Showing posts with label primary school. Show all posts
Showing posts with label primary school. Show all posts

Thursday, August 30, 2018

GAZİ KARA AHMET PAŞA MOSQUE

Silivrikapı, Topkapı - Istanbul - Turkey

GPS : 41°01'16.0"N 28°55'44.0"E / 41.021111, 28.928889



PHOTOGRAPHS ALBUM

The Kara Ahmet Pasha Mosque is an Ottoman mosque along the city walls in Istanbul, Turkey. Dated 1558, Kara Ahmed Pasha Mosque, in Topkapı Street at Arpa Emini Slope. Kara Ahmet Pasha Mosque, also known as Gazi Ahmet Paşa Camii is one of Mimar Sinan's lesser-known achievements. He built it in 1554 for Kara Ahmed Pasha, a grand vizier of Sultan Süleyman the Magnificent. This is a great mosque complex which is one of the loveliest and most masterful of the works of Sinan.

This mosque is part of a külliye which is situated in the Topkapı district (alongt north-west city walls) and also includes a medrese, a primary school. The complex was built at the request of Kara Ahmet Pasha, one of Kanuni Sultan Süleyman's sadrazams (Prime Minister). The medrese and the mosque share the same courtyard while the primary school and the tomb remain at a distance from the mosque.

The courtyard is surrounded by the cells of a medrese and a dershane, or main classroom. Attractive apple green and yellow Iznik tiles grace the porch, while blue and white ones are found on the east wall of the prayer hall. These tiles date from the mid 16th century. On the three galleries, the wooden ceiling under the west one is elaborately painted in red, blue, gold and black.

Kara Ahmet Pasha Mosque is 19.3 x 26.3 m dimension. Lighted by 80 windows, the mosque is unique in İstanbul with its beautiful ceramic tiles at the entrance; 16th century penmanship of the müezzin mahfel; and its timber ceiling. The windows on both sides of the entrance rise as high as the latecomers' porch.

With the Kara Ahmet Pasha Mosque (1558-1565) Sinan attempts to improve on the Üç şerefeli and Sinan Pasha mosques by adding trompes to the hexagon structure. Another interesting aspect of the plan is that its polygon based dom is supported by independent columns. These columns stand very close to the main entrance (north) and kiblah (south) walls. The two columns on each side are linked by arches to the buttresses which rise in the middle of the side galleries.

The complex was restored by Aydınbeyzade Hasan Ağa in 1696. After the 1894 earthquake, the collapsed dome and other buildings in the complex were restored within two years. The fountain, in the courtyard, lost its features as a result of being restored.

Grand Vizier Ahmed Pasha, killed in 1555, was buried in this tomb, which was built by Sinan the Architect in 1559.

The elementary School is a single storey building with dimensions 7.6 x 14.7 m with a playground. Although it has lost its features, the Elementary School is still one of the best conserved buildings in the complex. The small mosque, built by Kara Ahmed Pasha’s wife Fatma Sultan, can be seen a little forward from the mosque. The madrasah, with 16 rooms and a classroom, must have built about 1560. The fountain, in the courtyard, lost its features as a result of being restored.

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Tuesday, July 10, 2018

YAVUZ SELİM MOSQUE

Yavuzselim, Fatih - Istanbul - Turkey

GPS : 41°01'37.0"N 28°57'04.0"E / 41.026944, 28.951111



PHOTOGRAPHS ALBUM

The complex is located in the Yavuz Sultan Selim I neighbourhood of Fatih. This was one of the least accesible areas of the city with the Kırk Merdiven cliffs on one side and a deep cistern on the other. The Sultan Selim complex which was built by Suleiman the Magnificient in memory of his father, Yavuz Sultan Selim I, during the years 1516-1522 in the Sultan Selim area of the Fatih district on a hill which overlooks the Haliç (Golden Horn).

It consists of a  mosque, a soup-kitchen (imaret), a Sıbyan mektebi (Ottoman elementary-primary school), a darüşşifa (hospital), a Turkish bath, and a tomb. The buildings occupy the fifth hill of the historic peninsula, a prominent site adjoining the fifth century open air cistern Aspar.

