably plain when compared with the predominate, more complex architectural style of the time.

There are small fountains, which are known as kısmet çeşmeleri (destitny fountains), located in the middle of the inner court encircled by domed porches. The motifs and architectural elements used on these fountains are made of white marbles, giving a pleasing aesthetic view to them. The mosque has two minarets, each with two shrefes (balconies). Since the minarets were built in the period of Sultan Mehmed II, and were relatively short, both were raised in 1723 by Damat Ibrahim Paşa.

The madrasa (religious school) and the imaret (soup kitchen) of the mystical complex are the major structures which have not reached our time. In general, the Eyüp Sultan Complex hosts visitiors from every area in Turkey. Due to the spiritual athmosphere of the complex, it is considered a sacred place of pilgrimage for those whose beliefs are strengthened by making its visitors contemplate the afterlife. Furthermore, the number of graves encircling the complex both shows how much the grave owners wished to be buried near Eyüp el-Ensari and illustrates the importance of the city in Islamic Culture.

The construction of the complex was initiated by building a tomb on the location he had already been buried. According to rumors, Akşemseddin, a teacher of Sultan Mehmed II, had a dream in which he saw the place where the blessed person was buried upon which Sultan Mehmed II  had initially began building a tomb. The complex, which consists of a mosque, a tomb, a madrasa, (religious school) and a Turkish bath, took its first shape in the year 1459, during which the mosque’s construction began.

The complex has seen numerous changes in its history and has lost its original shape during restoration works. After the earthquake of 1776 and experiencing large scale structural damage, Sultan Selim III (1789-1807) made the decision to tear it down and rebuild it on the same site. The mosque, built by a group of people, of which Uzun Hüseyin Ağa was at the head, was reopened for worship on October 24, 1800 by Sultan Selim III.

Located beyond the city walls on the southern reaches of the Golden Horn, this historic quarter derives its name, Eyüp, from Abu Ayyub al-Ansari, one of the standard-bearers of the Prophet. Sultan Mehmet II had a finely embellished mausoleum and a striking mosque built in memory of this distinguished companion.

The first mosque was built in 1458, but it was collapsed and with the command of Sultan Selim III it was rebuilt by Uzun Hüseyin Efendi between 1798-1800. The mosque for the last time was repaired in the period of Sultan Mahmud II. A thunderbolt had fallen to the minaret looking through the sea, the upper gallery of minaret was rebuilt. Mosque, can be grouped a 8 graded mosque.

The Mosque and Mausoleum of Eyup Sultan, located outside the corner where the land walls meet the walls along the Golden Horn, is considered a sacred site for Moslems. Eyup-el-Ensari was a standard-bearer of Mohammed and he died-here during an Arabic siege of the city in the 7th century. His grave was discovered at the conquest and later the mausoleum and the first mosque in Istanbul were built on this site.

The original mosque was destroyed in an earthquake and the present one was constructed in its place in 1800. On Fridays, holy days for Islam, throngs of the faithful visit the mausoleum. The old trees, flocks of pigeons, the praying believers and the visiting crowds create a mystical and colorful atmosphere around the mosque and the mausoleum. The walls of the mausoleum in the courtyard are covered with tiles from different periods.

Historical sources indicate that in Byzantine times this district was also a holy site where people came to visit the grave of a saint and to pray for rain during times of drought. The sultans succeeding Mehmet the Conqueror completed their coronation and sword-bearing ceremonies with a visit to the Eyup Sultan Mausoleum.

The vicinity of the Eyüp Sultan Mosque and the neighboring hills are occupied by cemeteries. The famous Pierre Loti Cafe is also in this district. The well-known poet and author Loti was enraptured by Istanbul and he came here often to watch the beauties of the Golden Horn of those days. The view from this small cafe and the terrace, particularly during full moon, leaves long-lasting impressions on the visitors.

The Eyüp Sultan Mosque becomes particularly crowded during Friday prayer. People from other districts come for the prayer as well. For many people, praying Sunday’s dawn prayer at this mosque has become a tradition, and the mosque is filled to capacity for the occasion, with rows of the faithful spilling into the streets around the mosque.

The first prominent mosque of İstanbul, Eyüp Sultan Mosque, was the first mosque to be built after the conquest together with a madrasah, imaret (public kitchen) and hamam (public bathhouse) in memory of the distinguished companion.

The mosque has a rectangular design with a mihrab (a niche in the front wall, indicating the direction of prayer). The central dome rests on six columns and is supported by arches based on two piers. According to historical sources, the mosque has undergone several renovations since 1458. There are galleries surrounding three sides of the mosque. The mihrab is vaulted (eyvan) and the pulpit is made of marble. The seven domes of the mosque’s portico stand on six columns.

The mosque’s former minarets, which were shorter, were replaced by new higher minarets in 1733. The minaret facing the Golden Horn was rebuilt in 1823 as it was damaged by a thunderbolt. The Sinan Paşa pavilion located in front of the main gateway (of the inner courtyard) was demolished in 1798. An old plane tree now stands in the pavilion’s place, surrounded by railing and with a fountain on each of the four corners.

The first mosque built on the site was so badly damaged in the earthquake of 1776 that Sultan Selim III had to tear it down and rebuild it. A ceremony was held to reopen the mosque to worship in 1800. The mosque we see today is this second mosque built by Sultan Selim III. The mosque has a main dome of 17.50 meters in diameter and two minarets, built rather high according to the standards of 1723. The interior of the mosque is very plainly decorated, differentiating it from other mosques of the period, although the gilding decorating the mosque niche is eye-catching.

The most distinctive aspect of the complex is its mausoleum. It is octagonal in shape and has a single dome. The inner and outer walls of the mausoleum are covered with glazed tiles, and the lid of the sarcophagus is decorated with symbolic inscriptions. The protective shields in front of the sarcophagus are each a masterpiece, crafted out of pure silver.

The outer courtyard of the Eyüp Sultan Mosque has two gates opening to the street. The inner courtyard has 13 domes based on 12 columns. The main round-shaped fountain is located at the center of the inner courtyard. The marble gateway to the inner courtyard holds nine lines of inscription.

Another feature that distinguishes Eyüp Sultan is that it is perhaps the only mosque which is surrounded by a very large number of graveyards and mausoleums clustered closely together. Since Abu Ayyub al-Ansari’s mausoleum was built, thousands of prominent personalities as well as commoners have been buried in its vicinity. Both sides of the mosque house centuries-old graveyards of Ottoman family members and state officials. Today, the Eyüp graveyard is one of the largest in İstanbul, but it is difficult to find a plot there as almost every pious Muslim would like to be buried there in the hope of being raised on the Day of Judgment together with the Prophet’s companion, Abu Ayyub al-Ansari.

The tomb of Abu Ayyub al-Ansari
The tomb of Abu Ayyub al-Ansari (Eyüp Sultan Türbesi) has always been a center of attraction, drawing a variety of people, including Ottoman sultans, throughout its history. Today, it remains the district’s nucleus and holds a special place in people’s hearts.

The tomb of Hz Eyyubu El-Ensari was built in 1458 in the surrounding walls of the mosque. The tomb was decorated with tiles after 16th century, it was restored in the period of Sultan Ahmed I and Sultan Mahmud II. Although the silver carvings and candlesticks belong to recent periods, it is said that the fountain on the rear of the sarcophagus was found during discovery of the grave. Eyüp Sultan Tomb became a visiting place for the Islam World for many centuries.

