Showing posts with label museum. Show all posts
Showing posts with label museum. Show all posts

Thursday, March 8, 2018

ERESIN CROWN MUSEUM HOTEL ISTANBUL 5*

Sultanahmet, Fatih - Istanbul - Turkey

GPS : 41°00'13.0"N 28°58'29.1"E / 41.003611, 28.974750



PHOTOGRAPHS ALBUM

The unique museum hotel of Turkey, the Eresin Crown Hotel, located in the heart of Istanbul which is the only city in the world standing upon two continents, will convince you of it.

The Eresin Crown Hotel is not just a hotel offering personalized quality, service and comfort, but also a deluxe hotel in Sultanahmet with a private museum showcasing a cistern, mosaics, 49 other museum pieces of historical and architectural significance from Hellenistic, Roman and Byzantine times and extraordinary discoveries dating from Hellenistic, Roman, Byzantine and Ottoman times.

In addition to the valuable historic pieces in our boutique Istanbul hotel, our gallery features Byzantine and Ottoman art and a collection of original ceramics including the only exact reproductions of the Ottoman Empire displayed at the British Museum of London in England.

The Eresin Crown has been totally renovated to provide not only an irrefutably high level of quality but also to showcase original and carefully conceived design. This means that this museum hotel located  in Istanbul’s historic Sultanahmet discrict, close to the city’s main touristic, entertainment and shopping areas and just a short walk away from world-famous sights such as Blue Mosque, Haghia Sophia, The Hippodrome and Topkapı Palace, has its own unique identity.

The 59 guest rooms and 5 suites of the Eresin Crown Hotel which offers a 5 star accommodation in Istanbul are all equipped with: All rooms offer the full range of amenities and technology you would expect from luxury accommodation in Istanbul.

Standard Room, Exclusive Room, Superior Room, Deluxe Room, Family Room, Suite Room

Eresin Crown’s Mosaic Restaurant takes its name from its authentic Byzantine floor mosaic which dates from the fifth or sixth centuries AD. The mosaic, decorated with fish motif, is thought to have been part of a courtyard inside the Byzantine, Great Palace, perhaps part of a religious structure or corridor.

The Column Bar is a very special place with remarkable archaeological finds on display and especially two corner actoreria lids dating back to the second and third centuries AD on which are represented mourning Erotes. This authentic décor invites you to take a coffee break or taste the flavor or different cocktails.

Overlooking the Princes’s Islands, the Sea of Marmara and the magnificent profile of the Blue Mosque, the Mosaic Terrace Restaurant is the ideal venue for lunches and dinners under the stars surrounded by the history and architectural masterpieces of Roman, Byzantine and Ottoman times.

Eresin Crown Istanbul business hotel offers two fully functional meeting rooms. Both of our Istanbul meeting rooms, the “Bosphorus Room” and the “Golden Horn” Room are fully air-conditioned. The Golden Horn and the Bosphorus Rooms are capable of hosting from 15 to 180 people for meetings, reception, celebration and special events. Modern audiovisual equipment is available for your presentation or conference.

LOCATION SATELLITE MAP



WEB SITE : Eresin Crown Hotel

MORE INFO & CONTACT
E-Mail : eresin@eresincrown.com.tr
Phone : +90 212 638 4428
Fax : +90 212 638 0933

These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.

Thursday, February 15, 2018

MABEYN COURTYARD

Sultanahmet, Fatih - Istanbul - Turkey

Topkapı Palace Museum / Harem



PHOTOGRAPHS ALBUM

MABEYN STONE COURTYARD

It is located before the section that is between Official wife of Sultan Flat (Sultan Sarayı) of Goldenway that was built during Fatih era (1451-1481) and I. Selim Tower. This section is the closest part of harem to Selamlık, or Private Room in other words, and fourth section that was also called as Imperial Sofa where some pavilions were located, and is directly linked to them.

The difference of Mabeyn Stone Courtyard from other courtyards is that the front is open. Various buildings surrounds it. There is a courtyard, called as Gin’s Consultation Place (Cinlerin Meşveret Yeri), in the direction of Mother Of Sultan Stone courtyard. The highest floor of this courtyard is Prince Flat. In the same direction, there is Double Kasırlar on Stone Courtyard. The courtyard expanded as a high garden.

The sides of this Stone Courtyard had not been filled too much, but were allocated to the controlled lives of princes. This place had also been opened to women after Sultan Abdülhamid I (1774-1789) built Favorites’ Flat (Gözdeler Dairesi) over Goldenway and Sultan Selim I Tower. Sultans had their private apartments built around hamam and Haliç side of Mother Of Sultan Stone courtyard. The connection of this place to Mabeyn Stone courtyard, where they maintained sometimes a public or private life, was provided by a courtyard called as Gin’s Consultation Place. In addition, there used to be places there which were allocated to princes.

The construction building during the 16th and 17th centuries consists of Sultan Murad III’ Private Room, Çifte Hamam, Sultan’s Sofası, Sultan Ahmed I’s Room, Sofa with Fireplace (Ocaklı Sofa), Sofa with Fountain (Çeşmeli Sofa) and Sultan Ahmed III’s Room. These constructions especially reflect the classical Ottoman taste with their architectural features and decoration styles.

The buildings that were made starting from Sultan Mahmut I era (1730-1754) display an integrity in terms of style. They were built in front of Sultan’s Sofa and hamam corridor to enable the use of hamam. The whole pavilion and all rooms were designed as it would not permit women to enter, when Mother Of Sultan’s Flat’s door facing hamam corridor and the door of Sofa with Fireplace are closed.

This domed space in the Harem, where ceremonies and receptions were held, is believed to have been constructed toward the end of the 16th century. Entertainment, weddings and exchange of Bayram felicitations took place in this Hall. The faience inscription on the wall dates from the 18th century revetted with blue and white Delft tiles decorated in the rococo style after the 1665 Harem fire.

The dome, the arches and the pendentives are ornamented with classical patterns traced by brush dating from the beginning of the construction. The Sultan’s Throne and the gallery of the Valide Sultan and Kadinefendis have an imposing aspect. A cellar and the doors of other apartments open on to the Throne Room which is the entrance of the Sultan’s apartments in the Harem.

This Hall which is the largest domed space of the Palace is the most important part of the apartments reserved for the residence of the Sultan, his mother and wives, who had moved into here in the 1580s. This hall, built a few years after the Privy Room of Sultan Murad III in 1579, and whose original character based on the pillared and arched infrastructure, was designed as an open domed hall surmounted by a big dome seated on four suspension arches with a monumental projection at the entrance and façade whose abutment being without windows.

COURTYARD OF THE FAVOURITES

The Courtyard of the Favourites (Gözdeler / Mabeyn Taşlığı ve Dairesi) forms the last section of the Harem and overlooks a large pool and the Boxwood Garden (Şimşirlik Bahçesi). The courtyard was expanded in the 18th century by the addition of the Interval (Mabeyn) and Favourites (İkballer) apartments. The apartment of the Sultan's Favourite Consort along with the Golden Road (Altın Yol) and the Mabeyn section at the ground floor also included the Hall with the Mirrors. The wooden apartment is decorated in the rococo style.

The Interval (Mabeyn) unit was built for the Sultans during the reign of Sultan Osman III (1754-1757). The Mabeyn Courtyard was eventually opened to women with the construction of the Apartments of the Favourites (Gözdeler Dairesi) in mid-18th century. Rooms on the upper floor destined to the use of Chief / Official Consorts (Kadınefendiler) have been built under Sultan Abdülhamit I (1774-1789).

APARTMENT OF THE FAVOURITES

The favourites of the sultan (Gözdeler / İkballer) were conceived as the instruments of the perpetuation of the dynasty in the harem organisation. When the favourites became pregnant they assumed the title and powers of the official consort (Kadınefendi) of the sultan.

The three independent tiled units, equipped with fireplaces, located on the courtyard section facing the Golden Horn were the living spaces of the Sultan’s Chief Consorts. These quarters were erected at the end of the 16th century contemporaneously with the transfer of the whole Harem population into the Topkapı Palace. The porticoes of the three units were merged together in the 17th century so as to form an entrance section.

The apartments are two-storey structures featuring main halls with a double-level height facing the scenery on the one side and the staircase on the opposite side. The upper floors consist of stairheads overlooking the courtyard and mezzanines opening onto the main halls. The main halls equipped with fireplaces are covered with 17th century Ottoman tiles and ornamented with hand-drawn patterns. The apartments are seated on pillared basements, which constitute the multi-storey wards allocated to the concubines providing exclusive service to the members of the dynasty.

The Apartments of the Favourites are to be characterized as an 18th century neo-classical wooden mansion with cloisters, elevated on a platform and featuring lathwork-built halls. The ranges of protruded rooms overlooking the terrace are buttressed through curved supports. The mezzanines with grid windows vis-à-vis the cloister arches are the wards of the concubines.

The Apartments of the Favourites are to be characterized as an 18th century neo-classical wooden mansion with cloisters, elevated on a platform and featuring lathwork-built halls. The ranges of protruded rooms overlooking the terrace are buttressed through curved supports.  The mezzanines with grid windows vis-à-vis the cloister arches are the wards of the concubines.

The Sultan Abdülhamit I apartment situated at the lower level was built onto the partially destroyed Selim I Tower. The tower with its bath and its protective structure which had been historically used by the princes of the dynasty, eventually turned, following the construction of the Apartments of the Favourites,  into a space where Sultan Abdülhamit I lived together with his family.

LOCATION SATELLITE MAP



WEB SITE : Topkapı Palace Museum Directorate

MORE INFO & CONTACT
E-Mail : topkapisarayimuzesi@kultur.gov.tr
Phone : +90 212 512 0480
Fax : +90 212 526 9840

These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.