Commissioned by Süleyman I (Kanuni, the Magnificent, 1520-1566) in honor of his late father Selim I (Yavuz Sultan Selim, 1512-1520), the Sultan Selim I Complex was completed in 1522, as stated on the inscriptive plaque on the mosque portal. Only the mosque, hospices, Quranic School and royal tombs remain from the larger complex that also included a hostel for pilgrims, a madrasa, double baths and soup kitchen. The soup kitchen to the north of the precinct was replaced by a girl's school in 1917; it contained a kitchen and stables.

The complex is located in an outer courtyard which rings the complex. The area designated for late-arriving worshippers is encircled by 18 columns and 22 domes. The 20 windows around the courtyard are covered with glazed tile panels, which are among the finest examples of the period. The portico of the courtyard is decorated with floral designs. A reservoir for ablutions is found in the centre of the courtyard. It is domed with eight marble pillars.

The mosque is situated in the middle of a large outer courtyard, and its enterance faces a cloistered inner courtyard that can be entered through three different directions from the outer courtyard, and which is encircled by 22 domes. There is an extraordinary fountain with eight columns located in the middle of the inner courtyard. The main area of the mosque is covered by a dome of 24.5 meters in diameter.

When both the size and height of the dome’s design are taken into a consideration, there is a clear attempt for it to dominate the main space of the mosque.. There is a respondent platform (müezzin mahfili), located on six small colums on the righthand side of the Harim (sanctum sanctorum) and an eye-pleasing Hünkar Mahfili (royal residence) is raised on eight columns on the left hand side.

The enclosed cemetery on the kiblah, or Mecca, side of the mosque contains of the remains of Yavuz Sultan Selim, the heirs of Sultan Süleyman the Magnificent who died at a young age, his daughters and three tombs belonging to Sultan Abdülmecid. Of these, the window shutters, door, and wooden banister of the mausoleum belonging to Yavuz Sultan Selim are masterpieces in mother-of-pearl relief. Other than the mosque and mausoleum, the only structure which has survived to the present is the primary school, located in the outer courtyard.

Evliya Çelebi, a famous traveller and  historian, stated that cages with gilding in the royal residence had been added by Sultan Ibrahim (1615 – 1648). The inlaying used on tile panels, which are located on the door of qibla and on several window arches, adds to the artistic value to these elements. In addition, the inlaid marble pulpit and two minarets with single balconies attract the attention of visitors to this plain mosque.

There are two minarets with a single gallery each, and rooms on both sides of the mosque for the imam and müezzin. The shutters of the door are fine examples of engraving and mother-of-pearl relief. The mosque is square in shape and extremely simple in design. The pulpit is made of ornamented marble.

The enclosed cemetery on the kiblah, or Mecca, side of the mosque contains of the remains of Yavuz Sultan Selim, the heirs of Sultan Süleyman the Magnificent who died at a young age, his daughters and three tombs belonging to Sultan Abdülmecid. Of these, the window shutters, door, and wooden banister of the mausoleum belonging to Yavuz Sultan Selim are masterpieces in mother-of-pearl relief. Other than the mosque and mausoleum, the only structure which has survived to the present is the primary school, located in the outer courtyard.

Commissioned by Sultan Süleyman I (Kanuni, the Magnificent, 1520-1566) in honor of his late father Sultan Selim I (Yavuz Sultan Selim, 1512-1520), the Sultan Selim I Complex was completed in 1522, as stated on the inscriptive plaque on the mosque portal. Only the mosque, hospices, Quranic School and royal tombs remain from the larger complex that also included a hostel for pilgrims, a madrasa, double baths and soup kitchen. The soup kitchen to the north of the precinct was replaced by a girl's school in 1917; it contained a kitchen and stables.

The mosque and its rectangular, walled precinct are aligned with qibla on the northwest-southeast axis. Three gates, located at the south corner (Türbe Kapısı), west corner (Çarşı Kapısı) and along the northwest wall, lead into the precinct. The mosque, with its cemetery, occupies the southeast end of the precinct and is composed of a single-domed prayer hall preceded by a large, arcaded courtyard and flanked by square hospice wings.

