Thursday, August 9, 2018

FATİH MOSQUE COMPLEX

Fatih - Istanbul - Turkey

GPS : 41°01'11.0"N 28°57'00.0"E / 41.019722, 28.950000



PHOTOGRAPHS ALBUM

The complex extends along the Golden Horn side of Fevzi Paşa Street in Fatih. Sultan Mehmed, the Conqueror had the complex constructed by the architect, Atik Sinani between the years 1463-1470. It was the largest example of Turkish-Islamic architecture to that date and represented an important stage in the development of classical Turkish architecture.The complex includes a set of well-planned buildings constructed around a mosque. They include: a medresse, a library, a hospital, a hospice, a caravanserai, a market, a hamam and various tombs which were added at a later date.

Fatih Mosque was constructed in the classic mosque style, but the Baroque influence can be seen in the decorations. A large dome of 26 meters in diameter is supported by four half-domes and rests upon four large marble columns. There are two minarets each with twin galleries. The calligraphy within the mosque exhibits a Baroque influence. The other important features of the complex are the medresses. Situated on both sides of the mosque, they were the foundation of İstanbul's universities and ensured the city's place as a center of education.

MOSQUE
The Fatih Mosque was built by Fatih Sultan Mehmed, in Fatih region of Istanbul. In the reign of Byzantine, Havariyun Church was located on mosque’s place. It is thought that Fatih Mosque was built by using the ruins of that church. As informed, from the Arabic inscription on the both sides of the Cümle kapısı, the mosque was started to be built in 1467 and ended in 1470. The architect of the mosque is Sinaüddin Yusuf bin Abdullah. Mosque is built in the form of a monument.

Central dome, is constructed on two elephant foot shaped columns. Because the mosque ruined in an earthquake in 1766, Sultan Mustafa III, was restored it, to Architect Mehmed Tahir Ağa between 1767 and 1771.  The dome of the mosque collapsed in the 1766 earthquake and was reconstructed entirely in 1771.

The Fatih Mosque is the sanctuary of the imperial complex built by Mehmed II to commemorate his conquest of Constantinople in 1453. It stands at the center of an expansive precinct that was entered through gates along the northern and southern walls and between madrasa (medrese) buildings that enclose the space to the east and the west. The architect of the mosque, as of the complex, is Atik Sinan (Old Sinan). Built between 1463 and 1470, the complex was restored by Bayezid I following an earthquake in 1509. The dome of the mosque collapsed in the 1766 earthquake and was reconstructed entirely in 1771.

From its original construction only three parts of the fountain wall, the fountain, the crown door, the altar, the minarets till the first gallery, the porch parallel to the Kıble (direction of Mecca) wall are remained today. Outer hoop of the domes are octagonal and they are constructed on belts. Belts are generally decorated with red stone and white marble, and green stone is used only in decorating the pivot. Upstairs’ and downstairs’ window sides are encircled with silver thread. The door posts are made of marble and they are pointed out with a strong silver thread.

Iron railings are made from thick iron and they are knobby. There are eight porch columns, eight of them are green, two of them are pink, two of them are from brunette granite, the some of them are made out of Egyptian granite. Whole crowns are from marble. Cell corners are green poled, decorated with sand clocks and the head ends with a kind corolla.

Mehmed Tahir Ağa restored the mosque in the 19th century, he combined the remaining parts of the claasical mosque with baroque style parts he designed. Because the plaster windows of the mosque were ruined they were changed to simple windows. The fire pool near the Garden door was made built by Sultan Mahmud II in 1825. The mosque has a wide garden. The door was opening to clinic (tabhane) was remained from the old mosque.

Our knowledge of the original mosque is limited to the accounts and sketches of travelers and chroniclers. According to these sources, the mosque had large entry hall with a tall dome supported by a semi-dome of equal radius over the mihrab and three colossal arches on the remaining three sides. This ensemble was flanked by three domed bays to the east and west and was entered through an arcaded courtyard to the north. Three wings of the original courtyard have remained to our day. The new mosque by Mustafa III has also incorporated the portal, the mihrab and the lower shafts of the minarets belonging to the original structure.