FLATS OF THE CROWN PRINCE

Sultanahmet, Fatih - Istanbul - Turkey

Topkapı Palace Museum / Harem



PHOTOGRAPHS ALBUM

The Twin Kiosk / Flats of the Crown Prince (Çifte Kasırlar / Veliahd Dairesi) consists of two privy chambers both with classical fireplaces, built in the 17th century, at different times. The two rooms date from the reign of Sultan Murat III, but are more probably from the reign of Sultan Ahmed I. These chambers represent all the details of the classical style used in other parts of the palace. The pavilion has been completely redecorated and most of the Baroque woodwork has been removed.

The building is connected to the palace and consists of only one storey built on an elevated platform to give a better view from inside and shield views from the outside. One of the units is domed; the other has a wooden ceiling. The ceiling is not flat but conical in the kiosk style, evoking the traditional tents of the early Ottomans. As in tents, there is no standing furniture but sofas set on the carpeted floor on the side of the walls for seating. These chambers represent all the details of the classical style used in other parts of the palace.

The hall located at the entrance is thought to have been built by Sultan Murat IV; and the one situated inside is believed to have been built by Sultan Mehmet IV. The Twin Kiosk has been used as the privy chamber of the Crown Princes from the 18th century onwards. The crown prince (Şehzadeler) lived here in seclusion, therefore the apartments were also called kafes (cage).

The decorative tiles, reflecting the high quality craftsmanship of the İznik tile industry of the 17th century, were removed in accordance with the original concept and replaced with modern copies. The paintwork of the wooden dome is still original and is an example of the rich designs of the late 16th/early 17th centuries. The fireplace in the second room has a tall, gilded hood and has been restored to its original appearance.

The walls are adorned with two superimposed rows of windows grouped in sets of three. The stained glass pointed arches of the upper row of windows were renovated.  Fountains with marble-basins placed on the jambs of the window frames stand out as elements of the architectural style of the era. The hand-drawn gilded ornaments on the fabric coating the wooden ceiling are original.

The window shutters next to the fire place are decorated with nacre intarsia. The windows in coloured glass look out across the high terrace and the garden of the pool below. The spigots in these windows are surrounded with red, black and gold designs. The window frames and marble niches are gilded.  The walls, both internally and externally are covered with examples of the highest quality of the 17th century Iznik tile making in harmony with the style of the period.

The crown prince and other princes were trained in the discipline of the Ottoman Harem until they reached adulthood. Afterwards, they were send as governors to Anatolian provinces, where they were further trained in the administration of state affairs. From the beginning of the 17th century onward, the princes lived in the Harem, which started to have a voice in the palace administration. The Twin Kiosk was used as the privy chamber of the crown prince from the 18th century onward.

LOCATION SATELLITE MAP



WEB SITE : Topkapı Palace Museum Directorate

MORE INFO & CONTACT
E-Mail : http://www.topkapisarayi.gov.tr/
Phone : +90 212 512 0480
Fax : +90 212 526 9840

These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.

PRIVY CHAMBER OF SULTAN ABDÜLHAMİT I

Sultanahmet, Fatih - Istanbul - Turkey

Topkapı Palace Museum / Harem



PHOTOGRAPHS ALBUM

LOCATION SATELLITE MAP



WEB SITE : Topkapı Palace Museum Directorate

MORE INFO & CONTACT
E-Mail : topkapisarayimuzesi@kultur.gov.tr
Phone : +90 212 512 0480
Fax : +90 212 526 9840

These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.

Tuesday, February 13, 2018

PRIVY CHAMBER OF SULTAN AHMED III

Sultanahmet, Fatih - Istanbul - Turkey

Topkapı Palace Museum / Harem



PHOTOGRAPHS ALBUM

The small but very colourful Privy Chamber of Sultan Ahmet III (III. Ahmet Has Odası) built in 1705 with walls adorned with panels of floral designs and fruit compositions painted in the Edirnekâri technique (named after the city of Edirne, known as the homeland of the best wood-painting artists) was therefore also known as the Fruit Room (Yemiş Odası) and probably used for dining purposes by the Sultans.

The shaded colouring seen on these ornaments drawn in miniature technique reflects a then new painting style emerged under the influence of Western painting art. The room is covered with a vaulted and ornamented wooden ceiling, and features also a small fireplace decorated with intricate tiles situated between the windows.

LOCATION SATELLITE MAP



WEB SITE : Topkapı Palace Museum Directorate

MORE INFO & CONTACT
E-Mail : topkapisarayimuzesi@kultur.gov.tr
Phone : +90 212 512 0480
Fax : +90 212 526 9840

These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.

PRIVY CHAMBER OF SULTAN AHMED I

Sultanahmet, Fatih - Istanbul - Turkey

Topkapı Palace Museum / Harem



PHOTOGRAPHS ALBUM

The Privy Chamber of Sultan Ahmet I (I. Ahmed Has Odası) was built in 1608 in front of the Privy Chamber of Sultan Murat III. It is a domed dwelling in cut-stone erected on high-arched buttresses, attributed to the chief architect of the period (the above-mentioned) Sedefkâr Mehmet Agha.

Richly decorated with İznik glazed tiles. The cabinet doors, the window shutters, a small table and a Qur'an lectern are decorated with nacre and ivory.

The entrance is highlighted through a high-arched ceiling coated with plain green tiles. Window shutters and cabinet doors are inlaid with nacre, tortoiseshell and ivory. 

The window on the left hand side was converted at the beginning of the 18th century into a doorway giving access to the Fruit Room of Sultan Ahmet III.  The walls are covered with predominantly green coloured Iznik tiles.

LOCATION SATELLITE MAP



WEB SITE : Topkapı Palace Museum Directorate

MORE INFO & CONTACT
E-Mail : topkapisarayimuzesi@kultur.gov.tr
Phone : +90 212 512 0480
Fax : +90 212 526 9840

These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.

PRIVY CHAMBER OF SULTAN MURAD III

Sultanahmet, Fatih - Istanbul - Turkey

Topkapı Palace Museum / Harem



PHOTOGRAPHS ALBUM

The Privy Chamber of Sultan Murat III (III. Murat Has Odası) dated to the first construction period (1578 and 1590) of the Harem, is the oldest and finest surviving room in the Harem, having retained its original interior. It was erected in 1579 on the orders of Sultan Murat III by the master architect Sinan, on the emplacement of the former privy chamber believed to have belonged to Sultan Süleyman the Magnificent.

The structure was utilized for several centuries as the private quarters and reception hall of the Ottoman monarchs.  It is one of the most splendid examples of the classical Ottoman architecture of the late 16th century.

The interior details of the pavilion are symmetrical. The main hall is endowed with a large dome, slightly smaller than that of the Throne Room, resting on monumental arches. The large dome symbolizes the permanency of the Ottoman monarchs. It also has a domed entrance platform. The interior of the main hall is decorated with blue-and-white and coral-red 16th century Iznik tiles.

There is also a large indoor pool under the kiosk. A belt of inscriptional tiles runs around the room above the shelf and door level. It is inscribed in white calligraphic characters on a blue background with the most famous verse of the Qur'an, the Throne Verse or Ayatul Kursi, the 255th verse (ayet) of the second chapter (sure) Al-Baqara. There are arched triple-niches between the deep windows with marble jambs.

Rumi (a style of ornamentation widely used by the Seljuks of Anatolia, of Rum) and palmette decorations manufactured by using the malakari technique (painting with plaster reliefs) ornament the inside of the dome and its pendentives. The dome rim is decorated with the same patterns carved in marble relief.  The monumental fireplace with a gilded tombac hood stands opposite a two-tiered ornamental fountain built into the wall (selsebil) skilfully decorated in coloured marble.

Cabinet doors inlaid with geometrically patterned interlaced mother of pearl and tortoiseshell, attributed to Sedefkar (Nacre-master) Mehmet Agha,are classical elements. The two gilded wooden baldachin thrones in Ottoman baroque style date from the 18th century.

The Privy Chamber of Murat III (III. Murad Has Odası) is the oldest and finest surviving room in the harem, having retained its original interior. It was a design of the master architect Sinan and dates from the 16th century. Its dome is only slightly smaller than that of the Throne Room. Its hall has one of the finest doors of the palace and leads past the wing of the crown princes (Kafes).

The room is decorated with blue-and-white and coral-red İznik tiles. The rich floral designs are framed in thick orange borders of the 1570s. A band of inscriptional tiles runs around the room above the shelf and door level. The large arabesque patterns of the dome have been regilded and repainted in black and red.

The large fireplace with gilded hood (ocak) stands opposite a two-tiered fountain (çeşme), skilfully decorated in coloured marble. The flow of water was meant to prevent any eavesdropping, while providing a relaxed atmosphere to the room. The two gilded baldachin beds date from the 18th century.

LOCATION SATELLITE MAP



WEB SITE : Topkapı Palace Museum Directorate

MORE INFO & CONTACT
E-Mail : topkapisarayimuzesi@kultur.gov.tr
Phone : +90 212 512 0480
Fax : +90 212 526 9840

These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.

Saturday, February 10, 2018

COURTYARD AND KIOSK OF SULTAN OSMAN III

Sultanahmet, Fatih - Istanbul - Turkey

Topkapı Palace Museum / Harem



The construction of the Courtyard and Kiosk of Sultan Osman III, started in the 1750s under Sultan Mahmud I. The construction which divided the Harem garden was completed by Osman III as a terrace resting on high pillars. This construction which linked the Harem’s main wall to the façade is the only structure of Harem protruding toward the Hasbahçe.