The mosque courtyard is entered from a main portal facing northwest, and two side portals. It is enveloped on three sides with an arcade of eighteen bays, continued with the six-bays of the prayer hall portico to the northwest. The bays of the arcade and portico are covered with domes, while the two bays adjoining the courtyard and prayer hall portals support lofty mirror vaults. An octagonal ablution fountain, covered with a domed canopy built by Sultan Murad IV (1623-1640), occupies the center of a courtyard, surrounded by four cypress trees. Grilled windows give views from the courtyard arcade onto the precinct; each window is adorned with a floral tile panel in its tympanum.

A muqarnas portal leads into the prayer hall, which measures twenty-four and a half meters per side - two bays shorter than the width of the portico. It is capped at thirty-two and a half meters by a single dome that rests on pendentives between four grand arches embedded in the walls. The interior is lit by four casement windows on each wall, which are topped by arched windows that display colored glass arabesques. Windows pierced at the base of the shallow dome are separated by buttresses on the exterior.

The exposed stone interior is decorated simply with inscriptive medallions bearing the names of God, the Prophet and Caliphs. Muqarnas carvings adorn the hood of the marble mihrab on the qibla wall, while the marble minbar to its right is carved with arabesque motifs highlighted in red, black and gold. The marble müezzin's platform (müezzin mahfili) abuts the southwest wall and is raised over six square pillars.

The large sultan's lodge, also of marble with eight precious columns, occupies the eastern corner of the prayer hall. It was constructed in the mid-sixteenth century, and is accessed only from the outside, with steps built into the northeast wall. Examples of period woodwork can be seen on doors, windowpanes and the ceiling below the sultan's lodge.

The hospice wings on either side of the prayer hall consist of nine domed bays that form a cross-shaped central hall and four corner rooms. The halls are entered from the prayer hall, or from the exterior. Two minarets with muqarnas balconies are attached to either end of the mosque portico where it meets the two hospice wings. The prayer hall, hospice and minarets were restored in 1930 and 1962, and most recently beginning in 2003.

Grilled windows give views from the courtyard arcade onto the precinct; each window is adorned with a floral tile panel in its tympanum. A muqarnas portal leads into the prayer hall, which measures twenty-four and a half meters per side - two bays shorter than the width of the portico. It is capped at 32,5 meters by a single dome that rests on pendentives between four grand arches embedded in the walls.

The interior is lit by four casement windows on each wall, which are topped by arched windows that display colored glass arabesques. Windows pierced at the base of the shallow dome are separated by buttresses on the exterior. The exposed stone interior is decorated simply with inscriptive medallions bearing the names of God, the Prophet and Caliphs. Muqarnas carvings adorn the hood of the marble mihrab on the qibla wall, while the marble minbar to its right is carved with arabesque motifs highlighted in red, black and gold.

The marble muezzin's platform (müezzin mahfili) abuts the southwest wall and is raised over six square pillars. The large sultan's lodge, also of marble with eight precious columns, occupies the eastern corner of the prayer hall. It was constructed in the mid-sixteenth century, and is accessed only from the outside, with steps built into the northeast wall. Examples of period woodwork can be seen on doors, windowpanes and the ceiling below the sultan's lodge.

It was built by taking samples of mosques in Edirne, and it is one of the last examples of a mosque with hostels. The mosque is situated in the middle of a large outer courtyard, and its enterance faces a cloistered inner courtyard that can be entered through three different directions from the outer courtyard, and which is encircled by 22 domes. There is an extraordinary fountain with eight columns located in the middle of the inner courtyard. The main area of the mosque is covered by a dome of 24.5 meters in diameter.

The mosque is located in an outer courtyard which rings the complex. The area designated for late-arriving worshippers is encircled by 18 columns and 22 domes. The 20 windows around the courtyard are covered with glazed tile panels, which are among the finest examples of the period. The portico of the courtyard is decorated with floral designs.

A reservoir for ablutions is found in the center of the courtyard. It is domed with eight marble pillars. There are two minarets with a single gallery each and rooms on both sides of the mosque for the imam and müezzin. The shutters of the door are fine examples of engraving and mother-of-pearl relief. The mosque is square in shape and extremely simple in design.

When both the size and height of the dome’s design are taken into a consideration, there is a clear attempt for it to dominate the main space of the mosque. There is a respondent platform (müezzin mahfili), located on six small colums on the righthand side of the Harim (sanctum sanctorum) and an eye-pleasing Hünkar Mahfili (royal residence) is raised on eight columns on the left hand side.