Eyüp Sultan’s tomb, built on an octagonal plan covered by a dome, was built from cut lime stone. Kütahya tiles are used in the inner design of the tomb, and the protective shields crafted out of pure silver by Sultan Selim III and a green pall, a souvenir of Sultan Mahmud II (1785-1839), cover the sarcophagus of Eyüp el-Ensari. Silver sülüs calligraphies, belonging to the calligraphers, Mustafa Rakım Efendi and Sultan Mahmud II, are prominent elements in the inner design of the tomb. As for that the bath of the complex, which was designed as a double bath, is one of the oldest Ottoman baths that continues to stand today.

Abu Ayyub al-Ansari still beckons thousands of people. Farmers from Anatolia, businessmen, statesmen, intellectuals, students, women from the countryside in their colorful local dress and foreigners all come to pay their respect, to recite verses of the Quran, to ask for the Creator’s blessing or simply to breathe the spiritual air radiating from area. For many people who come to visit İstanbul for whatever reason, Eyüp is a must see.

The number of visitors to the mosque and the tomb increases significantly during religious holidays, Friday prayers and the holy month of Ramadan in particular. Streets become overcrowded due to traffic during Ramadan, but despite having to wait in traffic for hours, they keep on coming. It is also a common tradition among newlyweds to visit the tomb as well as the mosque and for families to bring their sons to celebrate their circumcision.

Sultan Mehmet II had the tomb built in 1459 after his spiritual mentor, Akşemsettin, saw the burial site in a dream. A plane tree beside which al-Ansari’s body was discovered still stands in the middle of the inner courtyard of the Eyüp Sultan Mosque.

The outer and inner walls of the tomb are adorned with tiles. The single-domed tomb has an octagonal shape. That part of the tomb housing Abu Ayyub al-Ansari’s sarcophagus, enclosed in silver with beautifully adorned railings, is separated from the rest of the hall. The velvet curtains at the tomb are said to have been originally made for the shrine of the Prophet Mohammed, known as Rawdat-ul-Mutahhara (Dome of the Prophet); nevertheless the curtains could not be sent there due to the outbreak of World War I and were hung in Abu Ayyub al-Ansari’s tomb instead.

The mausoleum hall and the tomb chamber have been adorned with calligraphy, crystal chandeliers and silver decorations from different centuries. Furthermore, a footprint of the Prophet Mohammed in marble stone and framed in silver lays embedded in the wall that faces the direction of prayer.

Hamam
The hamam, which is also part of the complex, is one of the oldest Ottoman hamams still surviving today. The medresse and soup kitchen, however, are no longer standing. Another feature of the Eyüp Sultan Complex is that for hundreds of years people wanted to be buried near the tomb of Eyyüb el-Ensari. As a result, the complex is now surrounded by graves and tombs. Following their ascent to the throne, Ottoman sultans girded their sword in the vicinity of Eyüp Sultan Mosque. The tradition is said to date back even to Byzantine times, when new rulers of the city did the same to signify their standing.

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Friday, September 21, 2018

KASIM ÇAVUŞ MOSQUE

Eyüp - İstanbul - Turkey

GPS : 41°03'01.0"N 28°55'47.5"E / 41.050288, 28.929847



PHOTOGRAPHS ALBUM

It is situated where Eski Yeni Avenue (Fahri Korutürk Avenue), İslambey Avenue and Balıkçı Bakkal Street meet. The mosque dating back to 16th  century was built by an individual named Kasım Çavuş.

The masjid after which the neighbourhood is named, stands on the corner between Eskiyeni and Balıkçı Bakkal Streets. The founder of this mosque was Kâsım Ağa (Çavuş), who participated in the conquest of Istanbul. The minber was added by Kasapbaşı Ali Ağa during the reign of Sultan Mahmud II. As a consequence of a fire on 13 Zi’l-Kaade 1239 (9 August 1824), the building was destroyed and later rebuilt by Grand Vizier Galip Paşa and Fuad Paşa in 1280 (1863).

The last great repairs to the building, which is still in use today, were made by the General Directorate of Religious Foundations in 1950. Access to the mosque is through two doors in the outer courtyard wall. Since the level of the two streets, on the corner of which the building stands, saw a rising of their level over time,access is by means of steps descending to the courtyard.

On the western side of the entrance hall on the north, there is anarched door leading to the main section. The main section of the mosque has a quasi-square shape with the dimensions of 10.35 x 9.80 m. There are two windows on each corner. The marble covered mihrab and the wooden minber are both new. The roof is supported by the inside, it has the shape of a cassette, it is flat wooden, sloping towards all four sides and covered with roof-tiles.

On the northwestern corner of the building there is a square based minaret of cut sandstone. The passage from minaret to the gallery is gradual and covered with open work plaques. The minaret is topped with a lead covered cone. There is a marble sundial with Ottoman hours on the western side of the minaret.

The main walls of the building are of rough-hewn stone and brick. 18th century tomb stones have been used to repair the uppermost part of the south wall. In the open-air enclosure to the west of the masjid there are several tombs of the 18th and 19th centuries, one of which belongs to the founder of the mosque. In addition to this, the garden contains also a big flowerpot consisting of a composite Byzantine column capital.

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Monday, September 17, 2018

ŞAH SULTAN MOSQUE

Bahariye, Eyüp - İstanbul - Turkey

GPS : 41°03'12.4"N 28°56'09.5"E / 41.053444, 28.935972



PHOTOGRAPHS ALBUM

It is located in the Silahdarağa Avenue in Bahariye of Eyüp. This mosque is by the seaside on the Golden Horn (Haliç). It is about 300 m from the Eyüp boat landing. There were a group buildings, such as dervish lodge, school, tomb, living quarters, and dervish cells, all built in the name of Müsliheddin Musa Efendi, where this mosque is located.

You can enter the courtyard from the door that opens to the avenue. This temple is the work of Mimar Sinan. There is a small mihrap (niche) in the space in the late comers’ area over which there is a wooden roof supported by six wooden pillars.

Its minaret is on the right hand side and was repaired. There is a three-lined epigraph over the arched entrance of this square-planned temple. The temple was made of one row of brick and two rows of hewn stone. Its roof is covered with wood and bricks. It was built by Şâh Sultan.

Şah Sultan added the mosque here in 1555-1556, built by Sinan. In 1812, the Tomb of Merkezzade Şeyh Ahmet Efendi was added to its southeast corner. The ruins of the tomb of the original donor was later demolished during the restorations in 1953.

Şah Sultan (died 1572) was an Ottoman princess, daughter of Sultan Selim I and Ayşe Hafsa Sultan and sister of Sultan Süleyman I. She was raised in Manisa and married in 1523 to the future Grand Vizier and sufic Lütfi Pasha. Her spouse became Grand Vizier in 1539. The couple had two daughters. In 1541, she divorced her spouse, who was also deposed from his position.

The divorce took place on her initiative, allegedly because of her husband's adultery: adultery from the side of the husband was actually not accepted as ground for divorce according to Islamic law, which lead to a dispute. She had the Shah Sultan-mosque built in 1555-1556.

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Thursday, September 13, 2018

ZAL MAHMUT PASHA MOSQUE COMPLEX

Eyüp - Istanbul - Turkey

GPS : 41°02'42.0"N 28°56'09.0"E / 41.045000, 28.935833



PHOTOGRAPHS ALBUM

The Zal Mahmud Paşa Complex was built between Zal Paşa Street and Defterdar Street in the Eyüp district. Zal Mahmud, the Vizier of Suleiman the Magnificient and his wife Şah Sultan, a daughter of Sultan Selim II, had it built by Sinan the Architecture (the grand master of Ottoman architecture). The complex is composed of a madrasa, a fountain, and the tombs of  the builders of the complex. Although the construction date is unknown, the complex is estimated to have been built in 1577.

