Monday, April 17, 2017

FEYZULLAH EFENDİ MADRASA

Fatih - Istanbul - Turkey

GPS : 41°01'01.6"N 28°56'59.6"E / 41.017111, 28.949889

 photo feyzullah_madrasa113.jpg

PHOTOGRAPHS ALBUM

On Macar Kardeşler Street a rectangular planned Feyzullah Efendi Madrasa was built by Şeyhülislam Seyyid Feyzullah Efendi in 1700. Although its architect is not known, the chief architect of the period must have been Mehmet Ağa. According to the inscription in the front wall of the madrasah by Calligrapher Kami Mehmet Efendi, the fountain was built in 1700. Having built the library and the sections of the classroom in a single building is a very rare technique in Ottoman architecture.

During the extensive work on Macar Kardesler Street in 1912, it was saved from destruction thanks to Madame Bombar’s efforts, wife of French Ambassador of the period. A madrasah with 10 rooms, which is outwardly dominated by classical architecture, is surrounded by a small courtyard containing a pool. On the right side of the porch on the second floor, lie the reading rooms of the madrasah.

The cells of the medrese surround two sides of the courtyard in which stands a şadırvan in the midst of a pretty garden. The street side of the courtyard is wholly occupied by a most elaborate and original dershane building: a flight of steps leads up to a sort of porch covered by nine domes of different patterns, the arches of which are supported on four columns.

The effect of this porch has been somewhat impaired by glazing in a part of it, but its usefulness has doubtless been increased. To right and left of the porch are the large domed lecture-rooms, now used as library reading-rooms.

According to the epitaph and foundation charter, the library was built by Şeyhülislam Seyyid Feyzullah Efendi in 1112 Hijri (1700-1701). Because its structure was ruined in the early 20th century, the municipality considered completely destroying it and build a car park in its place. However, with the initiatives of the İstanbul Muhibleri Cemiyeti (Association for Lovers of Istanbul) and with the efforts of Minister of Foundations Şeyhülislam Mustafa Hayri Efendi, the building was restored and saved from destructiong (1334 Hiji / 1916).

The medrese, long disaffected and ruinous, was restored and converted into a library by Ali Emiri Efendi, a famous bibliophile who died in 1924 and left the building and his valuable collection of books and manuscripts to the people of Istanbul. The reading-rooms are almost always full of students.

İSTANBUL MİLLET LIBRARY

This library was established in the district of Fatih in the Feyzullah Efendi Medrese in 1911 by Ali Emiri Efendi. Its original collection consists of over 16,000 volumes from Ali Emiri's private colection of rare works. It presently holds 70,000 volumes, 9,000 which are manuscripts in Ottoman Turkish, Arabic and Persian.

Among the important items contained in the library, are the calligraphic panels made by Sultan Mahmud III (1808-39) which hang on the walls of the museum section, as well as early periodicals and Arabic newspapers. In 1993 the library became classified as a research library and adopted the Dewey Decimal Classification System.

Calligraphy
İstanbul has long been a center of Islamic calligraphy (hat), an art from given much importance in the Islamic world. Calligraphy is not merely an artistic form of writing but is often an expression of religious feeling through the adornment of the names of God and the verses of the Quran. Calligraphy is displayed on wall plaques, inside domes of mosques and other buildings, on minarets grave stones, and porcelain pieces.

Artists of calligraphy are referred to as hattat. Those artists, however, who were responsible for producing the calligraphic Ottoman Sultan's seal (tuğra) and the stylised calligraphic design of the Sultan's signature of official documents were called tuğrakeş.

Miniature
The roots of Ottoman miniature production can be found in the Persian traditon of book illustration during back to the Selçuk and Ilkhanid periods, which in turn was greatly influenced by Uygur and Chinese traditions. This art from differs considerably from the classical western painting tradition in that it is two-dimensional and does not take depth perspective in consideration.

During the Ottoman period, İstanbul became the most important center for the production of miniatures, which were produced not in isolation but rather as illustration accompanying historical and literary works. Miniature production was supported by the cort and continued as an important artistic activity until the influence of classical Western painting became predominnat in the eighteenth century, whereupon it lost its originality and importance as an art form. Miniatures have as much importance as historical documents as they do as works of art, and the most choice examples are displayed in museums.

According to the epitaph "kitabe" and foundation charter "vakfiye", the library was built by Şeyhülislam Seyyid Feyzullah Efendi in 1112 Hijri (1700-1701 Gregorian). Because its structure was ruined in the early 20th century, the municipality considered completely destroying it and build a car park in its place. However, with the initiatives of the İstanbul Muhibleri Cemiyeti (Association for Lovers of Istanbul) and with the efforts of Evkaf Nazırı (Minister of Foundations) Şeyhülislam Mustafa Hayri Efendi, the building was restored and saved from destructiong (1334 Hiji / 1916 Gregorian).