The mosque was built on a terrace overlooking the Cistern of Aspar, the largest of the three Roman reservoirs in Constantinople. The large courtyard (avlu) has a colonnaded portico with columns of various types of marble and granite. The mosque itself is decorated with very early examples of İznik tiles. The mosque is flanked by twin minarets.

The interior plan of the mosque is a simple square room, 24.5 meters on each side, covered by a shallow dome 32.5 meters in height. As with the Hagia Sophia, the dome is much shallower than a full hemisphere. The windows are decorated with lunettes of İznik tiles. To the north and south of the main room, domed passages led to four small domed rooms, which were intended to function as hospices for traveling dervishes.

Madrasah
On the Adnan Menderes Street, the madrasah was built by Sultan Süleyman the Magnificent for his father, Sultan Selim I. The 20 rooms of the madrasah, built by the Architect Sinan, surround the three sides of the courtyard. The madrasah’s classroom was transformed into a mosque in 1562 by adding a minaret.

Damaged in the fire of 1819, the minaret of the madrasah collapsed in 1942. The madrasah was abandoned after a fire while it was being used as soup kitchen in 1918. During the roadwork of Vatan Street in 1958, the madrasah was repaired and it functioned as the Turkish Calligraphy Museum between 1968 and 1980.

It was built by Mimar Sinan according to Tezkiretü’l-Ebniye, Tezkiretü’l Bünyan and Tuhfetü’l Mimarin which gives the list of artifacts of Mimar Sinan. There is no inscription which states the date of construction. But in sources it is stated that it was built in 1548-1549. The lecture hall was transformed to mescid (a small mosque) in 1562-1563 and a minaret and mimbar were added.

Madrasa was constructed with ashlar sandstone and brick in patches and was surrounded with walls. A monumental entrance was added to this wall’s front towards Aksaray and a fountain which has no tablet was added next to it. The courtyard is reached through a second port after this entrance which was covered with dome. Madrasa alcoves are lined up in U shape around this courtyard. The madrasa consists of nineteen alcoves and surrounds the three sides of the courtyard with an iwan.

Water-tank with a fountain in the middle of courtyard could not reach our day. Domed and hooped porches which were located on stone pillars in front of madrasa alcoves are combined each other with aspheric cinctures. The alcoves which are square planned are covered with pendentive domes. These alcoves are opened to porches via a door. They have three windows for each toward outside being two of them above and one below. Yashmaks of inner fireplaces have not reached our day. Tetragonal and hexagonal prismatic chimneys of fireplaces are shaped as leaded high cones.

Lecture room of madrasa is in direction of south-west and is slid towards symmetric axis of courtyard. Only its porch part is in courtyard and main body of the lecture room effused outside. Entrance porch of lecture room is covered with a hipped roof. A stalactite mihrab is located on the entrance of square planned lecture room. Two sub-windows and two top-windows are on four faces. The lecture room is covered with a pendentive dome and the passage to dome is provided via squinches. Inner adornment of its first construction has not reached our day.

Madrasa was damaged by a fire which was around after 1914, was used as soup kitchen in 1918 and was ruined by another fire in same year. Madrasa which came into the open during the making of Vatan Caddesi was restored by General Directorate of Foundations between 1958 and 1962. After that it was used as donation storage of Istanbul Principal Directorate of Foundations which consists of written works and carpets.

Royal Tombs
Four royal tombs are located in the cemetery behind the mosque's qibla wall. Made of cut stone, the tombs have octagonal plans and are covered with domes. The larger tomb of Yavuz Sultan Selim is distinguished by a portico with a shed roof carried on four columns. Past the wooden doors inlaid with mother of pearl is an entry vestibule adorned with two large tile panels. Its interior was repainted based on the original decorative scheme.

It contains the sarcophogus of Sultan Selim I (1465-1520), which is placed in the grave of the complex in the direction of the  qibla, and a white caftan is hung at the head of the sarcophogus. This famous caftan, which belonged to Sultan Selim I, was splashed with mud by a horse of İbni Kemal, who was a scholar of that period. There is a porch in the tomb decorated with panels of tiles of unique design. The doors and windows of the building are enriched with mother of pearls.