The Zal Mahmud complex was built by the architect Sinan and commissioned by Shah Sultan, daughter of Sultan Selim II (1566-1574), and her husband, the Ottoman vizier Zal Mahmud Pasha (both d. 1580). Due to deteriorated inscriptions and inconsistent documentation, which provide dates ranging from 1551 and 1579, the exact construction date cannot be pinpointed.

Standing on an inclined site in Eyüp between two avenues that run along its east and west sides, the complex can be entered via portals on either side. It consists of the mosque and the tomb on the south side, and the upper and lower madrasas on the north side of the site. The Complex includes a mosque, a tomb, and two madrasas built at two different levels. The mosque and a room of the madrasa, which was later converted into a masjid, are open to the public.

The central area of the mosque, with a dome of 12.40 m, is flanked by side galleries. The porch, with its flat ceiling enclosing the middle of the mosque, is supported by four columns. The decorative niche conforms with the classical Ottoman architectural tradition. The inner decoration of the mosque, which underwent renovation between 1955 and 1963, was renewed in the classical style.

On the side walls are an arrangement of two distichous window rows at close intervals, which is an unseen style in the other works of Sinan the architecture. The walls of the mosque composed of stone and brick. Additionally, the fountain of the complex is made of cut stones set in a rectangular frame.

The design scheme of the complex is unique and unlike any others designed by Sinan. The tall bearing walls, with numerous window openings, evoke a feeling of magnificence even from Sütlüce, across the Golden Horn.

Beneath the mosque on the lower side is a basement floor that supports the mosque with two elephant pillars and rows of smaller pillars. This area opens onto a courtyard ringed by one of the medreses, referred to as the lower medrese. The upper medrese, which is on the same level as the mosque portico, forms a delightful courtyard with a fountain. The medrese itself has 13 cells of varying sizes and shapes, a classroom and a fountain. The lower medrese is L-shaped with 11 cells and a classroom. Both medreses have porticos running in front of them.

In the Zal Mahmut Pasa complex, Sinan shifted from the graded pyramidal structures of his earlier mosques, building a large, pierced rectangular box with a single dome that is twelve and a half meters in diameter. On the exterior, the effect of the dome diminishes next to the height and monolithic character of the exterior walls. The five-bay portico attached to the north of the prayer hall attempts to balance the massing.

The center bay of the portico, distinguished from the other (domed) four by its mirror vault, highlights the portal of the mosque. The portal features a wooden door topped with muqarnas carvings. Entering through the portal to the north of the prayer hall, one sees four small columns carrying the upper gallery, which block the view of the dome.

The unexpected experience of limited vision continues, as the central space is dimly lit in comparison to the side galleries. Further into the prayer hall, the dome above the central space rests on large pendentives over four colossal piers, or "elephant feet". The arches are plainly visible, a departure from Sinan's pyramidal mosques, where the arches are embedded in the supporting semi-domes.

Overall, the mosque is a relatively simple composite structure of brick and stone. As it represents a departure from Sinan's other mosques and his developmental trajectory, it may have been one of his experimental works. Alternatively, it could have been designed by another architect. With the revelation of the arches, the side galleries become independent structures. They hold many windows, some reaching up to the level of their flat roofs, and are better-lit than the central space.

On the qibla wall, the pentagonal mihrab niche features two small columns on its sides and a pencil-work frame. On the exterior, the single-balcony minaret stands at the northwestern corner of the mosque and is entered from the western bay of the portico. On its east elevation, the mosque has a vaulted basement floor that opens to the lower courtyard with rows of arched columns. Two massive piers, exposed on the south elevation, soften its flatness.

The irregularities in the plan continue in the tectonics of the complex; one finds unequal arch lengths, columns that do not match, and unrelated masonry patterns. These mixtures provide no clear statements concerning the architect's intentions or the possible stages of construction and renovation.

The mosque is large but not gigantic. Its dome is a mere 12.5 meters (slightly over 41 feet) in diameter. Unlike earlier, Sinan-designed mosques, it is set on a rectangular box rather than on half domes, and the box which rests on huge “elephant” piers has openings to provide light to the interior.

The exterior portico has five bays with the central one containing the opening to the interior of the mosque. The mosque is entered through a wooden door. The galleries within the mosque also contain windows so the overall effect is one of light and spaciousness. It has only one minaret, made entirely of one piece of stone, with a single balcony for the muezzin.

The complex suffered damage several times, beginning in the seventeenth century. Deserted in 1808, it was restored in 1825 and was preserved until the 1894 earthquake, during which its minaret, along with other parts of the complex, was demolished. Following the replacement of the minaret, the mosque was again abandoned in 1930. The interior ornament was restored during the 1955-1963 renovations. 1964 is the last documented date of a restoration at the complex.

Madrasa

The madrasa, which also departs from a conventional, symmetrical typology in favor of an organic plan development, is located on the north end of the site, forming two adjacent clusters on two levels. Connected to the northeast corner of the mosque by a staircase, the two clusters were developed independently. Therefore, they are usually referred as two separate madrasas, the "upper" and the "lower."

The U-shaped plan of the upper madrasa creates a fountain courtyard within the portico of the mosque. It consists of thirteen cells of different types and sizes, and a larger classroom. The cells on the western wing follow a rectilinear typology along the courtyard side. On the other side, their shape becomes trapezoidal, conforming to the shifting boundary of the site. These cells have mirror vaults; the eastern wing's five sequential cells are all topped with domes.

The classroom is located north of the upper madrasa, and is shifted from the central axis. On its east is a mirror-vaulted rectangular room; three domed cells and a trapezoidal cell are found on its west. A portico runs along the northern and eastern edges; the western wing is left blank, drawing focus to the fountain in the courtyard.

The lower madrasa is L-shaped in plan, with seven identical domed cells on its north, and four typologically different cells and a classroom on its east. All are fronted with a portico. The first of the seven cells attached to the upper madrasa shift to the north, doubling the depth of the portico bay, which results in an elongated mirror vault. The other six bays of the portico have identical domes, whereas the domes on the east vary in size. A fountain is located at the southeastern corner of the madrasa, next to the eastern portal of the complex.

Tomb
The Tomb is at the lower level of the Complex which was designed in two levels on a sloping site. The interior decorations of the Tomb were repaired during the 1960 restoration. It is closed to visitors, but it is possible to view the Tomb through the window openings.

Zal Mahmut and his wife Shah Sultan are buried in the complex’s tomb which is covered by an octagonal dome ceiling with a diameter of 5.10 m.  Devoted to one another with great love, the couple fell ill simultaneously and died within a short interval of time in 1577. Shah Sultan, the daughter of Sultan Selim II, chose to be buried with her husband in this tomb that they had built together instead of the royal Selim II Tomb at Hagia Sophia with her sisters.

Zal Mahmut Paşa Tomb is a fragment of an important Ottoman complex, built by Architect Sinan during the period of Sultan Süleyman the Magnificant. It takes place on the eastern side of the complex. This structure is on the courtyard of the lower madrasa and consists of Zal Mahmut's (vizier during Sultan Süleyman the Magnificant and Sultan Selim II) and Shah Sultan's (daughter of Sultan Selim II) graves.

The tomb is remarkable with its plan which is octagonal on extrior and rectangular inside. Zal Mahmut Paşa Tomb, the interior may take the shape of four cross-shaped iwans, with the exterior not corresponding. The domed central space is flanked by four rectangular spaces surmounted by mirror vaults. There is also antoher grave within the structure, but the owner of the grave is unknown.