This courtyard marking the beginning of the 18th century construction style and going beyond classical architectural standards because of the narrow space involved is embellished by a marble pool and flower beds.

This courtyard possessing a latticed bower is the only architectural vestige which gives an idea of the public life depicted in Ottoman landscapes under Western influence. After the courtyard, the Harem’s traditional aspect with consoles, porticos and loggias was changed and the façade of the Throne Room, which opened onto the courtyard, was covered with pen ornamentation.

The triple-space arrangement consisting of a main room projecting in the middle flanked by a room on either side, a representative specimen of the 18th century, was the Kiosk of Sultan Osman III. This wooden Kiosk àssumed, under Sultan Mahmud II, the aspect of a wooden kiosk in the Empire style with lath and plaster work and projecting eaves, the walls of which being decorated with twisted leaves and architectural designs up to the level of the day openings.

The refined gilded rococo curves of cupboards, ceilings and window recesses and lateral rococo walls and the tiles with small violet roses inside the plaster chimneys date from the beginning of the construction.

Furthermore, rose marble panels between vertical sash windows, gilded wooden frames and stone mosaic revet-tings on flanking balconies indicate that the details of western art were applied harmoniously. The door on the main axis of the kiosk opens onto the courtyard. A corridor with windows and vaults connects the Kiosk the Courtyard to the Harem.

LOCATION SATELLITE MAP



WEB SITE : Topkapı Palace Museum Directorate

MORE INFO & CONTACT
E-Mail : topkapisarayimuzesi@kultur.gov.tr
Phone : +90 212 512 0480
Fax : +90 212 526 9840

These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.

IMPERIAL HALL

Sultanahmet, Fatih - Istanbul - Turkey

Topkapı Palace Museum / Harem



PHOTOGRAPHS ALBUM

IMPERIAL HALL / HÜNKAR SOFASI

The Imperial Hall (Hünkâr Sofası), also known as the Imperial Sofa, Throne Room Within or Hall of Diversions, is a domed hall in the Harem, believed to have been built in the late 16th century. It has the largest dome in the palace. The hall served as the official reception hall of the Sultan as well as for the entertainment of the Harem. Here the Sultan received his confidants, guests, his mother, his first wife (Hasseki), consorts, and his children. Entertainments, paying of homage during religious festivals, and wedding ceremonies took place here in the presence of the members of the dynasty.

Sultan’s Sofa is the largest place in its dimensions located between Sultan Murad III’s Private Room and hamams. It was concluded from the written sources and panoramic pictures that it was built between 1580-90 with its first shape after Sultan Murad III’s Private Room. It is known that Harem residents, upon Sultan’s ascending to throne and in following days, after wearing the sword ceremonies in tombs in Eyüp, offered their loyalties to Sultan on this sofa, where Harem’s musical entertainments, meetings, congratulation and other ceremonies were also held.

Also, delivering the birth to girls or boys, and celebrations of Sultan’s daughers’, also known as hanım sultan, engagements and marriages were held in this hall. The building with its contemporary look today displays the restorations and modifications throughout the centuries. Sofa went through a significant restoration activities after the 1665 fire. It has survived today with a level that reflects the rococo dominated ornament style after the renewal during Sultan Osman III era (1754-1757).

The name of Osman III stands on the inscription on the entrance door of the hall. The walls are covered with golden gilding and painted wooden cover as well as European tiles (Delf), and fountains were also added. The decorations in different styles from different eras of this place that hosted many entertainments in Harem had created a very impressive environment in which various tastes had come together.

After the Great Harem Fire of 1666, the hall was renovated in the rococo style during the reign of Sultan Osman III. The tile belt surrounding the walls bearing calligraphic inscriptions were riveted with 18th century blue and white Delftware and mirrors of Venetian glass. But the domed arch and pendantives still bear classical paintings dating from the original construction.

In the hall stands the Sultan's throne. The gallery was occupied by the consorts of the Sultan, headed by the Queen Mother. The gilded chairs are a present of Emperor Wilhelm II of Germany, while the clocks are a gift of Queen Victoria of the United Kingdom. A pantry, where musical instruments are exhibited and certain other apartments, opens to the Imperial Hall which gives access into the Sultan's private apartments.

A secret door behind a mirror allowed the Sultan a safe passage. One door admits to the Queen Mother’s apartments, another to the Sultan's hammam. The opposite doors lead to the small dining chamber (rebuilt by Ahmed III) and the great bedchamber, while the other admits to a series of ante-chambers, including the room with the fountain (Çeşmeli Sofa), which were all retiled and redecorated in the 17th century.

After the Great Harem Fire of 1666, the hall was renovated in the rococo style during the reign of Sultan Osman III. The tile belt surrounding the walls bearing calligraphic inscriptions were revetted with 18th-century blue-and-white Delftware and mirrors of Venetian glass. But the domed arch and pendantives still bear classical paintings dating from the original construction.

In the hall stands the sultan's throne. The gallery was occupied by the consorts of the sultan, headed by the Queen Mother. The gilded chairs are a present of Emperor Wilhelm II of Germany, while the clocks are a gift of Queen Victoria of the United Kingdom. A pantry, where musical instruments are exhibited, opens to the Imperial Hall, which provides access into the sultan's private apartments.

A secret door behind a mirror allowed the sultan a safe passage. One door admits to the Queen Mother’s apartments, another to the sultan's hammam. The opposite doors lead to the small dining chamber (rebuilt by Sultan Ahmed III) and the great bedchamber, while the other admits to a series of ante-chambers, including the room with the fountain (Çeşmeli Sofa), which were all retiled and redecorated in the 17th century.

This domed space in the Harem, where ceremonies and receptions were held, is believed to have been constructed toward the end of the 16th century. Entertainment, weddings and exchange of Bayram felicitations took place in this Hall. The faience inscription on the wall dates from the 18th century revetted with blue and white Delft tiles decorated in the rococo style after the 1665 Harem fire.

The dome, the arches and the pendentives are ornamented with classical patterns traced by brush dating from the beginning of the construction. The Sultan’s Throne and the gallery of the Valide Sultan and Kadinefendis have an imposing aspect. A cellar and the doors of other apartments open on to the Throne Room which is the entrance of the Sultan’s apartments in the Harem.

This Hall which is the largest domed space of the Palace is the most important part of the apartments reserved for the residence of the Sultan, his mother and wives, who had moved into here in the 1580s. This hall, built a few years after the Privy Room of Sultan Murad III in 1579, and whose original character based on the pillared and arched infrastructure, was designed as an open domed hall surmounted by a big dome seated on four suspension arches with a monumental projection at the entrance and façade whose abutment being without windows.

LOCATION SATELLITE MAP



WEB SITE : Topkapı Palace Museum Directorate

MORE INFO & CONTACT
E-Mail : topkapisarayimuzesi@kultur.gov.tr
Phone : +90 212 512 0480
Fax : +90 212 526 9840

These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.

COURTYARD OF THE QUEEN MOTHER

Sultanahmet, Fatih - Istanbul - Turkey

Topkapı Palace Museum / Harem



PHOTOGRAPHS ALBUM

STONE COURTYARD OF THE QUEEN MOTHER

After the main entrance and before turning to the Passage of Concubines is the Courtyard of the Queen Mother (Valide Sultan). Mother Of Sultan Stone courtyard had constituted the core of the construction group where Dynasty and Harem residents lived for centuries. It is assumed that Goldenway which formed on wing of this Stone Courtyard and some other buildings are the buildings Harem that date back to first half of 15th and 16th century.

This place turned into a internal courtyard upon construction of Mother Of Sultan’s Flat and hamams at the end of 16th century. Valide Stone courtyard, as a “Life” Stone Courtyard character in the middle sofa of Turkish house, is the most significant example of the Ottoman Architecture in this style. In this sense, it used to gather high level harem women staff around itself who were the central place of the Ottoman dynasty and Harem.


The courtyard of the Queen Mother is situated directly at the core centre of the Harem as if it was put there to emphasize the queen mothers’ importance within the hierarchical order of the Harem. The Apartments of the Queen Mother (Valide Sultan Dairesi) facing the Golden Horn and the Baths of the Sultan were constructed after the Queen Mothers moved into the Topkapı Palace in the late 16th century from the Old Palace (Eski Saray).

The hall with the fireplace (Ocaklı Sofa) situated next to the baths, opens, through a gate referred to as the Sultanate or Throne Gate (Saltanat/Taht Kapısı), onto the living spaces of the dynasty.  These are the quarters of the Sultan, the Head Woman’s (Baş Haseki) and the Crown Princes’.   Ottoman tiles of various eras adorn the walls of the courtyard. The fountain in the courtyard was erected during the reign of Sultan Mehmet IV in the 17th century.

APARTMENT OF THE QUEEN MOTHER

This flat was one of the most significant constructions of renewal and expansion activities in Harem by Sultan Murad III (1574-1599) in 1580s. The special importance and value on the mother in Turkish families put Mother Of Sultan into foreground in palace Harem instead of Sultan’s main woman and the mothers of sultans became the true leaders of harem.

The Flat of the Queen Mother (Valide Sultan Dairesi) together with the apartments of the sultan forms the largest and most important section in the harem. It was constructed after the Queen Mother moved into the Topkapı Palace in the late 16th century from the Old Palace (Eski Saray) but had to be rebuilt after the fire of 1665 between 1666-1668. Some rooms, such as the small music room, have been added to this section in the 18th century.

The Queen Mother’s Apartments initially commissioned by Sultan Murat III (1574-95) for his mother, Sultan Nurbanu, constitute the centre of the Harem.   The unit was built by Court Architects Mimar Sinan and Davut Agha in the 1580’s but had to be renovated following the 1665 Harem fire. It received its present appearance following a series of repairs and additions made at different periods.