The tomb facing Yavuz Sultan Selim I to the northeast holds the graves of the three sons of  Sultan Süleyman I and two daughters of Sultan Selim I, and is known of the Tomb of Royal Princes (Şehzadeler Türbesi) where the three sons of Sultan Süleyman I and his two sisters and two daughters of Sultan Selim I were buried.

The tomb of Ayşe Hafsa Sultan (wife of Sultan Selim I and mother of Sultan Süleyman I) can be seen to the right next to the tomb of Sultan Selim I. The octagonal tomb that Sultan Süleyman the Magnificent ordered Sinan the Architect to build for his children who died in their early childhood dates to 1522. Tomb was damaged in the 1894 earthquake. Only remains of the walls of this tomb and iron bars of the windows survived till today .

The tomb of Sultan Abdülmecit, dated 1861, is the work of architect Garabet Balyan. Sultan Abdülmecit, who paid a special attention on Sultan Selim I, had the tomb shortened when he noticed his was higher. Beyond it is a similar tomb that holds the grave Sultan Abdülmecid, among others members of the royal family.

Caravanserai - Hospices
The low buildings adjacent to the minarets on the both side of the mosque are Tabhane (caravanserai - hospices). The hospice wings on either side of the prayer hall consist of nine domed bays that form a cross-shaped central hall and four corner rooms. The halls are entered from the prayer hall, or from the exterior. Two minarets with muqarnas balconies are attached to either end of the mosque portico where it meets the two hospice wings. The prayer hall, hospice and minarets were restored in 1930 and 1962, and most recently beginning in 2003.

Quranic School
The Quranic School (sibyan mektebi) is located on the northwest corner of the precinct, adjoining the Bazaar Gate (Çarşı Kapısı). It is single domed structure with a two-bay portico to its south. It has eight windows placed in two tiers on two walls. It was rebuilt after the 1918 fire and is currently used as a library.

Soup Kitchen
The imaret (kitchen) of the complex was destroyed in the earthquake of 1894 and the bath was destroyed over the course of time. Today, the building that was built by the Architect Kemaleddin on the imaret’s site in 1917 is Yavuz Selim Vocational High School for girls.

Sıbyan Mektebi
Sıbyan Mektebi, built at the entrance of outer courtyard, are the structures which still exist today.

Tabhane
The low buildings adjacent to the minarets on the both side of the mosque are Tabhane (caravanserai - hospices). The hospice wings on either side of the prayer hall consist of nine domed bays that form a cross-shaped central hall and four corner rooms. The halls are entered from the prayer hall, or from the exterior. Two minarets with muqarnas balconies are attached to either end of the mosque portico where it meets the two hospice wings. The prayer hall, hospice and minarets were restored in 1930 and 1962, and most recently beginning in 2003.

Primary School
The single domed primary school with a porch measuring 9.9 x 9.9 m was restored in 1960 after it had been ruined in the fire of 1918. The Quranic School (sibyan mektebi) is located on the northwest corner of the precinct, adjoining the Bazaar Gate (Çarşı Kapısı). It is single domed structure with a two-bay portico to its south. It has eight windows placed in two tiers on two walls. It was rebuilt after the 1918 fire and is currently used as a library.

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Friday, April 28, 2017

AMCAZADE HÜSEYİN PASHA COMPLEX

Saraçhane, Fatih - İstanbul - Turkey

GPS : 41°00'54.5"N 28°57'07.4"E / 41.015139, 28.952056

 photo amcazade_madrasa104.jpg

PHOTOGRAPHS ALBUM

On Macar Kardeşler Street, the Amcazade Hüseyin Pasha Complex was by Chief Architect Hüseyin Ağa. The fine complex of Amcazade Hüseyin Paşa. This is one of the most elaborate and picturesque of the smaller classical complexes. It was built by Hüseyin Paşa while he was Grand Vezir (1697-1702) under Sultan Mustafa II, and thus comes at the very end of the classical period. Hüseyin Paşa was a cousin (amcazade) of Fazıl Ahmet Paşa of the able and distinguished Köprülü family.

The complex includes an octagonal dershane or lecture hall, serving also as a mosque; a medrese, a library, a large primary school over a row of shops, two little cemeteries with open türbes, a şadırvan, a sebil and a çeşme, all arranged with an almost romantic disorder. The street façade consists first of the open walls of the small graveyards, divided by the projecting curve of the sebil. All of these have fine brass grilles, those of the türbe nearest the entrance gate being quite exceptionally beautiful specimens of seventeenth-century grillework.