The Zal Mahmut Paşa Tomb is today a well preserve structure, taking place on the courtyard of the lower madrasa; however it is closed to visitors; inside is also visible from outside. Actually, the tomb was undergone some restoration progress during 1960's; especially adornments have been restored during this progress.

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Friday, August 17, 2018

OTAKÇILAR MESCİDİ

Otakçılar, Eyüp - İstanbul - Turkey

GPS : 41°02'15.7"N 28°56'05.4"E / 41.037694, 28.934833



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The masjid itself is known also as the Otakçılar Mescidi. This neighbourhood is located just outside the Edirnekapı Gate, at the point where it is believed that the Rumeli Army, which made up the left wing of the besieging Ottoman forces and which was commanded by Beylerbeyi Karaca Bey, had its headquarters. The location was also known as Otakçılar or Tokmaktepe.

According to information in the Seyahatnâme of Evliya Çelebi, the name Otakçılar derived from the fact that the caravans going in the direction of Europe at the time of Sultan Mehmed the Conqueror pitched their tents (otağ) there. According to Çelebi, during the 17th century there were four mosques, seventeen masjids, six dervish lodges and three large commercial buildings in this neighbourhood.

According to Ayvansarayi, the masjid of this neighbourhood was built by Fethullah Efendi, who was also known as Fethi Çelebi. The building having fallen into a state of disrepair, Bâb’üs-Saade Ağası (Chief of the White Eunuchs) Gazanfer Ağa had it repaired with the addition of a madrasa and sebil (free water distribution point). The inscription over the sebil is dated 1008 (1599).

The Grand Vizier Bayram Paşa had the minber of the mosque built. The building is located at just in front of Otakçılar police station. Access to the building is through the main door on the street. The entrance hall is rectangular, with a door leading to the women’s gallery and to the minaret on the western side. A door situated on the same axis as the maindoor, leads to the main part of the mosque, the dimensions of which are 13.72 x 9.22 m.

Also this part of the mosque is rectangular and it has rectangular windows set on two tiers : six each on its eastern and western sides and four on its southern side, with two each on both sides of the mihrab. The minber is of wood while the mihrab is a simple and new niche. On the northern side of the main section there is th ewooden women’s gallery on both sides of the entrance, supported by four square columns oneach side.The marble frame surrounding the main door is decorated with the typical rumi-palmette (palm like) decorations of the 16th century.

The inscription commemorating the repair cites the name of Bâb’üs-Saade Ağası Gazanfer Ağa as the benefactor and the date of 1008 (1599-1600). The eight windows on the façade (four on each side of the entrance andf our on each tier) and the two upper windows on both the western and the eastern sides provide the natural lighting for the entrance hall. The entrance hall is wooden, while the mainpart is made of roughly hewn stones and bricks.

On the western side, at the point where the main part and the wooden entrance hall join, there is the, slightly outward projecting, square-based minaret. The minaret is made up of alternating stone and brick circles. The part where the small müezzin’s (the man that recites the call to prayer) gallery joins the rest of the minaret is unadornedand the minaret ends with the lead covered cone.

It is known that on the western side there were wooden bird houses, but unfortunately notrace remains of them.In 1989, this masjid was completely demol-ished and rebuilt. The surrounding buildings, built by Gazanfer Ağa, have not survived to our days. The neighbourhood named after this masjid, still exists.

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Thursday, August 9, 2018

DEFTERDAR MOSQUE

Eyüp - İstanbul - Turkey

GPS : 41°02'31.0"N 28°56'15.7"E / 41.041944, 28.937694



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Defterdar Mosque is located in the Defterdar Avenue in Eyüp, Istanbul. Nazlı Defterdar Mahmud Efendi (1500-1546) had this mosque built by mimar Sinan in 1542. It was completely renovated after the 1766 earthquake. On the banner of its minaret, there is the image of an inkwell and a pen as a token of his love of calligraphy.

The dome of the mosque collapsed during the 1766 earthquake and the roof cover was later replaced by a wooden structure. This single dome mosque lost its features after an earthquake in 1766 because it was renovated using timber material. A flat roof was constructed when the building repaired rather had a dome.

Instead of a crescent, this mosque has "ink pot and pen" on top of its dome, representing the profession of the founder of the mosque. (since "defterdar" means chamberlain). The original pair was broken by a storm in 1997. Ten years later, on 30 May 2007, a new inkpot and a pen assembled on top of the dome of the mosque.

Mahmut Çelebi served twice as the Minister of Finance for the Ottoman Empire. The inscription on the entrance of the mosque belongs to Nazlı Defterdar Mahmut Efendi who was also a calligrapher. As a sign of his penmanship, he put the shape of an ink holder and a pen on the alem (star and moon shape device) on the top of the minaret.

The tomb of Nazlı Defterdar Mahmud Efendi faces the niche of the mosque. For Nazlı Mahmut Efendi, who died in 1546, a cut stone tomb was built in a square plan shape. This structure, although amongst the more modest-scale examples of Sinan’s architecture in Istanbul, provides one of the best examples of 16th century traditions, largely through its proportions and details.

For Nazlı Mahmut Efendi, who died in 1546, a cut stone tomb was built in a square plan shape. The open tomb of Mahmut Çelebi, who died in 1546, is nearby, within the walled-in burial area for this mosque a cut stone tomb was built in a square plan shape.

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Sunday, May 20, 2018

HACI HÜSREV MOSQUE

Defterdar, Eyüp - İstanbul - Turkey

GPS : 41°02'24.1"N 28°56'28.8"E / 41.040028, 28.941333



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It is also called Small Mosque of Hacı Hüsrev and Small Mosque of Ümmi-Hân. The temple is out of Eğrikapı (Bent Door) and it is between this door and  Yâvedûd Tomb, in the place where Yenimahalle Street and Hacı Hüsrev Mosque Street intersect and on the right corner of Hüsrev Street. During the construction of Golden Horn Bridge and its connecting roads, it was removed together with the whole area, District of Abdülvedûd, Tokmaktepe and cemeteries excluding a couple of streets.

Since the temple was built on slanting land, it was located on the top. It is massive stone construction. On its right side, its door, its minaret made of thin bricks and facing the last assembly, only its body and bottom part of its balcony are seen. Its wooden roof was covering the temple and last place of assembly. It has no inscription.

The mosque which has remained under Golden Horn Bridge was dismantled by Istanbul Metropolitan Municipality in 1996 and moved to the point where Ayvansaray City Walls ended, near Kaab tomb and its transfer construction and restoration was completed. The mosque was rebuilt here by government decree after the nearby bridge over the Golden Horn was built in 1988.

Alongside green gardens, fountains, roses and flowery trees, the Hacı Hüsrev Mosque in İstanbul boasts the tombs of four known companions of the Prophet Muhammad as well as the tomb of a famous Ottoman soldier who died during the conquest of the city. In order to reach this mosque, you must head to the district of Eyüp, and from there, when you see the signs for Feshane and Ayvansaray, turn right immediately and park your car.

To one side of this old mosque lie the historical walls of Byzantium, while on the other side lies a modern highway. Across from it is the Golden Horn. The structure is made of stone and is actually in many ways quite modest. Most importantly, the Hacı Hüsrev Mosque offers up a unique island of calm and serenity for those who need a break from the rapid pace of İstanbul that races around them.

The moment you step into what may appear at first to be the very carefully kept grounds of a park, you will be struck by the beauty of the red roses, which may cause you to leave your cares and fatigue at the entranceway. This garden is full of fruit trees and flowers. Walk a bit further and the mosque you are looking for will be on your right. You might want to stop first at the tombs of the companions of Prophet Muhammad though. Pass the fountain to reach the tombs and look to your right.