The space where queen mothers spent their daily life consists of a hall entered through a small door on the left hand side, featuring a symbolic throne section called Shirvan (Şirvan) and a room for prayer which is adjacent to that hall. The walls of the hall, which is a domed space endowed with iwans is covered with 17th century Ottoman tiles. The upper parts of the walls were decorated in the 19th century with paintwork depicting panoramic views.

The outlook of the unit has changed when the apartments of Queen Mother Sultan Mihrişah, - the mother of Sultan Selim III - including a main hall, a prayer room and a balcony were built in the rococo style in 1789 on top of the existing structure. The original hall featuring the above-mentioned throne section with the Shirvan was then utilized also as a sleeping room.

The walls of Sultan Mihrişah unit’s main hall are covered with the last high-quality examples of 17th century Iznik tile making. This room is lit through a rococo patterned vault with a round glass window.  The access from this hall into the prayer room is effectuated through a passageway with a marble door jamb and an iron latticework. One of the walls is covered with a tiled panel featuring a depiction of the Holy Ka’bah (Turkish: Kâbe).

Only two of these rooms are open to the public: the dining room with, in the upper gallery, the reception room and her bedroom with, behind a lattice work, a small room for prayer. On the lower storeys of the apartments are the quarters of the concubines while the upper storey rooms are those of the Queen Mother and her ladies-in-waiting (kalfas). The apartments of the Queen Mother are connected by a passage, leading into the Queen Mother's bathroom, to the quarters of the sultan.

These are all enriched with blue-and-white or yellow-and-green tiles with flowery motifs and İznik porcelain from the 17th century. The panel representing Mecca or Medina, signed by Osman İznikli Mehmetoğlu, represents a new style in İznik tiles. The paintwork with panoramic views in the upper rooms is in the Western European style of the 18th and 19th century.

Situated on top of the flats of the Queen Mother are the apartments of Mihirisah in the rococo style. Leading from the flats to the baths lays the apartment of Sultan Abdül Hamid I. Close to that is Sultan Selim's III love chamber constructed in 1790. A long, narrow corridor connects this to the kiosk of Sultan Osman III dated to 1754.

Women whose sons ascended the throne as a monarch acquired the title of  “Queen Mother /Sultana” (Valide Sultan) and moved from the Old Palace in Bayezit to the Topkapı Palace by means of a grand ceremony called the Queen Mother Procession (Valide Alayı). The powers of the Queen Mothers, considered the highest authority in charge of the Harem, rose significantly, in particular during the 17th century where many of the Sultans ascended the throne at very young age.

Thus leading to the occurrence of a period in the history of the dynasty referred to as the “Women’s Sultanate/Reign” (Kadınlar Saltanatı).  However, the queen mothers whose ruling son died or was dethroned had to return to the Old Palace together with all their entourage, thus putting an end to their reign.

SOFA OF THE QUEEN MOTHER

It is known that this flat with its contemporary shape was built by Murad III for his mother Nurbanu Sultan. Mother Of Sultan Flat constitutes an integrity with its hamam, bathroom and all rooms. There is a stair that connects the lower and upper stairs on the left of old entrance hall, and on the right, there is a waiting room. These stairs lead to sections where the Concubine Dormitories are located. It can also be said that Mother Of Sultan’s belongings and high level kahya women were located in those 5 rooms above Mother Of Sultan’s Flat in upstairs and hamam külhanı.

Across Mother Of Sultan Hall, the door right across leads to Mother Of Sultan Sofa. This section that belonged to women section of harem and is the largest place has a dome. Through the door on the left side of this majestic place, it leads to private office room, living room, and bedroom. The wooden division of this room that reminds baldaken symbolizes the sultanate and power of Mother Of Sultan in harem. From this section, it leads to Mother Of Sultan’s prayer room through an arch passage which can be visually linked through a window with bars.

Through the other door of Mother of Sultan’s Flat Sofa, it leads to a place with tiles and fireplace. This room and sahanlık before that also provides passage to concubine and Head of Wives section in Mother Of Sultan’s Flat. It leads to Mother of Sultan Hamamı through an entrance of Mother Of Sultan’s Flat. This hamam was planned as a double hamam along with Sultan Hamams. The door on the right side of domed main place of Mother Of Sultan leads to Sultan’s Sofa through a corridor along hamams.

The reason of Sultan’s mother’s leverage in palace stems from the importance that the sultan displays for them. Sultan used to visit her every morning at Mother Of Sultan’s Flat to show respect and share his daily decisions. Later, Chief of girls used to come to inform her about foundations and Mother of Sultan’s business. It is also recorded that the Gözdes used the visit Mother Of Sultan here, that entertains with dancers and singers, listens to Kur’anı Kerim or history book from reader kalfa after having lunch.

BATH OF THE SULTAN AND THE QUEEN MOTHER

It was concluded that these hamams, that were constructed as double hamams for Mother Of Sultan and Sultan himself, were built around 1580s, after completion of III. Murad’s Private Room. These hamams were built in double hamam style that was observed in Ottoman architecture. The obligations regarding apdest (ablution) and cleaning increase hamam’s importance. Sultan Hamams, with their locations between Mother Of Sultan’s Flat and Sultan’s Sofa, display parallelism with the bathing and entertaining functions in traditional palace hamams.

Under supervision of Hazinedar Master, the bathing, dyeing with henna, putting scent and dressing of gözde who would be together with Sultan, Fourthy Hamams of the kids after birth and joining of Sultan’s Sofa to this busy ceremony environment prove the importance of hamams in Harem life. The hypocaust system that is also observed in Roman hamams constitutes the heating system of these constructions by continuing underneath Sultan’s Sofa as it was the same under the marble floor of Sultan ve Mother of Sultan Hamams.

The next rooms are the Baths of the Sultan and the Queen Mother (Hünkâr ve Vâlide Hamamları). This double bath dates from the late 16th century and consists of multiple rooms. It was redecorated in the rococo style in the middle of the 18th century. Both baths present the same design, consisting of a caldarium, a tepidarium and a frigidarium. Each room either has a dome, or the ceilings are at some point glassed in a honeycomb structure to let the natural sunlight in. The floor is clad in white and grey marble.

The marble tub with an ornamental fountain in the caldarium and the gilded iron grill are characteristic features. The golden lattice work was to protect the bathing Sultan or his mother from murder attempts. The Sultan's bath was decorated by Sinan with high-quality İznik polychrome tiles. But much of the tile decoration of the harem, from structures damaged by the fire of 1574, was recycled by Sultan Ahmed I for decoration is his new Sultan Ahmed Mosque in Istanbul. The walls are now either clad in marble or white-washed.

THE GOLDEN ROAD

The Golden Road (Altınyol) is a narrow passage that forms the axis of the Harem, dating from the 15th century. It extends between the Courtyard of the Harem Eunuch (Harem Ağaları Taşlığı) and the Privy Chamber (Has Oda). The walls are painted a plain white colour. It is believed that the attribute "golden" is due to the sultan's throwing of golden coins to be picked up by the concubines at festive days, although this is disputed by some scholars.

The sultan used this passage to pass to the Harem, the Privy Chamber and the Sofa-i Hümâyûn, the Imperial terrace. The Courtyard of the Queen Mother (Valide Sultan Taşlığı’), the Courtyard of the Chief Consort of the Sultan (Baş Haseki), the apartments of the Princes (Şehzadegân Daireleri), and the apartments of the Sultan (Hünkâr Dairesi) open to this passage.

LOCATION SATELLITE MAP



WEB SITE : Topkapı Palace Museum Directorate

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Wednesday, February 7, 2018

CONCUBINES COURTYARD

Sultanahmet, Fatih - Istanbul - Turkey

Topkapı Palace Museum / Harem

CONCUBINES



PHOTOGRAPHS ALBUM

Black Chiefs and all women regardless of their status were servants like the palace employees. The training system of concubines were like that of Converts. 16th century sources states that there used to be 2 dormitories for newly recruited concubines in Harem as it is the same at Enderun. The majority of concubines that were recruited between ages 5-16 originated generally Çerkez, as it is also known about the presence of Arabian and African concubines recruited.

In addition, the ages of concubines recruited for various services could be higher. The concubines recruited were first health examined. The new concubines were given new names considering their beauty, attitudes and appearances. The girls taken into the palace were taught Turkish and the etiquette manners. the first period of these girls at Harem was called as inexperience. Later, they used to become concubines, and after that promote to master apprenticeship called as (şakirt), mastership (ustalık) and constant frequenter class within time.

Because the most of concubines are employed for services, they were given to general services such as laundry, hamam heaters, pantry, table, after a short time. The beautiful and smart ones used to be trained by kalfa women about reading-writing, sewing, embroidery, playing music instruments, singing and dancing depending on their skills. The Sultans did not have relations with all concubines that were selected and trained for them, and their departure from the Palace was provided by making them marry with appropriate people.

The highest ranking of the palace women was called as Kadın. The concubines who were called as "for Private Room", Favorite (Gözde) or Prosperity (İkbal) among those the Sultan had relation with used to promoted later to Official wife of Sultan and Head of Wives (Kadın Efendi) after giving birth.

ROLE OF THE CONCUBINES

The Courtyard of the Favourites in the harem of Topkapı PalaceFor the perpetuation of the dynasty and service to the Ottoman Dynasty, beautiful and intelligent girls were brought in from the neighbouring countries to become imperial concubines (Cariyes). The concubines who were introduced into the Harem in their tender age were brought up in the disciplines of the Palace. They were promoted according to their capacities and became kalfas and ustas.