The reconstruction by head-architect Mehmed Tahir was realized in the appropriate historic style, distinct from the rococo fashion seen in the contemporary mosques of Nuruosmaniye and Laleli. The form, however, was altered for the most part. The new mosque is slightly wider than the old one and has a tall central dome held by semi-domes on all four sides in ways that resemble the classical mosques of the sixteenth century. Four small domes complete the corners of the pyramid-like space. The plan, oriented 32 degrees east of south, is wider than it is deep and is equal in size to the open courtyard that precedes the mosque.

The courtyard has one main and two side entrances. The main portal is located to the northwest, on axis with the entry to the mosque and the ablution fountain at the center of the courtyard. It is adorned with seven rows of stalactites inside three arches. The side entrances, with cascading steps on the outside, are located where the courtyard gallery meets the taller portico of the mosque.

Windows placed low in each bay of the gallery creates visual connection between the mosque courtyard and the lower grounds. The gallery columns are carved of granite, white marble and green stone. The tympana of each window is adorned with Koranic inscriptions in white and green marble on the precinct side. Ceramic tiles other inscriptions decorate the tympana of two windows inside the mosque portico.

The mosque entrance is marked by the raised dome and the green and white voussoirs of the central bay of portico. The muqarnas portal, maintained from the original structure, has been transformed on the interior with the addition of a balcony above its ribbed semi-vault and a raised terrace (mahfil) with side bays at its front. The central dome, supported by two elephant piers and two porphyry columns in the old structure, is carried on four large piers that section the interior space. The decorative painting of the interior reflects the baroque influence on 18th century Ottoman architecture.

While rebuilding the mosque, the side walls were taken in to accommodate sheltered terraces on either side that have rows of faucets for ablution. A ramp was built on the eastern corner adjoining the marble royal lodge (hünkar mahfili) to allow the sultan enter on his horse. The original Fatih Mosque had two minarets with single balconies. They were rebuilt with two minarets after the earthquake, incorporating the old foundations and the lower shafts. The minarets were refurbished in empire style during the 19th century; their stone spires were replaced by lead spires in 1965, with no alteration to the balconies. The mosque is currently under restoration to repair damage caused by the earthquake on August 18, 1999.

FATIH KÜLLİYESİ (BUILDING COMPLEX OF FATİH)
Fatih Külliyesi which was built at the same time with the Fatih Mosque is composed of a school (mektep), library, 16 classes (medrese), a hospice (imaret), an inn (kervansaray), a clinic (tabhane), an asylum (darüşşifa) and a bath (hamam). The schools are at the south and north side of the mosque and are named as the Black Sea school, the Mediterranean Sea school, Başkurşunlu school and Çifteayakkurşunlu school. These schools are composed of 19 cells, one classroom, and four toilets. Schools are encircled with porches and they have courtyards with fountains. Porch domes do not have hoops.

The hospice is on the wide west part of the clinic’s courtyard. It is made out of thick stone walls. Its plan could not have been found but it is understood from the ruins that there were two domes with windows and a wall connecting these. The inn is at the south-eastern corner of the clinic’s courtyard. The entrance supposed to be located at the beginning of the way from Public Library opening to Nakşidil Tomb.

The clinic is in the south-eastern part of the mosque. The clinic is a structure which is separated from the surrounding walls of the mosque with a road and its surrounding walls cover the hospice and the inn with the dimensions of 64x43 meter rectangle. Entrance is from the west.

The Bursa arch shows that the saloon was a big open antechamber (eyvan) with 5.5 meters wide and 7 meters high . At both sides of the antechamber there were two rooms which have stoves and connected to each other with inner doors. The hole which is just in front of the saloon have two domes on both left and right sides is uncovered to give the impression of a kind of side antechamber. The big dome with an open antechamber was used in the summers, the two rooms upstairs were used in winter times and namaz place with two domes, and with antechambers were used to put goods of the guests.

Library
The original library was located in a separate building which no longer exists today. The present library building was built in 1742, and the remaining collection of the old library was carried to the new library. The existing manuscript collection of the library was also carried to the Süleymaniye Manuscript Library in 1956. Currently, the old architectural fabric of the library is undergoing restoration.