After passing through the gate in this wall, you will have arrived at the tomb of Shaybah al-Khudri, the “milk brother” of the Prophet Muhammad. Next to this tomb are the tombs of Abu Ahmed al-Ansari and Hamidullah al-Ansari, both companions of the Prophet. And of course, at the end of where these tombs lie, there is another notable resting spot, this one of the martyr Toklu İbrahim Dede.

Right next to the mosque lies yet another tomb. This is Ka’b’s tomb. He, too, was a companion of the Prophet. This tomb looks like a tiny little mosque. In one corner of this tomb lies the empty coffin of Ka’b, while there is also an area to pray and even a mihrab (niche showing the direction of Mecca).

The Hacı Hüsrev Mosque is located across the Golden Horn with the historical walls of Byzantium on one side and a modern highway on the other. It is not quite clear exactly when this mosque was built, although the date on the Mehmet Ağa fountain that lies right next to it - built in 1691 - gives us an idea. And making things even more complicated, this mosque was originally not even here, since it was badly damaged in a fire that took place in the 1970s.

The path to the mosque lies between the Mehmet Ağa and Hacı İbrahim Efendi fountains. Just like its exterior, the interior to the mosque is both simple and serene. The windows on the left open up to the Golden Horn while those on the right give you a view of the Byzantine walls.

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Sunday, May 13, 2018

YA VEDÜD SULTAN MOSQUE

Ayvansaray, Eyüp - İstanbul - Turkey

GPS : 41°02'26.6"N 28°56'27.5"E / 41.040722, 28.940972



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Yâvedûd Mosque is also known as Abdülvedûd Mosque or Hatice Sultan Mosque. It is located in the Yâvedûd Avenue on the right hand side of the Haliç Bridge. It comprises the area between Ayvansaray and Defterdar.

It was built by eş-Şeyh Abdülvedûd. While being among the Buhara Soldiers during the siege of Istanbul and then moving to Ayasofya after the conquest, he had a small mosque (mescid) and a small dervish lodge (zaviye) built outside of the Ayvansaray, and then was buried in the location around the lodge with the order of Fâtih Sultan Mehmed Hân.

As the mescid became neglected in the course of time, it was rebuilt by Hatice Sultan, the daughter of Sultan Mehmed IV in 1711. For this reason, this mosque is also known as the Sultan Mosque. In the basement of the temple made of hewn stone, there are four earthen anonymous graves. The mosque part of the building was made of wood. The base of the minaret, its cube and the basement dates back to earlier times. Although there are no people residing around the mosque, the temple is still open for public worship.

The focus point of this neighbourhood is a masjid built during the reign of Sultan Mehmed the Conqueror by Sheikh Abdülvedûd Efendi (Yavedûd Sultan) who hailed from Bukhara or Damascus, participated in the conquest of Istanbul, and died in 1455. The masjid is located just outside the Ayvansaray Gate, on Yâ-Vedûd Street on the shore of the Golden Horn.

Among the people who provide us with information concerning this building we have also Evliya Çelebi, who after having narrated in anepic style the life of Yavedûd Sultan in his Seyahatnâme (Travelogue), describes also the place where he is buried.

According to another source, namely the Hadika, “...Its founder is the Venerable Sheikh Abd’ül-Vedûd. While this saintly person from Bukhara, who had participated in the siege of Istanbul, was living some where near Saint Sophia, he had a mosque and a dervish lodge built just outside Ayvansaray. When he died, the War Veteran and Sovereign Sultan Mehmed the Conqueror ordered that he be buried near this dervish lodge. It was the year 860 (1459)...”

From this we understand that Yavedûd Sultan had a masjid and dervish lodge built and that he was buried in or very near this architectural ensemble. Since, as the years went by and the mosque gradually fell into a state of utter disrepair, Hatice Sultan, daughter of Sultan Mehmed IV, had it repaired with the addition of a minber (pulpit) in 1151 (1738). According to the inscription over the door, the building was repaired once more and inaugurated on 5th Cemaziyelahir 1219 (11 September 1804), with the addition of a wooden section.

The wooden section having burned down in a fire in 1965, the General Directorate of religious Foundations had it rebuilt. During the construction of the bridge over the Golden Horn, the building was moved away from the mausoleum, to the site where it stands at present. The masjid has a ground floor made up of alternately coloured stones, over which awooden section was added.

The access to the building is through an entrance over which there is a lean to roof and which has iron railings on its two sides. After having gone up a few marble covered steps one enters a rectangular entrance hall and from there, through a wooden double-winged door, into the mosque proper. The main part has a quasi square shape and just in front of the door there is the mihrab (a niche in the mosque indicating the direction of Mecca) and a little to the right the wooden minber.

On the north side, just over the entrance there is the wooden women’s section. Due to recent renovations, the interior does not have its original decorations. The building’s interior is lighted by means of five rectangular framed windows on the western side and by one each on the southern and eastern sides.Over the rectangular windows there are round windows. A door on the right side of the entrance hall leads to the basement level, where there are four tombs, only one of which has an inscription on it that says “Mehmet Bin Abdullah 1097 (1685)”.

Due to the fact that the elevation of the road increased in 1972, when the bridge and the connecting roads were built, only the pointed brick arches of the three basement windows on the western side and of the two on the southern side are still visible nowadays. The minaretis located on the northwestern corner, at thepoint where the wooden part of the main sectionof the mosque begins.

The fact that the south-western corner of the stone basement has been bevelled is another characteristic of this building. In the enclosed space in front of the masjid there is the mausoleum of the founder, made of sandstone, square and with nine windows. In 1324 (1906) a fountain was added to the space infront of the mausoleum. Although there are no people residing around the mosque, the temple is still open for public worship.

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Friday, July 7, 2017

SANTRALISTANBUL ENERGY MUSEUM

Silahtarağa, Eyüp - Istanbul - Turkey

GPS : 41°03'59.0"N 28°56'45.0"E / 41.066389, 28.945833

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SİLAHTARAĞA POWER PLANT

The Silahtarağa Power Station (Turkish: Silahtarağa Elektrik Santralı) was a coal-fired thermal power station located in Istanbul, Turkey. Ottoman Empire's first power plant, it served from 1914 to 1983.

The Silahtarağa Power Plant was the Ottoman Empire’s first urban-scale electrical power plant. Built at the mouth of the Kağıthane and Alibeyköy rivers at the tail-end of the Golden Horn, the power plant was Istanbul’s sole electricity provider from 1914 to 1952. Silahtarağa’s generating capacity reached a peak of 120,000 kilowatts in 1956, after which it gradually declined until the plant was decommissioned on 18 March 1983.

1910 : Austro-Hungarian company Ganz wins the bid opened for the installation of a power station in İstanbul. Establishing the Ottoman Electric Company Inc., Ganz begins working.
1914 : The Silahtarağa Power Plant starts running. Electricity is first supplied to the tramway system and later to the European side of the city.
1926 : Electricity is supplied to the Anatolian side with the submarine cable installed between Arnavutköy and Vaniköy.
1937 : The state buys the Electric Company and puts it under the management of the İstanbul Electricity, Tramway and Tunnel (İETT) Enterprises General Directorate. Until 1952, Silahtarağa remains the sole electricity provider of the city.
1970 : The Silahtarağa Power Plant is handed over to the Turkish Electrical Authority (TEK).
1983 : Having completed its economic life, the Silahtarağa Power Plant terminates production.
2004 : Work for the preservation and transformation of the Silahtarağa Power Plant into santralistanbul starts
2007 : Santralİstanbul, which is formed by preservation and reservation of Silahtarağa Power Plant, starts to serve as a centre for education, culture and arts.

