GPS : 41°02'19.0"N 28°56'39.0"E / 41.038611, 28.944167
PHOTOGRAPHS ALBUM
The building lies in the district of Fatih, in the neighborhood of Ayvansaray, in Çember Sokak. It lies a few hundred meters inside the walled city, at a short distance from the shore of the Golden Horn, at the foot of the sixth hill of Istanbul.
The Mosque viewed from southwest.Atik Mustafa Pasha Mosque (also named Hazreti Cabir Camii) is a former Eastern Orthodox church in Istanbul, converted into a mosque by the Ottomans. The dedication of the church is obscure. For a long time it has been identified with the church of Saints Peter and Mark, but without any proof. Now it seems more probable that the church is to be identified with Saint Thekla of the Palace of Blachernae, Hagia Thekla tou Palatiou tōn Vlakhernōn). The building belongs stylistically to the eleventh-twelfth century.
History
Towards the middle of the ninth century, Princess Thekla, eldest daughter of Emperor Theophilus enlarged a small oratory lying 150 m east of the Church of Theotokos of the Blachernae dedicated to her homonymous Saint. In 1059 on this site, Emperor Isaac I Komnenos built a larger church, as thanks for surviving a hunting accident. The church was famous for its beauty, and Anna Comnena writes that her mother, Anna Dalassena, used to go often and pray there.
Actually, there is no clear information about the church, in Çember Street in Ayvansaray. Some researchers suppose that the first church was built by Byzantine Emperor Leon Flavius I in 458 and dedicated to the apostles. However, some sources say, that the church was dedicated to Emperor Theophilus’s daughter Thekla, who was later proclaimed a saint, between 829 and 842. It is known from the book of Anna Komnene that the quincuncial plan shaped (cross-in-square) church was restored in 1059, the daughter of Emperor Alexios I Komnenos (1081 - 1118).
After the Ottoman conquest of Constantinople, the building was heavily damaged during the earthquake of 1509, which destroyed the dome. Shortly after that, Kapicibaşi (and later Grand Vizier) Koca Mustafa Pasha, executed in 1512, repaired the damages and converted the church into a mosque. Up to the end of nineteenth century, a Hamam, placed 150 m south of the building, also belonged to the mosque's foundation.
In 1692, Şatır Hasan Ağa built a fountain in front of the mosque. In 1729, during the great Fire of Balat, the building was heavily damaged and repaired some years later. It was damaged again during the earthquake of 1894, which destroyed the minaret, and reopened for worship in 1906. A last restoration occurred in 1922. In that occasion, a marble christening font was brought to the Istanbul Archaeology Museum. Inside the south apse of the building there is the tomb attributed to Hazreti Cabir Ibn Abdallah-ül-Ensamı, one of the companions of Eyüp, fallen nearby in 678 during the first Arab siege of Constantinople.
The church was converted into a mosque by the Grand Vizier Koca Mustafa Pasha in 1490. The original roof, fell down in 1894 earthquake, was replaced with its current dome. The building was restored beween 1906 and 1922, after the fire of 1729 and the earthquake of 1894. Atik Mustafa Pasha Mosque is also named as the Cabir Mosque because of the belief that here is the grave of Cabir, who was from the sahaba (the companions of Prophet Muhammad).
In 1729, during the great Fire of Balat, the building was heavily damaged and repaired some years later. It was damaged again during the earthquake of 1894, which destroyed the minaret, and reopened for worship in 1906. A last restoration occurred in 1922. In that occasion, a marble christening font was brought to the Istanbul Archaeology Museum.
Hazreti Cabir Tomb
Inside the south apse of the building there is the tomb attributed to Hazreti Cabir Ibn Abdallah-ül-Ensamı, one of the companions of Eyüp, fallen nearby in 678 during the first Arab siege of Constantinople.
Architecture
The building is 15 m wide and 17.5 m long, and has a domed Greek cross plan. It is oriented in a northeast - southwest direction. It has 3 polygonal apses, and the narthex has been destroyed. The edifice has no galleries, and the dome, which has no drum, is almost certainly Ottoman, although the arches and the piers which sustain it are Byzantine.
The arms of the cross, the pastophoria, the Prothesis and Diaconicon are covered with barrel vaults, and communicate through arches. The north and south walls have a floor level with three arcades, a first level with three windows, and a second level with a window with three lights. On the southeast side, the three apses project boldly outside with three sides. The roof, the cornice and the wooden narthex, which replaced the old Byzantine narthex, are Ottoman.
A cruciform font which belonged to the baptistery of the church and lied on the other side of the street has been moved to the Istanbul Archaeology Museum. The dome piers, which form the internal side of the cross, are L-shaped. They are an example of the stage preceding that of the cross church with four columns. Remains of frescoes placed on the south side of the building have not yet been published. Despite its architectural significance, the building has never undergone a systematic study.
The north and south walls have a floor level with three arcades, a first level with three windows, and a second level with a window with three lights. On the southeast side, the three apses project boldly outside with three sides. The roof, the cornice and the wooden narthex, which replaced the old Byzantine narthex, are Ottoman. A cruciform font which belonged to the baptistery of the church and lay on the other side of the street has been moved to the Istanbul Archaeology Museum. The dome piers, which form the internal side of the cross, are L-shaped.
They are an example of the stage preceding that of the cross-in-square church with four columns. Remains of frescoes placed on the south side of the building have been published. Moreover, during the floor renewal in the 1990's, several tesserae have been found, showing the previous existence of mosaics panels and frescoes in the building. Despite its architectural significance, the building has never undergone a systematic study.
LOCATION SATELLITE MAP
These scripts and photographs are registered under © Copyright 2018, respected writers and photographers from the internet. All Rights Reserved.
No comments:
Post a Comment