GPS : 41°01'02.5"N 28°55'42.0"E / 41.017361, 28.928333
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The medieval structure lies in Istanbul, in the district of Fatih, in the neighborhood of Topkapı, on the south side of Turgut Özal Caddesi, about six hundred meters south east of the Topkapı Gate of the city walls. Mustafa Çavuş Manastır Mosque (also Manastır Mosque (Kyra Martha Manastırı) is a former Eastern Orthodox church converted into a mosque by the Ottomans.
Neither archeological excavations nor medieval sources have made it possible to find a satisfactory answer as to its original dedication as a church. It is however possible that the small building was part of the Byzantine monastery dedicated to the Holy Martyrs Menodora, Metrodora, and Nymphodora, or an annex of the nunnery of Kyra Martha. The edifice is a minor example of Byzantine architecture in Constantinople, and is important for historical reasons.
The origin of this building, which lies on the seventh hill of İstanbul, is unclear. As its Turkish name suggests, it is possible that it was a small chapel belonging to a monastery, possibly that dedicated to the Holy Martyrs Menodora, Metrodora, and Nymphodora, which existed near the Gate of St. Romanus (today Topkapı, in Turkish “Gate of the gun”), in the neighborhood of Constantinople named ta Elebichou.
In the first half of the 14th century, a certain Phokas Maroulas, domestikos of the imperial table, restored the church and dedicated it to the Theotokos, founding a small monastery. According to another hypothesis, the small building could be an annex of the monastery of Kyra Martha. This was founded in 1268 by Maria, sister of Emperor Michael VIII Palaiologos.
As a widow, she took the vows taking the name of Martha and founded the nunnery which bore her new name. The monastery became a personal possession of the Palaiologoi. Shortly after the Fall of Constantinople, Mustafa Çavuş of Sultan Mehmed II, converted the building into a mescit (oratory). During the years 1956-58 the buildings cluttering around the small mosque were torn down during the opening of Turgut Özal Caddesi, and since then its usage as worship place ceased.
It is now incorporated into the wall which protects one of Istanbul’s bus garages, and, due to its position, it cannot be visited without written permission from the bus company. Due to its small dimensions, the building cannot be identified as a church, but rather as an oratory belonging to a monastery. The edifice has a rectangular shape, and nowadays has a single nave with three projecting apses to the east and a narthex to the west.
The interior decoration has, for the most part, not survived. Only two hammered carved capitals, part of the triple arcade between the narthex and the naos, are still in place. The roof and the windows have also been modified. Excavations during the 1960s have shown that the building's original plan was more complex. The small church had three naves (possibly surmounted by a dome) and a tripartite bema.
On the west side lay an exonarthex topped by a vault, while in the south side a small chapel with esonarthexes on three sides was built. Based on its masonry and plan, the building can be dated to the late eleventh century, although according to other scholars the brickwork texture could also stem from the Palaiologan age (13th-15th century).
Manastır Mosque is a former Eastern Orthodox church converted into amosque by the Ottomans. Neither archeological excavations nor medieval sources have made it possible to find a satisfactory answer as to its original dedication as a church. It is however possible that the small building was part of the Byzantine monastery dedicated to the Holy Martyrs Menodora, Metrodora, and Nymphodora, or an annex of the nunnery of Kyra Martha. The edifice is a minor example of Byzantine architecturein Constantinople, and is important for historical reasons.
Due to its small dimensions, the building cannot be identified as a church, but rather as an oratory belonging to a monastery. The edifice has a rectangular shape, and nowadays has a single nave with three projecting apses to the east and a narthex to the west. The interior decoration has, for the most part, not survived. Only two hammered carved capitals, part of the triple arcade between the narthex and the naos, are still in place. The roof and the windows have also been modified. Excavations during the 1960s have shown that the building's original plan was more complex.
The small church had three naves (possibly surmounted by a dome) and a tripartite bema. On the west side lay an exonarthex topped by a vault, while in the south side a small chapel with esonarthexes on three sides was built. Based on its masonry and plan, the building can be dated to the late eleventh century, although according to other scholars the brickwork texture could also stem from the Palaiologan age (13th-15th century).
The building is a small oblong hall roofed in wood, and terminates at its eastern end in three semicircular apses. It is divided into two unequal compartments by a triple arcade placed near the western end. The side apses are shallow recesses, scarcely separated from the central apse, and show three sides on the exterior. The central apse projects six sides, and is now lighted by a large Turkish window.
The western compartment, forming the narthex, is in three bays covered with cross-groined vaults. The cushion capitals on the columns of the arcade are decorated, on the east and west, with a rudely cut leaf; and on the north and south with a cross in a circle. Along the exterior of the south wall are traces of a string-course, of a cloister, and of a door leading to the western compartment. On the same wall Paspates 458 saw, as late as 1877, eikons painted in fresco.
The western entrance stands between two pilasters, and near it is an upright shaft, buried for the most part in the ground, probably the vestige of a narthex. In the drawing of the church given by Paspates, 459 three additional shafts are shown beside the building.
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