The power plant was projected as being the first one in the Ottoman Empire apart from a small hydroelectric power station, which went into service 1902 in Tarsus, Anatolia. The Budapest based Austria-Hungarian Ganz Electric Company was selected to built the power station. It founded in 1910 the Ottoman Electric Company in cooperation with two foreign banks, Banque de Bruxelles and Banque Generale de Credit Hangrois. The company obtained a concession for 50 years, and built a coal-fired thermal power plant in Silahtarağa neighborhood in Eyüp at the upper end of Golden Horn.

The power plant started its service on February 11, 1914, just before the outbreak of World War I, supplying power to tram net and three days later to the sultan's palace and some households in three different corners of the city as well.

The foreign-owned company was nationalized in 1937 and turned over on July 1, 1938 to the Municipality of Istanbul for its management by the Electricity, Tunnel and Tram Company of Istanbul (IETT). Silahtarağa power station was the lone electric supplier in Istanbul until 1950s. In 1952, the station was linked to the newly created interconnect electric system of Turkey. It was transferred to Etibank in 1962 and 1963. In 1970, the power station was turned over to the Turkish Electric Institution (TEK).

Silahtarağa power station had initially 3 units of 6 MW power each. The capacity was later increased to a total power of 80 MW. On March 13, 1983, Silahtarağa power station was shut down due to reaching the end of its economic service life. It is Turkey's first power plant closed. The site stood dormant since then. In 1991, Silahtarağa power plant was listed under the cultural and natural objects in Istanbul to be protected.

ENERGY MUSEUM

In 2002, a redevelopment plan was worked out by Oğuz Özerden, a young businessman and founder of Istanbul Bilgi University. The project foresaw the conversion of the former plant site into a university campus with creation of a modern art museum and an energy museum particularly. Despite a rivaling project of the Chamber of Electrical Engineers' Istanbul branch in cooperation with Istanbul Technical University, Bilgi University's project was approved by the Ministry of Energy and Natural Resources, and could be realized in three years with financial support of some leading Turkish companies.

The Silahtarağa Power Plant sprawled over a 118,000 m2 site comprising engine rooms with turbine generators, boiler rooms, management buildings, workers’ quarters and vast coal yards. It stands today as one of Turkey’s top industrial heritage sites. Converting the Silahtarağa Power Plant into Santralİstanbul was a process that involved retaining as many of the original elements as possible. Work began in May 2004 and was completed in September 2007.

The site was converted into a university campus for the Istanbul Bilgi University with two museums and several facilities for different purposes. It is renamed SantralIstanbul and reopened in 2007. The complex was renamed SantralIstanbul after the Turkish language word "Santral" for power station, and opened officially on September 8, 2007. It comprises a modern art museum, an energy museum, a public library, an amphitheater and several other facilities for arts, cultural, educational and social purposes.

The SantralIstanbul (Turkish: Santralİstanbul), opened in 2007, is an arts and cultural complex located at the upper end of Golden Horn in the Eyüp district of Istanbul, Turkey. The center, consisting of a modern art museum, an energy museum, an amphitheater, concert halls and a public library, is situated within the Silahtarağa campus of Istanbul Bilgi University that was formerly the first power station of the Ottoman Empire.

Important technical remains of the former power station are preserved and can be seen in the Energy museum, which was designed by architect Han Tümertekin. Situated in the turbine hall having three generator groups, the museum is the summary of the steam turbines, the electrical generators and the equipment of the power plant on the show in almost original conditions.

The Silahtarağa Power Plant's first two engine rooms, built in 1913 and 1921 respectively, were reinforced and converted into the santralistanbul Museum of Energy, retaining as many original elements as possible. The first step in the power plant’s conversion to Museum of Energy was to halt the corrosion of the turbine generators and other machinery which had set in as a result of disuse since the plant’s decommissioning in 1983.

Teams of experts moved in to clean up the machinery and apply a protective anti-corrosion sealant. Thereafter, the number one turbine generator group was restored to its original appearance of 1931. Meanwhile, the number three turbine generator group, which had been dismantled when production stopped at the plant, was preserved exactly as left.

In the Museum of Energy's number one and two Engine Rooms, visitors currently have the chance to see the AEG, Brown Boveri, Siemens and Thomson Houston made turbine generator groups. These were the key components of electricity generation at the Silahtarağa Power Plant and reflect the advanced technology of the age.

The Control Room, which oversaw the generation of electricity and its transmission to different districts around Istanbul, has been preserved intact, complete with elaborate control devices and equipment. Throughout the long and painstaking preservation process, the exact position of missing or damaged items was marked and surviving items cleaned and sealed against corrosion.

The ground floor of the Museum of Energy is given over to the Energy Play Zone, a fun-meets-science space featuring 22 interactive exhibits. It’s here that visitors get to generate electricity themselves, to morph into batteries, make magnetic sculptures, struggle with a stubborn suitcase, touch thousands of volts without thinking twice and dabble in many more scientific experiments. Besides, most of the panels, seminars and talks realized within santralistanbul since its foundation, were held at the Cinema/Seminar Room situated on the ground floor of the Museum of Energy.

Another not-to-be-missed Museum of Energy installation comes in the form of the Reactable, a revolutionary new electronic musical instrument using an illuminated round table-top interface. To ‘play’ the instrument, the musician manipulates translucent objects over the interface, at which point the objects begin interacting.

The Reactable was originally displayed as an exhibit in Uncharted, a temporary show heldat the santralistanbul Main Gallery. In August 2009, after the show ended, it was gifted to the Museum of Energy as a permanent exhibit. The internationally award-winning instrument was used on stage by Björk during her Volta world tour.

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WEB SITE : Santralistanbul Energy Museum

MORE INFO & CONTACT
Tel : +90 212 311 7878
E-Mail : muze@santralistanbul.org

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Friday, April 28, 2017

CAFER PAŞA MADRASAH

Eyüp - Istanbul - Turkey

GPS : 41°02'47.6"N 28°56'05.2"E / 41.046562, 28.934779

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In the meantime, another project will work to save thousands of books that sit untouched on dusty shelves in Eyüp. The municipality's library project is aimed at bringing new life to these books, which number around 9,000 but which have long been inaccessible to local residents.

Another municipality effort is underway at the local Cafer Paşa Cultural Center atelier, where female residents of Eyüp have the opportunity to learn how to decorate ceramic tiles for free. The municipality provides all the technical assistance necessary, with an exhibition of work planned for the end of the course.

Another aspect to the project taking place at the Cafer Paşa Cultural Center is that local women use traditional handicraft arts to create children's toys. These traditional toys are made from colorful wood, pottery and plaster. This particular project is the result of a coordinated effort by the Tarih Vakfı (History Foundation) and the municipality, with a view to re-enlivening some of Turkey's cultural heritage.

According to Evliya Çelebi, an Ottoman Turkish traveler who journeyed through the territory of the Ottoman Empire and neighboring lands over a period of forty years, there were 100 shops and 105 craftsmen producing and selling toys in the historical bazaar back in the year 1635.

Toys were entirely crafted by collecting and making use of the remaining material of the factories around the Golden Horn and bought by the visitors in the region. These toys were a notable case in Turkish history, carrying characteristic values parallel to cultural recreation. This culture, with 300 years of tradition, had vanished by the end of the 20th century, surpassed by the plastic toy industry.

However there are efforts to revitalize historical toys and toy making. The project of ‘Revitalizing Eyüp Toys’ is part of a greater project conducted by the History Foundation with the cooperation of the European Union. It’s eventually oriented to Eyüp district with the interference of Eyüp Municipality.