The concubine, with whom the Sultan shared his bed, became a member of the dynasty and rose in rank to attain the status of Gözde (the Favourite) or Kadınefendi (one of the Sultan’s consorts). The highest position herself was the Queen Mother (Valide Sultan), the mother of the Sultan, who herself used to be a concubine of the Sultan’s father and rose to the supreme rank in the Harem. No concubine could leave or enter the premises of the Harem without the explicit permission of the Queen Mother.

The powers of the Queen Mother even extended to questions of life and death of a concubine, with eunuchs directly reporting to her. The concubines either lived in the halls beneath the apartments of the consorts, Queen Mother and the Sultan, or in separate chambers. The consorts, kadınefendi, who had borne children to the sultan and whose number varied between four to eight formed the group who came next in rank to the Queen Mother.

Among those women who lived in their own quarters with their concubines and children "Baş Haseki", the favourite consort who was the mother of the crown prince and three other kadınefendis enjoyed a privileged position in the hierarchy of the harem.

COURTYARD OF THE SULTAN'S CONCORTS AND THE CONCUBINES

The Courtyard of the Sultan's Consorts and the Concubines (Kadın Efendiler Taşlığı / Cariye Taşlığı) was constructed at the same time as the courtyard of the eunuchs in the middle of the 16th century. It underwent restoration after the 1665 fire and is the smallest courtyard of the Harem. The porticoed courtyard is surrounded by baths (Cariye Hamamı), a laundry fountain, coffee kitchen, a laundry, dormitories, the apartments of the Sultan's Chief Consorts and the apartments of the stewardesses (Kalfalar Dairesi).

This area also known as Kadın Efendi or Concubine Stone Courtyard is the smallest courtyard of Harem. This Stone Courtyard can be accessed through a corridor on the left side of guard duty place which lets Harem’s Cümle Gate. This corridor had been formed with the wall that separates Black Chiefs Section on one side, and Masters’ Flat that separates Mother of Sultan Stone courtyard on the other. There are marble counters on one side of corridor. This counter is the place where Black Chiefs put the foot that is prepared at Harem’s kitchen on plates for Harem residents.

As in other Stone Courtyards, two-staired room arrangement that faces Stone Courtyard can also be seen here. On one side of Stone Courtyard where it joins Black Chiefs, there are hamam, hamam külhanı (heater) and pantry. On narrow side, there are kitchen, laundry room and bathrooms. On Haliç side, there is a concubine dormitory with şirvan. Using the stone stairs on the side of this dormitory, one can go down to Harem gardens, concubine dormitories and hospital sections. There are three private flats on two stairs on the Haliç side of Stone Courtyard that belongs to Head of Wives.

CONCUBINE DORMITORIES

There are Concubine Dormitories in the section where the payeli substructure holds Head of Wives and Mother Of Sultan Flats. Concubines could continue their Harem life which they started on the lowest floor on higher floors and higher levels in regards to their abilities and chances, or after completing 8 years, they would become çırak. These dormitories were the places that could respond to the needs daily life with its wooden şirvan, light spaces, bathrooms and ablution places in 17th century when the concubines were the highest in number in Harem.

The three independent tiled apartments with fireplaces overlooking the Golden Horn were the quarters where the consorts of the Sultan lived. These constructions covered the site of the courtyard in the late 16th century. At the entrance to the quarters of the Queen Mother, wall frescoes from the late 18th century depict landscapes, reflecting the western influence.

The entrance to the apartments of the Queen Mother (Valide Sultan Dairesi) was decorated in the 18th century with paintwork depicting panoramic landscape views in the Western European style. The oldest bath of the Harem situated on the courtyard’s left hand side was converted into the baroque style in the mid-18th century.  The wards of the head servants and dormitories of the concubines were located on the upper floor.

FOURTY STAIRS / KIRKMERDİVEN

Using the door between dormitory and Heads of Wives Flat, stairs leads to mezzanine. Mezzanines have been built over this descent system that is called as Fourtystairs (Kırkmerdiven). Using Fourtystairs, Stone Courtyard also called as Hospitals and Concubine Courtyard can be accessed.

On the courtyard’s right hand side we find the ward historically referred to as the “long room”, which was heated with a large stove. The arched doorway next to the long room leads to the Harem hospital through a monumental stairway called the “40 steps”. The staircase, called the "Forty Steps" (Kirkmerdiven), leads to the Hospital of the Harem (Harem Hastanesi), the dormitories of the concubines at the basement of the Harem and Harem Gardens.

PASSAGE OF CONCUBINES

The Passage of Concubines (Cariye Koridoru) leads into the Courtyard of the Sultan's Chief Consorts and Concubines. On the counters along the passage, the eunuchs placed the dishes they brought from the kitchens in the palace.

The access to the section of the Harem where the women lived was provided through the Hallway/Corridor of the Concubines. The dishes prepared in the kitchens were brought here on large trays and placed on the hallway’s counters and racks by the black eunuchs; and after they had left the area, the concubines on duty would then pick up and serve the plates to the residents of the Harem in a hierarchical order according to rank and title.

LOCATION SATELLITE MAP



WEB SITE : Topkapı Palace Museum Directorate

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E-Mail : topkapisarayimuzesi@kultur.gov.tr
Phone : +90 212 512 0480
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These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.

EUNUCHS COURTYARD

Sultanahmet, Fatih - Istanbul - Turkey

Topkapı Palace Museum / Harem



PHOTOGRAPHS ALBUM

Another door leads to the Courtyard of the (Black) Eunuchs (Harem Ağaları Taşlığı), with on the left side their apartments. At the end of the court is the apartment of the black chief eunuch (Kızlar Ağası), the fourth high-ranking official in the official protocol. In-between lays the school for the imperial princes with precious tiles from the 17th and 18th centuries and gilded wainscoting.

At the end of the court is the main gate to the harem (Cümle Kapısı). The narrow corridor on the left side leads to the apartments of the odalisques (white slaves given as a gift to the sultan). The main entrance gate of the Harem and the gate of the Kuşhane connected the Enderûn court leads out into the Kuşhane door.

Many of the eunuchs’ quarters face this courtyard, which is the first one of the Harem, since they also acted as guards under the command of the Chief Harem Eunuch. The spaces surrounding this courtyard were rebuilt after the great fire of 1665. The complex includes the dormitory of the Harem eunuchs behind the portico, the quarters of the Chief Harem Eunuch (Darüssaade Ağası) and the School of Princes as well as the Gentlemen-in-Waiting of the Sultan (Musahipler Dairesi) and the sentry post next to it.

Built in the late 16th century, the unit features a tiled main room with a fireplace, a bath (hamam), a coffee kitchen and service rooms. The fireplace in the main room is covered with 18th century Baroque European tiles. The compound includes on its upper floor tiled rooms with fireplace and the School of Princes, which was under the responsibility of the Chief Harem Eunuch. The school space is a double-fronted hall with a centrally domed and vaulted ceiling.

The upper level is decorated with 17th century classic Ottoman tiles whereas baroque style tiles ornament the floor level. These were commissioned in the 18th century by Beshir Agha (Beşir Ağa), the Chief Eunuch of Sultan Mahmut I. The baroque detailed plaster fireplace dates also from the same period.

It is thought that the Courtyard of the Black Eunuchs and the buildings around it were probably erected during the institutionalization phase of the Harem in the mid-16th century. This was the first courtyard of the Harem. Many of the Black Eunuchs’ quarters, which were also an educational place, face this courtyard, since they also acted as guards under the command of the Chief Harem Eunuch. The spaces surrounding this courtyard were rebuilt after the great Harem fire of 1665.

The complex includes the dormitory of the Harem eunuchs located on the left hand side behind the portico, the quarters of the Chief Harem Eunuch (Darü’s-saâde Ağası) and the School of Princes as well as the Gentlemen-in-Waiting of the Sultan (Musahipler Dairesi) and the sentry post next to it. The inscription on the façade of the dormitory includes the deeds of trust - established for the eunuchs-  of the Sultans Mustafa IV, Mahmut II and Abdülmecit I dating from the 19th century.

HAREM EUNUCHS

Guarding the women sections in imperial palaces by eunuch, which is an old tradition that goes back to Assyrians, spreaded out of Mesopotamia till Chinese and Roman palaces. The Ottoman Harem also adopted this tradition. Two groups called as White Eunuchs and Black Eunuchs lived in the Ottoman Palace.

Before, White Eunuchs being Gate of Felicity (Bab’üs-Saade) Chief were also granted Abode of Felicity (Dar’üs-Saade) Lordship. Sultan Murad III (1574-1595) granted this function to Black Eunuchs in 1582. Black Chiefs carried out this function that completely passed to Black Eunuchs towards the end of 16th century, by increasing their authorities and influence until the end of the sultanate.

At Topkapı Palace, at the court of the Ottoman sultans, the harem staff commonly included eunuchs. These were slaves, either captured in war (mainly Christian Europeans in the Balkans) or recruited within the empire (especially Caucasian peoples from Georgia and Armenia and blacks from Egypt and Sudan) or even beyond (especially in Abyssinia).

Black Eunuchs also called Eunuchs of the Harem were mostly chosen from the Central African territories of the Empire and in particular among those of Abyssinian origin. They were taught the rules of the Palace and Harem and trained and educated in a strict discipline. Their main functions were to guard the gates and control access to the Harem, accompany the carriages and let no one from the outside enter the Harem.

Black eunuchs usually were Sandali (i.e. their genitalia were entirely amputated), hence they were preferred for harem service, while White eunuchs usually kept part of their penis and/or testicles, so they were assigned to less 'intimate' duties, e.g. secretarial. They were often donated to the Sultan by his governors, in total about six- to eight hundred.