The Black Sea and Mediterranean Madrasas
Sixteen madrasas, arranged in two rows of four to the northeast and southwest of the mosque area, are called the Black Sea (Karadeniz Medreseleri) and Mediterranean (Akdeniz Medreseleri) Madrasas. Each medrese complex is composed of four senior madrasas that abut the mosque precinct and four junior madrasas (tetimme medreseleri) placed behind them. Three of the four junior madrasas on the Black Sea Complex have been rebuilt at different points in time, while the junior madrasas of the Mediterranean complex have been demolished to give way to highway expansion in 1928. The Mediterranean madrasas were modified further in 1958 when the walls of the senior madrasas were excavated to match the street level.

Each senior madrasa has nineteen domed rooms, a large classroom (dersane) and two service eyvans protected by a domed arcade enclosing a rectangular courtyard. Their classrooms have mihrab niches and are distinguished with ornamental brickwork on window exteriors. The junior madrasas are of equal length but are lower and less wide than the senior madrasas. They have ten rooms each with a flat-roofed arcade on two or three sides of a long and thin courtyard. The portals of all eight madrasas face the mosque and their arcades have been glazed for contemporary use.

The Hospital and the Hospice Precincts (The Hospice, Soup Kitchen and the Caravanserai)
The hospital (darüssifa) and the hospice (tabhane) had their own enclosed precincts to the southwest of the mosque and the madrasas. The hospital, that is no longer extant, was probably destroyed in the 1766 earthquake; its site has been taken up by housing. It was built on a square plan, with rooms of various sizes around a courtyard with a domed arcade.

The hospice has survived to our day with some rebuilding in the 19th century when it was converted to a madrasa. It boasts a rectangular courtyard building with a forecourt to the northwest. It has ten single-bay rooms on all four sides of the arcaded courtyard, double-bay spaces on either end of the northeast and southwest wings and a large domed eyvan placed on axis with the entrance at the center of the southeastern wing. The double-bay rooms on the north and west corners are the hospice kitchens and are accessed only through the forecourt.

The other two are side eyvans that lead into adjoining dining rooms. The large eyvan, ornamented with muqarnas pendentives, has stalactite niches on either side of the entrance and on qibla wall. A set of stairs set into a wall on the southwestern wing leads up to a mezzanine (kursunluk) and storage areas; there is a side entry located next to the stairs. The hospice is constructed of stone, except for portions of the southeastern wall, which was restored in brick and stone.

There was once a soup kitchen (imaret) and a caravanserai (kervansaray) sited along the southwestern wall of the hospice precinct. Little remains of the soup kitchen; it was a small building with three rooms in a U-shaped plan. It provided food twice daily for the guests in the caravanserai, the students of the madrasas and employees of the complex as well as the poor people in the neighborhood.

There were remains of the caravanserai until 1930, it has since been rebuilt with extensions and is used for commercial purposes. It was a long rectangular building consisting of a series of rooms with barrel vaults. Also found in the hospice precinct is a structure built as a police station (karakolhane) by Sultan Mahmud II in 1838 (1254 A.H.) and another to the south of the hospice that was built as a Military High School in 1875 (1292 A.H.)

Library and Kouranic School
The complex had a library (kütüphane) and a Koranic School (mekteb) that were single unit structures located along the precinct walls probably between the Painter's Gate and the Pastry Maker's Gate. The library was lost sometime during the 19th century. The current library of the complex was built in 1742 (1155 A.H.) by Mahmud I and is located to the southwest of the mosque, adjoining the prayer hall. There is no trace of the Koranic School.

Mausolea of Sultan Mehmed II, Gülbahar Sultan and Nakşidil Sultan
Sultan Mehmed II or Sultan Mehmed the Conqueror (30 March 1432 - 3 May 1481). Sultan Mehmet II also known as el-Fatih, "the Conqueror" in Ottoman Turkish; in modern Turkish, Fatih Sultan Mehmet; also called Mohammet II in early modern Europe was Sultan of the Ottoman Empire (Rum until the conquest) for a short time from 1444 to September 1446, and later from February 1451 to 1481. At the age of 21, he conquered Constantinople and brought an end to the Byzantine Empire, absorbing its administrative apparatus into the Ottoman state.