Eyüp Toys workshop continues to work at Cafer Pasha Cultural Center associated with the Municipality. Historical Eyüp Toys Cooperative helps the development of new craftsmen and new toys being produced are offered to children through school visits, toy making and toy painting workshops with children and their parents.

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WEB SITE : Cafer Paşa Kültür Merkezi

MORE INFO & CONTACT
E-Mail : kultur@eyup.bel.tr
Phone : +90 212 567 5367
Fax : +90 212 612 0020

These scripts and photographs are registered under © Copyright 2017, respected writers and photographers from the internet. All Rights Reserved.

Wednesday, April 19, 2017

SOKULLU ŞEHİT MEHMET PASHA MADRASA

Eyüp - İstanbul - Turkey

GPS : 41°02'49.5"N 28°56'03.7"E / 41.047083, 28.934361

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Further up the street that leads back towards Eyüp Camii two classical türbes of great simplicity face one another. The one on the left is that of Sokullu Şehit Mehmet Paşa, it forms part of a small külliye. Elegant and well-proportioned, it is severely plain, but the interior contains some interesting stained glass, partly ancient and partly a modern imitation but very well done; alternate windows are predominantly blue and green.

Commissioned by Sokollu Şehit Mehmet Paşa in 1568-1569. This is a small complex that consists of a madrasa, a house for readers of the Quran (darül-kurra), a tomb, and a fountain, all surrounded by a courtyard wall. He is buried at his complex, tomb (türbe built) by famous architect Mimar Sinan for him c. 1572. His wife Ismihan (or Esma Han) is buried near him and in the little garden of the türbe are buried the family and descendants of Sokollu Mehmed Paşa.

Sinan designed two almost identical buildings: one is the türbe of Sokullu Mehmet Paşa, the other the dershane (lecture hall) of an adjoining small medrese; the two are linked by a short gallery, their doors face each other and are both decorated with ancient marbles green for the turbe and red for the dershane. Sinan has a different achievement of experience in this madrasa; as it is departed at the first glance to the plan. The longitude settlement composes an axis that directs the courtyard to the lecture hall and the lecture hall to the tomb by an eaved passage.

The cells are located on the longer sides and the lecture hall standts on the narrow side, facing the entrance side, on which also the latrines are located. Actually the complex is composed of the madrasa, the tomb, a school fo Qur'an recitation (Dar'ülkurra) and latrines. With ornamentation on the lecture hall door and colored inner glasses for the top windows, the madrasa has a rich appearance.

Sinan is mentioned to achieve considerable experimental success in this design.Today The Sokollu Mehmet Paşa Madrasa of Eyüp. As in the Darülkurra, Sokullu Mehmet Pasha had this madrasa dedicated to his wife. This building can be visited during work hours. The Madrasa building with its other properties, still keeps its authentic appearance.

Dominating the complex is the madrasa, which is aligned roughly north-south (northwest-southeast) and has a rectangular plan arranged on a seven by eleven modular grid. A five by eleven module portico encloses the courtyard on all sides; just outside of the portico, the long east and west wings of the madrasa house twenty-two cells, each with its own dome.

In this rectangular plan shape madrasah, there are 19 student rooms, 2 iwans and a entrance hall. The madrasah classroom is roofed with a dome whose diameter is 9,6 meter. The interior of the tomb, which is dated at same time as the madrasah, is decorated with verses on ceramic tiles.

The madrasa is entered from its northeasternmost cell, from a portal that faces east and leads to the northern wing of the madrasa portico. In the madrasa, nineteen of the twenty-two cells, which measure approximately three and a half meters on a side, are articulated as student rooms and are surmounted by domes with pendentives.

Entering through the doors facing the courtyard, each student has a stove niche near the door and three shelving niches on the side walls. The facade walls are articulated with two lower and one upper window. Two of the student cells are articulated as iwans, both on the west wing: one faces east and opens to the madrasa courtyard, and the other is the northwestern most cell, opening to the outside on the north.

There are also two larger independent cells, sitting outside of the madrasa rectangle just north and west of the northwesternmost cell, that are used as service rooms. The classroom is located to the north of the madrasa rectangle; varying from convention, it is not wrapped by smaller cells, but sits alone off the north end of the portico. It is entered through one of the opposing doors of the madrasa, which are placed in the middle of northern and southern walls.

The classroom is a square structure that is surmounted by a dome ornamented with stalactite carvings. The dome measures approximately nine and a half meters in diameter and sits on an octagonal drum. Featuring three windows on the west and east walls, the classroom is connected to the tomb on its north by an arched canopy, which is surmounted by eaves and carried over columns with stalactite capitals.

The cemetery is located on the east of this connecting canopy. On the other side of the madrasa, the door on the south leads to the toilets, which are arranged within a free standing rectangular structure that is rotated to the west of southwest and surmounted by a barrel vault. The tomb, standing on the north end of the complex, is an octagonal structure surmounted by a dome that directly sits on its walls.

It sits north of the madrasa classroom, and across the street from (to the south of) the mausolea of Siyavuş Paşa and Mirmiran Mehmet Paşa. On its exterior, with the exception of its south (entry) elevation, each face of the octagon is pierced with a casement and an arched window above it. On the interior, niches carved between the casements soften the corners of the octagon.

The tomb is the most ornamented structure in the complex. On the exterior, the voissoirs of the entrance portal and the lower windows are ornamented with green and white marble. The interior contains remarkable pencil work on the dome and tiled decoration with an inscription band that encircles the tomb.

The darül-kurra is a rectangular structure located east of the classroom. Commissioned in the name of Ismihan Sultan, the wife of Sokollu Mehmet Paşa, it is the only detached structure in the complex. It is entered through a single bay portico topped by a miniature dome on its north side. Two rectangular windows, topped by an arched one in the middle of the wall, appear on its east and west elevations.

According to the records, a restoration project was undertaken in 1962. The madrasa, whose portico was later glazed, now serves as a medical center, and the darül-kurra is a children's library. After a restoration during 1961-1962, the madrasa was converted into a health center and presently, the Sokollu Mehmet Paşa Madrasa of Eyüp, is used by the the Ministry of Health as a health center and clinic.

However, some changes took place in the interior as a result of this new function. One of the most visible that the portico of the madrasa is fitted with glass panes. Additionally the Darülkurra can be visited during work hours.

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Wednesday, March 22, 2017

İZZET PAŞA TEKKESİ (VEZİR TEKKE)

Eyüp - İstanbul - Turkey

GPS : 41°02'40.4"N 28°55'46.0"E / 41.044556, 28.929444

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Ayvansarayî’nin Hadikatül Cevami’sinde Sadrı Esbak İzzet Paşa, Hacı Mehmet İzzet Paşa veya İzzet Mehmet Paşa Tekkesi adıyla anıldığı belirtilen Vezir Tekkesi, Sofular Mahallesi’nde, Vezir Tekke Sokağı’nda Eyüp Bulvarı üzerindedir. İzzet Paşa’nın 1796 yılında bizzat kurduğu vakıf tarafından yaptırılan bu tekke, vaktiyle Nakşîbendi tekkesi olarak hizmet veriyordu.

The Vezir Derwish Lodge founded 1796 by İzzet Mehmet Paşa, which was located on Vezir Tekke Str. in Sofular district of Eyüp, Istanbul, which had partly been damaged and also been partly in ruins.

The restoration and renovation works of the church which was made of wood is become more of an issue due to it is being destroyed a little more every day. The Lodge which was a non-governmental organizations of the time was built by the Grand Vizier named İzzet Mehmet Paşa and allocated to the use of a sheikh of Sufi order.