The castrated servicemen in the Muslim and Turkish states in the Middle Ages were recruited to serve in the palace from the times of Sultan Mehmed I onwards. These eunuchs who were trained in the palace and were given the charge of guarding the harem rose in rank after serving in many positions. The harem eunuchs and the harem organisation were under the command of the Chief harem eunuch, who was also called the Master of the Girls (Kızlar Ağasi) or Chief (Black) Eunuch.

They supervised the quarters where the female population of the palace lived. They had influence on the palace and later on the state administration in the 17th and 18th centuries as they had access to the sultan and the sultan's family and became very powerful. Eunuchs at the Ottoman court were preferably taken from Africa, especially Sudan. Since lighter skin was considered more aesthetic than dark skin, the sultans felt the chances of an affair developing between their, mostly Eastern European, concubines and their dark-skinned eunuch caretakers extremely low.

He was sometimes considered second only to the Grand Vizier (head of the imperial government, but often working in his own palace or even away, e.g., on military campaign) in the confidence of the Sultan, to whom he had and arranged access (including his bedchamber, the ne plus ultra for every harem lady), also being his confidential messenger. As commander of an imperial army corps, the halberdiers (baltaci), he even held the supreme military dignity of three-tail pasha (general).

Meanwhile the Chief (White) Eunuch (Kapı Ağasi), was in charge of 300 to 900 white eunuchs as head of the 'Inner Service' (the palace bureaucracy, controlling all messages, petitions, and State documents addressed to the Sultan), head of the Palace School (school for pages training as white eunuchs), gatekeeper-in-chief, head of the infirmary, and master of ceremonies of the Seraglio, and was originally the only one allowed to speak to the Sultan in private.

In 1591, Murad III transferred the powers of the white to the black eunuchs as there was too much embezzlement and various other nefarious crimes attributed to the white eunuchs, but later they regained some favor.

During the Women's Sultanate (Kadınlar Saltanatı), the eunuchs increased their political leverage by taking advantage of minor or mentally incompetent Sultans, causing political instability. The teenage Sultans were "guided" by regencies formed by the Queen Mother (Valide Sultan), the Grand Vizier and the Valide's other supporters- and the Chief Black Eunuch was the Queen Mother's and Chief Consorts' intimate and valued accomplice.

Since the Chief Harem Eunuchs oversaw the Ottoman imperial foundations and the Harem endowments, they were handling substantial revenues and had a high income. Consequently, they have been able to erect numerous mosques, schools, fountains and kiosks built for the dispensing of free drinking water as an act of piety in Istanbul and elsewhere in the country.  On the other hand, they have been effective in state administration, particularly in the 17th and 18th centuries, since they were close to the Sultan and his family owing to the tasks they were fulfilling in the court.

The Head of the Black Eunuchs, Chief Harem Eunuch (Darü’s-saâde Ağası) also called the Girls’ Eunuch was the highest authority in charge of the Harem. In the protocol ranking, he was placed directly after the Grand Vizier and the Sheikh ul-lslam, the chief religious official in the Ottoman Empire, (Şeyhülislam).

BLACK CHIEFS / KARA AĞALAR

African boys that are selected from the mid-Africa generally originating from Ethiopia used to be raised with a strict discipline after being taken to the Old Palace and Topkapı Palace. Castrated African kids called as çiçek used to be trained so that they would apply the Harem rules after learning Turkish.

They used to start their functions with the name of "Down Below (En Aşağı)" and pass to Beginner Lordship, and within time they used to promote to higher classes such as Ortanca, Hasırlı. After a certain period of time, they used to be provided promotions on their duties in Harem by being given to the service of Sultan’s Head of Wives and Mother Of Sultan.

APARTMENTS OF THE BLACK EUNUCH

Built in the late 16th century, the unit features a tiled main room with a fireplace, a bath (hamam), a coffee kitchen and service rooms.  The fireplace in the main room is covered with 18th century Baroque European tiles. The compound includes on its upper floor tiled rooms with fireplace and the School of Princes, which was under the responsibility of the Chief Harem Eunuch. 

The school space is a double-fronted hall with a centrally domed and vaulted ceiling. The upper level is decorated with 17th century classic Ottoman tiles whereas baroque style tiles ornament the floor level. These were commissioned in the 18th century by Beshir Agha (Beşir Ağa), the Chief Eunuch of Sultan Mahmut I. The baroque detailed plaster fireplace dates also from the same period.

DORMITORIES OF THE EUNUCHS

The dormitories date to the 16th century. They are arranged around an inner courtyard in three storeys. The decorated rooms on the upper stories were for novices and those below overlooking the courtyard were occupied by the eunuchs who had administrative functions. The third floor was added in the 18th century. The rooms are decorated with floral motifs and depictions of landscape. The portico in front of the ward was raised after the 1660 repairs.

The dormitories of the Harem eunuchs (Harem Ağaları Koğuşu) date to the 16th century. They are arranged around an inner courtyard in three storeys. The inscription on the facade of the dormitory includes the deeds of trust of the Sultans Mustafa IV, Mahmud II and Abdül Mecid I dating from the 19th century. The rooms on the upper stories were for novices and those below overlooking the courtyard were occupied by the eunuchs who had administrative functions.

There is a monumental fireplace revetted with the 18th century Kütahya tiles at the far end. The Chief Harem Eunuch's apartment (Darüssaade Ağasi Dairesi) adjacent to the dormitory contains a bath, living rooms and bed rooms. The school room of the princes under the control of the Chief Harem eunuch was on the upper storey. The walls were revetted with 18th century European tiles with baroque decorations.

The complex includes the dormitory of the Harem eunuchs located on the left hand side behind the portico, the quarters of the Chief Harem Eunuch (Darü’s-saâde Ağası) and the School of Princes as well as the Gentlemen-in-Waiting of the Sultan (Musahipler Dairesi) and the sentry post next to it. The inscription on the façade of the dormitory includes the deeds of trust - established for the eunuchs-  of the Sultans Mustafa IV, Mahmut II and Abdülmecit I dating from the 19th century.

PAVILION OF THE GENTLEMEN-IN-WAITING OF THE SULTAN

Persons close to the Sultan who were his confidants and intimates were referred to as musahib (companion). These gentlemen-in-waiting were usually chosen by the Sultan, from among knowledgeable and courteous people, skilled in making sharp witty remarks and conversation.  The quarters built to accommodate these Gentlemen-in-waiting consisted of multi-level cut stone structures.

It is known that the Treasurer and the dwarf aghas in charge of the financial affairs of the Harem also utilized these premises. The walls which were covered with tiles in the classical period reached the 19th century, coated with painted plaster. The front facing the courtyard is still partly tiled.

MOSQUE OF THE EUNUCHS

The mosque was restored following the Harem fire of 1665. Its two entrances bear the names of the Şadırvanlı Sofa (hall with fountain) and the Karaağalar Taşlığı (courtyard of the black eunuchs). The inscription above the Şadırvanlı Sofa entrance bears the date 1666/67. It leads to an arched corridor with windows. The date 1667/68 appears also in the inscription above the inside of the other entrance. The mosque is set on a square plan with a flat wooden ceiling. The door of the mosque interior opens onto a small courtyard.

LOCATION SATELLITE MAP



WEB SITE : Topkapı Palace Museum Directorate

MORE INFO & CONTACT
E-Mail : topkapisarayimuzesi@kultur.gov.tr
Phone : +90 212 512 0480
Fax : +90 212 526 9840

These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.

HAREM MAIN ENTERENCE

Sultanahmet, Fatih - Istanbul - Turkey

GPS : 41°00'43.9"N 28°58'59.0"E / 41.012191, 28.983055

Topkapı Palace Museum / Harem



PHOTOGRAPHS ALBUM

The main entrance (Cümle Kapısı) separates the harem in which the family and the concubines of the Sultan resided from the Courtyard of the Eunuchs. This gate, an open platform with domes and arches leads out into the sentry post (Nöbet Yeri) to which the three main sections of the harem are connected.  The lateral wall of the platform is covered with panels using the famous cypress-dotted tiles typical of the Topkapı Harem.

The access to this space is provided through a crowned archway with Rumi style ornamentations (a style of ornamentation, widely used by the Seljuks of Anatolia) and bearing a 1667 dated Koran verses inscription. The door on the left of the sentry post leads through the Passage of the Concubines to the Court of the Concubines (Cariyeler Taşlığı). The door in the middle leads to the Court of the Queen Mother (Valide Taşlığı) and the door to the right leads through the Golden Road (Altınyol) to the Sultan's quarters. The large mirrors in this hall date from the 18th century.

The door leads out into the sentry post (Nöbet Yeri) to which the three main sections of the harem are connected. The door on the left of the sentry post leads through the Passage of the Concubines to the Court of the Concubines (Kadınefendiler Taşlığı). The door in the middle leads to the Court of the Queen Mother (Valide Taşlığı) and the door to the right leads through the Golden Road (Altınyol) to the sultan's quarters. The large mirrors in this hall date from the 18th century.

Courtyard of the Queen Mother
After the main entrance and before turning to the Passage of Concubines is the Courtyard of the Queen Mother.

Sentry Post
Another important structure in this direction is the Sentry Post. It is a three-storey building allocated to the guards, who controlled the Aviary Gate (Kuşhane Kapısı) and the main entrance gate of the Harem (Cümle Kapısı).  It is connected on one side to the mezzanine where the black eunuchs guard the main entrance.