The mausoleum of Sultan Mehmed, built by Sultan Bayezid II in 1482, is found within the Fatih Mosque Complex. This grand marble mausoleum is crowned with a ten-sided dome, and its interior is elaborately decorated with gold and silver.

It is in the tomb of Sultan Mehmed The Conqueror and located in the Mosque of Fatih. The first tomb was built in front of altar, but it was destroyed in the earthquake in 1766. The new tomb was erected on the foundation of the first one. Its door frame was renovated and a verse and a piece of the Koran were written on it by the order of Sultan Abdülhamid I, in 1784.

The large and excavated eaves outside the tomb are in the baroque style, belong to the end of 18th century and beginning of 19th century. Fatih Tomb was repaired again in 1865, in the reign of Sultan Abdülaziz, golden drawings and sash windows were made.

The two royal tomb, located in the cemetery behind the qibla wall of mosque, were rebuilt on their stone bases following the earthquake of 1766. The tomb of Mehmed II is a decagonal building covered by a dome. The corners of the decagon are marked with pilasters on the exterior and the walls are capped with a rococo cornice. Entered through a low vestibule to the northeast, the tomb remains as it was restored during the rule of Abdülaziz I (1861-1876).

The tomb of Gülbahar Sultan is a hexagonal domed unit and houses the tombs of Gülbahar, the wife of Sultan Mehmed II, one of their daughters and two other palace members. In 1817, a third large tomb was built in the cemetery for Nakşidil Sultan, mother of Sultan Mahmud II (1808-1839), in the contemporary empire style. The cemetery, which holds graves of many significant people, was also enclosed at this time.

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ŞEMSİ AHMED PASHA COMPLEX

Şemsipaşa, Üsküdar - Istanbul - Turkey 

GPS : 41°01'33.0"N 29°00'41.0"E / 41.025833, 29.011389



PHOTOGRAPHS ALBUM

This mosque was designed by Mimar Sinan at the request of Şemsi Paşa, the vizier of Ottoman Sultan Süleyman (1520-1566) the Magnificient in 1580. Renowned as "the little gem" of Sinan, it is also called the Kuşkonmaz Camii, the mosque on which birds do not land (birds do not land there because of the wind off the Bosphorus). It is said that on the top of the dome, instead of the usual symbol (tombak alem) there used to be a golden inkstand and pen. The inside is covered with Ottoman glazed tiles and ornaments. There is an epitaph, written by Levni.

The chamber is crowned by a mirror vault at the height of the prayer hall drum. It has three casement windows facing the Bosphorus and nine upper windows on three walls, adorned with coloured glass. Surrounding the Mosque is a larger complex, situated on the coast of Üsküdar, also built by court architect Sinan near the Şemsi Pasha Palace and, according to the inscription over the mosque portal, construction was completed in 1580. In 1940, an extensive restoration project was undertaken by the General Directorate of Religious Endowments, supervised by architect Süreyya Yücel.

This is the only complex in Istanbul that still enjoys the cool effect of the waves by the seaside. The mosque, which fronts one of the most curvilinear edges of the Bosphorous. It is now difficult to visualize how the original interior space of the mosque was, due to some later changes and additions, such as an added attendant's room and a women's section. Overall, the mosque and the gardens are well kept. A walled cemetery occupies the eastern precinct, behind the mosque's qibla wall.

The complex stands on a roughly rectangular site aligned east-west with the Bosphorus shoreline. The square, single domed mosque abuts the coast at an angle, with the adjoining tomb of the donor projecting towards the waterfront. Its precinct is enclosed by an L-shaped madrasa to the west and south, and a seawall with grill-windows to the north, giving the impression that one is in a picture gallery looking at framed Bosphorus seascapes.

The complex has two gates, one facing the land and the other facing the sea; the land gate opens to a private walled cemetery which occupies the eastern precinct, behind the mosque's qibla wall, which has become a burial site for generations of Şemsi Pasha. A gate along the seawall opens into the precinct courtyard, which is shared by the mosque and the madrasa. A secondary gate along the cemetery wall to the east also leads to this courtyard via a narrow passage.