Attention was drawn to the restoration project of the lodge in the report  approved by the Municipal Council in which the restoration project of the Eyüp Vezir Dervish Lodge was approved by the Istanbul 2nd Cultural and Natural Estates Conservation Board.

It was stated in the report titled Under the Project it is aimed to renovate the Eyüp Vezir Dervish Lodge to make a contribution to the social and cultural life of the city.

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WEB SITE : İzzet Paşa Tekkesi (Vezir Tekke)

MORE INFO & CONTACT
E-Mail : bilgi@sahniseman.org
Phone : +90 212 613 1805
Fax : +90 212 613 1806

These scripts and photographs are registered under © Copyright 2017, respected writers and photographers from the internet. All Rights Reserved.

BAHARİYE MEVLEVİ TEKKESİ

Bahariye, Eyüp - İstanbul - Turkey

GPS : 41°03'21.3"N 28°56'22.5"E / 41.055917, 28.939583

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The Beşiktaş Mevlevi Lodge (the Beşiktaş Mevlevihanesi) is the third Mevlevi lodge established in Istanbul. Another peculiarity of this lodge is that it is the last Mevlevi lodge to be allocated by government officials. Other Mevlevi lodges established in Istanbul were allocated by Mevlevi Dedes (Kasımpaşa, Üsküdar and Bahariye).

The Beşiktaş Mevlevi lodge was the third establishment after Galata and Yenikapı Mevlevi houses and established in 1613 by the Ottoman Grand Vizier Ohrili Hüseyin Pasha for Ağazade Mehmed Dede in Beşiktaş, Istanbul. The Beşiktaş Mevlevihane was a building that suffered a number of misfortunes; first of all it was demolished to make way for the Çırağan Palace and rebuilt next to the graveyard in Maçka.

The founder of this Mevlevi lodge was one of the leading government officials of XVII, Ohrili Hüseyin Pasha. (Died in May 1622). The Mevlevi lodge had functioned until 1284/1867 in Besiktaş, in that year it was deconstructed by Sultan Abdulaziz in order to build Çırağan Palace in its stead; firstly it was moved to Karacehennem Ibrahim Pasha Mansion in Fındıklı and then moved to its own place in Maçka after it was completed in 1288/1871.

It was again demolished to make way for the new barracks being built on the orders of Sultan Abdülaziz, and rebuilt yet again on a site beside the Golden Horn in the Bahariye neighbourhood, which is on the road leading from Eyüp to Alibeyköy, thus gaining a new lease of life. This moving took place in 1873. Bahariye Mevlevihane was left unattended and neglected just like the other places after the closing down of lodges and was destroyed in the course of time.

But when this lodge was demolished in 1291/1874 for construction of military barracks, it was moved to Hatap Emin Mustafa and Huseyin Efendi Mansions in Eyüp, and after its construction was completed in 1294/1877, it was moved to new building in Eyüp Bahariyesi and it functioned as Bahariye Mevlevi lodge until 1925.

The first sheikh of Beşiktas Mevlevî lodge was Ağazade Mehmed Hakiki Dede who was the sheikh of Gelibolu Mevlevi lodge at the same time. (1063/1652). While Kaptan-ı Derya (literally the Captain of all seas) Ohrili Huseyin Pasha was returning from his Mediterranean Sea expedition, he took hand from Ağazade Mehmed Dede and got the good news that he would soon be given the seal of the Grand Vizier.

In March 1030/1621 Grand Vizier Huseyin Pasha constructed the Beşiktaş Mevlevi lodge and asked Mehmed Dede to be the first postnishin (sheikh) here, Mehmed Dede accepted it and the his mission as a sheikh started in the Gelibolu and Beşiktaş Mevlevi lodges and continued until Hüseyin Pasha’s murder in the same year. After Ağazade Mehmed Dede, chronologically, Sheikh Süleyman Dede (died in. 1065/1654), Hasan Dede (died in. 1071/1660), Nâcî Ahmed Dede (died in.1122/1710), Çengî Yusuf Dede (died in.1080/1669), Eyyûbî Mehmed Memiş Dede (died in. 1136/1723) Memiş Dede’s son Ahmed Dede (died in. 1177/1763) Memiş Dede’s son Mehmed Sâdık Dede (died in. 1178/1764), Abdülahad Dede (died in. 1180/1766), and Trabluslu Ahmed Dede (died in. 1185/1771) served in the Besiktas Mevlevi lodge.

Hüseyin Fahreddin Dede, the last Sheikh of the Beşiktaş/Bahâriye Mevlevî lodge, was a composer, ney player, poet and was well known with his poetry and music love around mystic and art circles. Hüseyin Fahreddin Dede was a distinguished gentle character of his era, his proficiency with his performances of ney and his compositions were thought to be matchless.

Hüseyin Fahreddin Dede’s musical success made Bahariye Mevlevi lodge one of the best musical centers of Istanbul through the end of XIX century and they performed music with Celaleddin Dede, the sheikh of the Yenikapı Mevlevî Lodge, Ataullah Dede, the sheikh of the Galata Lodge and all the famous musician masters of that period such as Hafız Şevki Bey, Medenî Azîz Efendi, Tanbûrî Kemal Bey, Yeniköylü Hasan Efendi, Bolahenk Nuri Bey, Dr. Suphi Ezgi and Rauf Yekta. With those who are accepted as the most important composers and musicians of the 20th century; Udî Mehmed Sabri Efendi (died in 1914), Mehmed Raûf Yektâ Bey (ö. 1935), Ahmed Avnî Konuk (died. 1938), Şeyh Rıza Efendi, Kazım Uz, Şeyh Osman Dede, they performed music.

They brought up Zekâizâde Ahmed Nureddin, Râşid Efendi (an officer in Telgraf Nezareti, like PTT today), Doktor Subhî Bey and Arif Bey, Münir Kökden, Sabri Efendi, Nurullah Kılıç and Cemal Dede.(Neyzen-in-chief) The characteristic of the Beşiktaş/Bahariye Mevlevi lodge in the last century was that there were many Mevlevis here who were in a manner of Bektaşi. The Mevlevî lodge was left alone in 1925, it became ruined as the times passed, and in 1986 all the remains of the lodge vanished in the scope of the Golden Horn project.

The Bahariye Mevlevihane, which consisted of a number of timber buildings resembling mansions, added a further dimension of beauty to this part of the Golden Horn. However, after the closure of the dervish convents these buildings were either destroyed by fire or demolished and nothing survives to indicate where it once stood. Today only the mescid section of the lodge is intact. The restoration of Bahariye Lodge that started in 2007 was completed in 2011. It is used for civil purposes of culture and art.

Bahariye Mevlevihanesi, last dervish lodge of Istanbul, raised many artists up. Zekai Dede Efendi, his son Ahmet Irsoy, Rauf Yekta, Suphi Ezgi are couple of important musicians who grown up in here. Abdülbaki Gökpınarlı who is known as the last important figure of Sufi literature, was also grown up in the same dervish lodge.

Bahariye Mevlevihanesi (lodge used by Mevlevi dervishes) was in a very bad situation, but Eyüp Municipality restorated there paying large sum of money and turned it into a very nice cultural centre by Eyüp Belediyesi Kültür ve Sosyal İşler Müdürlüğü.

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WEB SITE : Human And Civilization Movement

MORE INFO & CONTACT
E-Mail : bilgi@imh.org.tr
Phone : +90 212 501 3171
Fax: +90 212 501 3105

These scripts and photographs are registered under © Copyright 2017, respected writers and photographers from the internet. All Rights Reserved.