THE DOME WITH CUPBOARDS ROOM

This place was built as a vestibule to the Harem in 1587 by Sultan Murat III (1574-95). The Harem treasury worked here. In its cupboards, records of deeds of trust were kept, administered by the Chief Harem Eunuch. This treasury stored money from the pious foundations of the Harem and other foundations, and financial records of the Sultans and the imperial family as well as the valuable presents sent annually by the Ottoman Sultan to Mecca and Medina during the period of pilgrimage.

HALL OF THE ABLUTION FOUNTAIN

The double space room at the entrance of the Harem was called the Hall with the Fountain due to the marble fountain which was under its dome. It reached our present-day in its remodelled form after the 1665 Harem fire. It was conceived as an entrance hall under the control of the Harem eunuchs. The Hall of the Ablution Fountain, also known as "Sofa with Fountain," (Şadirvanli Sofa).

The walls are revetted with 17th-century Kütahya tiles. The horse block in front of the mosque served the sultan to mount his horse and the sitting benches were for the guards. The fountain that gives the space its name was moved and is now in the pool of the Privy Chamber of Sultan Murad III.

It was conceived as an entrance hall under the control of the Harem eunuchs. This space is connected through a series of doorways to the Great (Horse) Mounting and Curtain Gate connecting the Harem to the Privy Garden (Has Bahçe); and to the Masjid (Mescit) of the Eunuchs and to the Tower of Justice from where the sultan watched the deliberations of the Imperial Council, led to this place.

On the left is the small mosque of the black eunuchs. The tiles in watery green, dirty white and middle blue all date from the 17th century (reign of Sultan Mehmed IV). Their design is of a high artistic level but the execution is of minor quality compared to 16th-century tiles, and the paint on these tiles blurs. The stone pedestal in front of the Masjid was foreseen for the Sultan to step on while mounting his horse and the seating benches were there to be used by the guardsmen.

AVIARY / HAREM GATE

Until the late 19th century, there had been a small inner court in this corner of the Enderun Courtyard. This court led through the Kuşhane Gate into the harem. Today this is the gate from which the visitors exit from the Harem. Birds were raised for the sultan's table in the buildings around the gate. On the inscription over the Kuşhane door one reads that Sultan Mahmud I had the kitchen of the Kuşhane repaired. The balcony of the aviary facing the Harem Gate was constructed during repair work in 1916. The building's facade resembles traditional aviaries.

GATE OF CARRIGES

The Harem’s entrance gate from the Second Courtyard is the Gate of Carriages (Arabalar Kapısı). The inscription above the gate dated 1586 specifies that the Harem was expanded under Sultan Murat III (1574-95). The Gate is also called Gate of Girls since it was the gate used by women of the Harem when they were returning to the court from the waterside summer residences or when the Mother Queens were entering the Harem after the accession to the throne of their sons.

LOCATION SATELLITE MAP



WEB SITE : Topkapı Palace Museum Directorate

MORE INFO & CONTACT
E-Mail : topkapisarayimuzesi@kultur.gov.tr
Phone : +90 212 512 0480
Fax : +90 212 526 9840

These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.

Saturday, January 27, 2018

TOPKAPI PALACE HAREM LIFE

Sultanahmet, Fatih - Istanbul - Turkey

GPS : 41°00'46.9"N 28°58'59.7"E / 41.013015, 28.983248

Topkapı Palace Museum / Harem



PHOTOGRAPHS ALBUM - 1

PHOTOGRAPHS ALBUM - 2

The word harem, as meaning taboo and/or forbidden, had been used for family concept in the Islamic society. Harem is the private and prohibited place where the dynasty lived in the Ottoman Palace. Harem is a rather important complex in terms of architecture that contains examples of palace architecture styles belonging to various periods starting from 16th century to early 19th century, where hundreds of concubines and harem chiefs that consisted the families of Sultans lived together. As visitors enter the door of Topkapı Palace Harem their sense of anticipation is tangible.

Even today they envisage the possibility of meeting an odalisque, her long skirt trailing on the ground as she walks. The word harem originates from the Arabic harim, comprising the concepts of secrecy, inviolability and sacrosanctness that pervade the very walls of this place and marked life here over the centuries that it was a closed book to strangers. The harem section of Topkapı Palace was carefully situated so that it could not be seen from the state apartments and the courtyards where public affairs were conducted.

Harem Life
The secrecy associated with the royal harem and the harems of upper and middle-class Ottoman houses aroused the keen curiosity of foreign travelers and artists who visited Ottoman Turkey, but their written accounts and pictures of the harem were based for the most part on hearsay. With a few exceptions it was not until the end of the 18th century, during the reign of the enlightened reformist Sultan Selim III (1789-1807) that the architect and draughtsman and other artists were admitted to the palace harem to draw from observation instead of imagination.

The harem was home to the sultan himself, his mother, wives, daughters, sons, brothers, the high ranking female officials who managed the affairs of the household, hundreds of maidservants, and black eunuchs. In the royal harem, under the guidance of the sultan's mother or the principal officer of the harem household, a woman known as the chief treasurer, the girls were taught to read and write, play music, and the intricate rules of palace etiquette and protocol.

As an institution in Ottoman society the harem reflected the secluded privacy of family life. The cariyes or maidservants who served the women of the household were trained and educated in the skills and accomplishments thought appropriate for women at the time, and after a certain number of years in service allowed to marry.

Very few were honoured even by the privilege of waiting at the sultan's table, and still fewer became royal wives. After nine years of service the harem girls were given their manumission document, a set of diamond earrings and ring, a trousseau and some gold as their marriage portion, and suitable husbands found for them. They were renowned for their good breeding and for their discretion, never being known to reveal any intimate details about the royal family to outsiders.

The Imperial Harem (Harem-i Hümayûn) is one of the sections of the private apartments of the sultan. The harem was home to the Sultan's mother, the Valide Sultan; the concubines and wives of the Sultan; and the rest of his family, including children; and their servants. The harem consists of a series of buildings and structures, connected through hallways and courtyards. Every service team and hierarchical group residing in the harem had its own living space clustered around a courtyard.

The earliest parts of the harem quarters are the Golden Road, the sultan's private kitchen, and that section known as Eski Hasekiler. The service sections of the harem included kitchen, food cellar, baths, laundry, sick room and the dormitories of the maidservants and black eunuchs. As the population of the harem increased from the end of the 16th century onwards, mezzanines and additional buildings were constructed containing bedrooms for the serving women and self-contained apartments for the wives of the sultan.

Sultan Süleyman the Magnificent (1520-1566) took only his wife Hürrem Sultan and some women-in-waiting to this palace, the complete transferral of the harem from the Old Palace taking place during the reign of Murad III (1574-1595). On 24 July 1665, while Mehmed IV (1648-1687), his harem and household were at the palace in Edirne, a great fire broke out at Topkapı Palace, destroying the Palace of Justice, the Council of State, the Treasury, the Land Registry Office, most of the harem from the Carriage Gate to the Apartment of the Sultan's Mother, and the kitchens.

The 17th century the fire was started by a maidservant who had stolen a ring. Mehmed IV and his mother returned to Istanbul to inspect the situation, and the sultan ordered the construction of a new harem building whose interior walls were entirely decorated with tiles. This was completed in 1668, but since Mehmed IV and his successors who reigned during the second half of the 17th century lived for the most part at Edirne Palace, the harem at Topkapı did not regain its importance until the reign of Ahmed III (1703-1730), a period popularly known as the Tulip Era.

European baroque began to influence Turkish art and architecture at this time, and the Tulip Era is characterized by a new naturalistic style which is perhaps most strikingly exemplified by the painted wall decoration consisting of vases of flowers and plates of fruit in the Fruit Room of Ahmed III in the harem. The passion for garden flowers became evident everywhere, on clothing, furnishings and in architectural decoration, and extending even to the names of the harem women, who began to be given melodious Persian names that suggested they were as beautiful and graceful as flowers.

Later in the 18th century, rococo, with its delicate colour schemes and light romantic motifs, began to influence Turkish art, and the Pavilion of Osman III built on a terrace facing the Hünkar Sofası (Throne Room of the Harem) and the gracefully decorated wooden structures known as the Gözdeler Dairesi (Apartment of Favourites) above the Golden Road are typical of this later style.

Being supported by many dynasty palaces, mainly Old Palace, Topkapı Palace Harem constituted one wing of coverts kapıkulu staff in accordance with the Ottoman administration understanding. The concubines that were taken into Harem used to learn the Turkish-Islamic culture at best. Thus, a part of concubines that were raised as wifes for the Ottoman dynasty used to stay in Harem as administrative head of servants, whereas the best of them would be offered to Sultan and constitute the dynasty.

Another part of concubines used to be excluded from Harem with the condition that they would marry the chiefs at Enderûn. The hierarchy of Harem that went younger every year and spreaded the palace culture to the imperial domain depended on rules. The value of a woman in the Ottoman palace was related to her ability to give birth to a child. A concubine that is offered to Sultan would be displayed at Sultan’s Table and would be brought to Sultan’s own room if approved, upon a process that includes the preparation ceremonies at hamam.

The concubine that has relations with Sultan or gets close to him was called as Gözde. When Gözdes give birth to a child, they would be allocated a private apartment and be assigned as Prosperity or Head of Wives. The mother of heir to throne among those that do not exceed eight in every section, would be called as Haseki (Official Wife of Sultan), and had a real leverage as Sultan’s first wife even she would be listed after The Mother Of Sultan (Valide Sultan).

Harem Buildings
Harem has approximately 300 rooms, 9 hamams, 2 mosques, 1 hospital and dormitories as well as 1 laundry room. Harem that displayed a hierarchical development rather than systematic burned in 1665 on a large scale. Harem that survived today has been enlarged with the restorations after the fire and occasional expansions within time. General plan of Harem consists of dormitories that surround the entrances divided by doors one after another, rooms, pavilion and service buildings.