The mosque portico, which envelops the prayer hall to the northwest and southwest, is faced across the courtyard with the madrasa arcade, at a smaller scale. Both the portico and arcade are covered by shed roofs and have pointed arches carried on columns with diamond-cut capitals. The mosque portico was rebuilt during the 1940 restoration. A single minaret with a single balcony rises above it, adjoining the southwest corner of the prayer hall.

Entered through a marble portal on its northwest wall, the prayer hall is surmounted by a single dome, which measures about eight meters in diameter. The transition to the dome is achieved with four squinches over an octagonal drum pierced with four arched windows. The prayer hall has nine casement windows - two on each wall with an additional window on the southeast wall.

Each casement is topped by an arched window with a different colored glass composition, and a circular window is placed above the mihrab. The simple marble mihrab has a muqarnas hood. Muqarnas carvings were also used to highlight the springing of the squinch arches. The wooden minbar is a modern replacement.

Tomb
The tomb chamber, which measures about four meters by four and a half meters, is attached to the prayer hall. It is entered from the outside from northwest, but opens into the prayer hall with a grilled archway. The chamber is crowned by a mirror vault at the height of the prayer hall drum. It has three casement windows facing the Bosporus and nine upper windows on three walls, adorned with colored glass. Decoration is limited to the stalactite carvings of the portal and painted floral and geometrical motifs on the mirror vault. Although its portal inscription was lost, inscriptive plaques over the archway in the prayer hall were preserved. The tomb, like the mosque, is made of cut stone.

Madrasa
The L-shaped madrasa has twelve domed cells and a large classroom, all fronted by an arcade whose shed roof is carried by nineteen columns. Cells are placed all in a row except at the northern end, where a single cell encloses the arcade before the seawall. The classroom, which is seven meters square, occupies the center of the western wing of and projects beyond the madrasa wall. It is surmounted by a dome carried on squinches and raised on an octagonal drum.

There are six windows on three of the classroom's walls, leaving the western wall for a furnace and two shelving niches. Each madrasa cell has two windows, a furnace and one or two shelving niches. The arcade was enlarged following the restoration and the madrasa was refurnished to house a library in 1953 with the classroom use as the reading room. An additional room with privy cells is attached at the end of the southern wing.

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DEFTERDAR MOSQUE

Eyüp - İstanbul - Turkey

GPS : 41°02'31.0"N 28°56'15.7"E / 41.041944, 28.937694



PHOTOGRAPHS ALBUM

Defterdar Mosque is located in the Defterdar Avenue in Eyüp, Istanbul. Nazlı Defterdar Mahmud Efendi (1500-1546) had this mosque built by mimar Sinan in 1542. It was completely renovated after the 1766 earthquake. On the banner of its minaret, there is the image of an inkwell and a pen as a token of his love of calligraphy.

The dome of the mosque collapsed during the 1766 earthquake and the roof cover was later replaced by a wooden structure. This single dome mosque lost its features after an earthquake in 1766 because it was renovated using timber material. A flat roof was constructed when the building repaired rather had a dome.

Instead of a crescent, this mosque has "ink pot and pen" on top of its dome, representing the profession of the founder of the mosque. (since "defterdar" means chamberlain). The original pair was broken by a storm in 1997. Ten years later, on 30 May 2007, a new inkpot and a pen assembled on top of the dome of the mosque.

Mahmut Çelebi served twice as the Minister of Finance for the Ottoman Empire. The inscription on the entrance of the mosque belongs to Nazlı Defterdar Mahmut Efendi who was also a calligrapher. As a sign of his penmanship, he put the shape of an ink holder and a pen on the alem (star and moon shape device) on the top of the minaret.

The tomb of Nazlı Defterdar Mahmud Efendi faces the niche of the mosque. For Nazlı Mahmut Efendi, who died in 1546, a cut stone tomb was built in a square plan shape. This structure, although amongst the more modest-scale examples of Sinan’s architecture in Istanbul, provides one of the best examples of 16th century traditions, largely through its proportions and details.

For Nazlı Mahmut Efendi, who died in 1546, a cut stone tomb was built in a square plan shape. The open tomb of Mahmut Çelebi, who died in 1546, is nearby, within the walled-in burial area for this mosque a cut stone tomb was built in a square plan shape.

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