Next comes the entrance gate with an Arabic inscription giving the date 1698. The çeşme just beyond it with its reservoir behind is a somewhat later addition, for its inscription records that it was a benefaction of the Şeyh-ül Islam Mustafa Efendi in 1739. Finally there is a row of four shops with an entrance between them leading to the two large rooms of the mektep on the upper floor.

On entering the courtyard, one has on the left the first of the open türbes - the one with the exceptionally handsome grilles - and then the columned portico of the mosque: this portico runs around seven of the eight sides of the mosque and frames it in a rectangle. The mosque itself is without a minaret and its primary object was clearly to serve as a lecture hall for the medrese.

It is severely simple, its dome adorned only with some rather pale stencilled designs probably later than the building itself. There are 47 tombs in the complex as various members of the family were buried in the complex after the death of Amcazade Hüseyin Pasha in 1702.

The far side of the courtyard is formed by the 17 cells of the medrese with their domed and columned portico. Occupying the main part of the right-hand side is the library building. It is in two storeys, but the lower floor serves chiefly as a water reservoir, the upper being reached by a flight of outside steps around the side and back of the building, leading to a little domed entrance porch on the first floor. The madrasah, which is quite wide, covers an area of about 2580 square meters. The madrasah is surrounded by a portico that is supported by 22 marble columns.

The medallion inscription on the front of the library records a restoration in 1755 by Hüseyin Paşa’s daughter Rahmiye Hatun after the earthquake of 1894 which ruined the complex; the manuscripts it had contained were removed and are now in the Süleymaniye library. The right-hand corner of the courtyard is occupied by the shops and the mektep above them: note the amusing little dovecotes in the form of miniature mosques on the façade overlooking the entrance gate.

A columned şadırvan stands in the middle of the courtyard. This charmingly irregular complex is made still more picturesque by the warm red of the brickwork alternating with buff-coloured limestone, by the many marble columns of the portico, and not  least by the fine old trees - cypresses, locusts and two enormous terebinths - that grow out of the open türbes and in the courtyard.

The külliye now serves as the Museum of Turkish Architectural Works and Construction Elements, including architectural and sculptural fragments, calligraphical inscriptions and old tombstones. One particularly interesting exhibit is the top of one of the minarets of Fatih Camii, toppled by the earthquake in 1894.

The monumental buildings and restoration departments of the General Directorate of Trusts undertook the restoration of the külliye, which today houses many architectural items removed from Ottoman buildings during restoration work and from ruined and demolished historic buildings.

Other items include those of historic interest formerly kept in mosques, madrasahs, tekkes and tombs, such as lecterns, candelabra, and light fittings, which were in danger of being lost or damaged in their original situations.

The museum has a rich collection of tiles, such as those from the Huand Hatun baths, decorated with human figures dating from the Seljuk era; inscribed tiles from the Beyşehir Demirli Mesjid made in the mosaic technique; Arabian tiles brought to Turkey by the achietect Kemâleddin Bey when the Kubbe’t-üs Sahra in Jerusalem was being restored; and colour glaze and mosaic tiles from buildings in Bursa and Edirne, dating from the early Ottoman period. İn a separate section are under-glazed sixteenth century tiles and blue and white seventeenth century tiles, representing the peak of Ottoman art.

In the section of stone works are many dated inscriptions and decorative items from mosques, madrasahs, tekkes, fountains and other historic buildings of which today there is no trace. These provide an invaluable guide for restorers. Nails, iron knobs, door and window locks and keys, rosettes, rivets, used for fixing blocks of stone together, and taps teli the story of the construction.

The museum has received large numbers of donated objects, which include lecterns embellished with mother-of-pearl and flowers and bearing imperial monograms; Seljuk, Memluk and Ottoman candlesticks, censers, lanterns and healing cups; and Ottoman and European glass lamps.

The museum has a fine collection of alems, the metals emblems on mosque domes and minarets. The wide range of examples are arranged in chronological order. The largest is from the minaret in Okmeydanı. Small scale sanjak alems used in tekkes include beautiful examples of decorative calligraphy.

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These scripts and photographs are registered under © Copyright 2017, respected writers and photographers from the internet. All Rights Reserved.