The number of rooms is not determined, with probably over a 100 of which only about a couple are open to the public. These apartments (Daires) were occupied respectively by the harem eunuchs, the Chief Harem Eunuch (Darüssaade Ağası), the concubines, the queen mother, the sultan's consorts, the princes and the favourites. There was no trespassing beyond the gates of the harem, except for the sultan, the queen mothers, the sultan's consorts and favourites, the princes and the concubines as well as the eunuchs guarding the harem.

The harem wing was only added at the end of the 16th century. Many of the rooms and features in the Harem were designed by Mimar Sinan. The harem section opening into the Second Courtyard (Divan Meydanı), to which the Gate of Carriages (Arabalar Kapısı) opens to, expanded over time towards the side of the Golden Horn and became a huge complex.

The buildings added to this complex from its initial date of construction in the 15th century until the early 19th century captures the stylistic development of palace design and decoration. Parts of the harem were redecorated under the sultans Mahmud I and Osman III in an Italian-inspired Ottoman Baroque style. These decorations contrast with those of the Ottoman classical age.

Topkapı Palace Harem Section, which was carefully hidden from the courtyards where the selamlık (meeting) and administration functions happened, divides the Harem residents into 4 groups through stony places stretching from the entrance of Gate of Carts to Private Room. The first section at the entrance is allocated to Black Eunuch Chiefs. After this, Harem’s Common Door follows and after that, it leads to paved courtyard that is surrounded by structures where Mother Of Sultans, sultans and princes live.

Prince Harems
The princes that were sent to Anatolia as Sancak Beyi up to the end of 16th century, used to bring their families with, including their Head of Wives who were their mothers. After that point, after the sultanate turned into old-becomes-Sultan (ekberiyet) procedure that stipulates the sultanate of the oldest dynasty man, the princes were made to live at Palace’s Harem. With this new system that enabled the brothers to become sultan as well, the sultan used to form his own harem staff with his mother, and send the rest to Old Palace.

The concubines could not marry the princes not to create rivals to dynasty, yet would be assigned. Sultan’s daughters used to marry viziers and paşas (generals) and live in hanım (wife) sultan palaces in Istanbul, and were granted with the right to divorce their husbands if they wished so.

Sultanate Of The Women
The Imperial Harem or Harem was one of the most important powers of the Ottoman court. Beginning in the 16th century and extending into the 17th, the Harem effectively controlled the Ottoman Empire (see Sultanate of the women). The harem had its own internal organization, and order of formulating policies.

The mother of a new sultan came to the harem with pomp and circumstance and assumed the title of Queen Mother (Valide Sultan) upon her son's accession. She was paramount chief and ran the Harem and ruled over the members of the dynasty. The Valide Sultan who influenced the political life of the Ottoman Empire during various periods of history had the authority to regulate the relations between the sultan and his wives and children. The Valide Sultan as a majestic symbol of the Ottoman dynasty wielded great power.

LOCATION SATELLITE MAP



WEB SITE : Topkapı Palace Museum Directorate

MORE INFO & CONTACT
E-Mail : topkapisarayimuzesi@kultur.gov.tr
Phone : +90 212 512 0480
Fax : +90 212 526 9840

These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.

TOPKAPI PALACE HAREM

Sultanahmet, Fatih - Istanbul - Turkey

GPS : 41°00'46.9"N 28°58'59.7"E / 41.013015, 28.983248

Topkapı Palace Museum / Harem



PHOTOGRAPHS ALBUM - 1

PHOTOGRAPHS ALBUM - 2

The literal meaning of the word harem in Arabic language is, “a holy place that everyone is not allowed to enter”. In  Muslim societies, it is a notion which defines intimate family life. In Ottoman tradition, the word "Harem" was used in two different senses. First, "the sultan's harem" i.e. his family, and the second meaning would have referred to the space where his family lived. Besides constituting the core of the dynasty, the palace harem forming a wing of the cadre of sultan’s household officials recruited via devshirme (devşirme) - a system of recruitment of youngsters of foreign background for serving the Ottoman Empire - was also  an environment serving the purpose of creating a sound state aristocracy by wedding the concubines having received a disciplined education to the recruit-aghas (squires) who had been thoroughly educated and trained at the Palace’s Enderûn School.

The Topkapı Palace Harem was the living space of the  Sultan, the Queen Mother,  the sultan’s women, children, brothers and sisters and servants and concubines and Black Eunuchs who were the protectors of the Harem. This set of structures, which constituted the private and prohibited space of the Ottoman dynasty, underwent a constant evolution from the 16th until the beginning of the 19th century, displaying a great variety of building styles changing with each period, hence forming an extremely important and interesting complex from the point of view of architectural history. Expanded in time through the additions made by each sultan, the Topkapı Palace Harem today consists of about 300 rooms, 9 baths, 2 mosques, 1 hospital, 1 laundry, and numerous wards of different kinds.

The living spaces of  all the service groups integrated within the institutionalization system of the Harem were gathered around a common courtyard. The fact that the pebble stone walking path ends at the Fireplace Chamber constituting the entrance to the private quarters of the Sultan, highlights the sovereign’s itinerary

The Imperial Harem (Harem-i Hümayûn) occupied one of the sections of the private apartments of the sultan; it contained more than 400 rooms. The harem was home to the sultan's mother, the Valide Sultan; the concubines and wives of the sultan; and the rest of his family, including children; and their servants. The harem consists of a series of buildings and structures, connected through hallways and courtyards.

Every service team and hierarchical group residing in the harem had its own living space clustered around a courtyard. The number of rooms is not determined, with probably over 100, of which only a few are open to the public. These apartments (Daires) were occupied respectively by the harem eunuchs, the Chief Harem Eunuch (Darüssaade Ağası), the concubines, the queen mother, the sultan's consorts, the princes and the favourites. There was no trespassing beyond the gates of the harem, except for the sultan, the queen mother, the sultan's consorts and favourites, the princes and the concubines as well as the eunuchs guarding the harem.

The harem wing was only added at the end of the 16th century. Many of the rooms and features in the Harem were designed by Mimar Sinan. The harem section opens into the Second Courtyard (Divan Meydanı), which the Gate of Carriages (Arabalar Kapısı) also opens to. The structures expanded over time towards the Golden Horn side and evolved into a huge complex. The buildings added to this complex from its initial date of construction in the 15th century to the early 19th century capture the stylistic development of palace design and decoration. Parts of the harem were redecorated under the sultans Mahmud I and Osman III in an Italian-inspired Ottoman Baroque style. These decorations contrast with those of the Ottoman classical age.

Harem Construction Periods

End of 15th  to mid-16th Century
The Old Palace in Bayezit was used as a Harem following the conquest of Istanbul in 1453. However, the  Women's Palace (Saray-ı Duhteran) situated along the Golden Road is believed to have been the Harem nucleus belonging to the initial phase of the palace construction. Women brought from the Old Palace to the Topkapı Palace upon the Sultan’s demand were temporarily accommodated at this dwelling.  This apartment is today the section called the Haseki  (Sultan’s favoured wife) quarters. It was probably remodelled several times. Since women did not yet reside in the Harem at this early stage, large staffs of concubines and eunuchs  were not deemed necessary.  Another building of that first period is the tower-mansion  called the “Sultan Selim I Tower” located adjacent to the exit of the Harem’s Privy Chamber.

Period of Sultan Süleyman the Magnificent (1520-1566)
It was established that the building up of the Topkapı Palace Harem actually began following the settlement of the favoured wife of Süleyman the Magnificent, Haseki Hürrem Sultan at the Topkapı Palace. During this period, several wards were built adjacent to one another but without being interconnected for the concubines and the Black Eunuchs. The former Privy Chamber which formerly existed on the emplacement of the dwelling currently called the Privy Chamber of  Sultan Murat III,  is known to have been built by Süleyman the Magnificent.  The First Woman (Baş Haseki) apartment came to be referred to under the name of Hürrem Sultan since then.

Period of Sultan Murat III (1574-1595)
The institutionalization of the harem was completed in this period. The early construction style developed around landscape-exposed open spaces evolved, during the 10-year-long construction phase, towards structures gathered around privacy-oriented enclosed inner courtyards.   Buildings rising on pillared base structures due to the topographical circumstances of the area were endowed with rich façades in harmony with the classical architecture concept of the period. These rich façade configurations also represented the hierarchical order of the Harem. The Head Architects of the era were Mimar Sinan and Davut Ağa. The Concubine wards; the Apartments of the Queen Mother; the double baths; The Imperial Hall (Hünkâr Sofası), also known as the Imperial Sofa; the Privy Chamber of  Sultan Murat III and the Crown Prince quarters were all erected during that period.

17th -18th Centuries
The Privy Chamber of Sultan Ahmet I , the Privy Chamber of Sultan Ahmet III, the Kiosk of Sultan Osman III, the Apartments of Sultan Selim III and the Mihrişah Sultan Quarters constructed above the Apartments of  the Queen Mother, the Twin Kiosks, the Interval (Mabeyn) and Favourites (Gözdeler) apartments were built after the 1665 fire, by applying  Baroque and Rococo style decorations onto the structures. The reason behind the proliferation of constructions during this period was the gradual changes occurred in the governing style as well as customs and tastes of the dynasty.

LOCATION SATELLITE MAP



WEB SITE : Topkapı Palace Museum Directorate

MORE INFO & CONTACT
E-Mail : topkapisarayimuzesi@kultur.gov.tr
Phone : +90 212 512 0480
Fax : +90 212 526 9840

These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.