It became a general library and took the name of Fatih Millet Library. Along with the physical restoration of the library, Feyzullah Efendi donated 2,189 manuscripts and Ali Emiri Efendi donated 16,000 books to the library.

The books of important waqf (foundation) libraries such as Reşid Efendi, Carullah Efendi, Hekimoğlu Ali Paşa and Pertev Paşa Libraries, which had completely unusable buildings from 1924 onwards, were gathered in Millet Library along with the books of Şeyhülislam Feyzullah Efendi; but, when Millet Library was transformed to Public Library in 1962, all the books of waqf libraries were transferred to Süleymaniye Library. The library’s collection was transfered to the Simkeşhane Building in Laleli, and the Millet Library reassumed its identity and continued to serve the Fatih District of Istanbul as a public library.

Murad Molla, Adile Sultan, Yusuf Paşa, Hekimoğlu Ali Paşa Public Libraries and Ebu Bekir Paşa, Yavuz Selim, Zembilli Ali Efendi Children’s Libraries had served as affiliated sub units of Millet Library, but these libraries were converted  into vakıfs (non-for-profit organizations). The manuscripts from Murad Molla Public Library were transferred to Süleymaniye Library in 2000 and have been open to public use since..

The library became specialized for research by handing over the new books available in the Public Library, which serves in affiliation with Libraries and Publications General Directorate of Ministry of Culture and Tourism of Turkey, to Library and Documentation Center of Sakarya University. The library continues to serve under the name “Millet Manuscript Library.”

LOCATION SATELLITE MAP



WEB SITE : Millet Library

MORE INFO & CONTACT
E-Mail : okuyucu@milletkutup.gov.tr
Phone : +90 212 631 3607 - +90 212 631 3962
Fax : +90 212 635 7487

These scripts and photographs are registered under © Copyright 2017, respected writers and photographers from the internet. All Rights Reserved.

Tuesday, April 11, 2017

CEREMONIAL PAVILION (ALAY KÖŞKÜ)

Gülhane Park, Fatih - Istanbul - Turkey

GPS : GPS : 41°00'39.5"N 28°58'41.8"E / 41.010972, 28.978278

Alay Pavilion / Gulhane, Fatih - Istanbul photo tanpinarliterature_museum110.jpg

PHOTOGRAPHS ALBUM

In the year 1820; was built by Sultan Mahmut II. (1808-1839). Alay Köşkü, is made built for the Sultan and high officers of the state to be able to watch the parades. On the window girdles by the main road, Hattat Mustafa İzzet Efendi’s verse inscription applied on black stone with gold-printed metallic letters can be observed.

The Procession Kiosk (Alay Köşkü) is a 16th-century historical building on the outer walls of the Gülhane Park next to Topkapı Palace. It was used by the Ottoman sultans to receive the salute of processing janissary as well as a pleasure local. The last of these processions was held in the year 1769, during the reign of Sultan Mustafa II.

The building is situated across the Sublime Porte, and at the opposite, there is Bab-ı Ali Gate (Gate of State) where the grand vizier executes government works. But at the opposite to the Bab-ı Ali Kapısı; Alay Köşkü, reflects the hierarchy in architecture also with its two floors against one floor of the Bab-ı Ali Gate.

AHMET HAMDİ TANPINAR LITERATURE MUSEUM LIBRARY

Alay Köşkü (Procession Kiosk), which is situated within Topkapı Palace’s walls, has been turned into the Ahmet Hamdi Tanpınar Museum and Library. It was organized within the framework of a project by the Culture and Tourism Ministry.

The Ahmet Hamdi Tanpınar Literature Museum Library (Turkish: Ahmet Hamdi Tanpınar Edebiyat Müze Kütüphanesi) is a literary museum and archive dedicated to Turkish literature and named after the Turkish novelist and essayist Ahmet Hamdi Tanpınar (1901-1962). Located in Istanbul, the museum was established by the Ministry of Culture and Tourism and opened on November 12, 2011.

The museum is housed in the two-storey Procession Kiosk (Alay Köşkü), a 19th-century historic building on the outer walls of Gülhane Park that belongs to Topkapı Palace. It was used by the Ottoman sultans to accept salute of janissary soldiers parading as well as a pleasure locale. The building is situated across the Sublime Porte. It was used from the 1910s on as the center of the Fine Arts Association. From 1928 to the end 1930s, it served as a meeting place of an association dedicated to Turkish language and literature.

In Istanbul’s Procession Kiosk, visitors will have the opportunity to discover all the objects, manuscripts and original translations of Ahmet Hamid Tanpınar’s works. The library also will serve as an archive for Ottoman-era magazines that focused on art and aesthetics, and will feature translated books and texts. There will be works and sculptures of Ahmet Hamdi Tanpınar and other famous writers of Turkey such as Yahya Kemal, Necip Fazıl Kısakürek, Nedim and Nazım Hikmet.

On the ground floor, there are two rooms and an entrance hall. The first floor houses the former throne room, in addition to two halls and three rooms. The ground floor is designed as a cafeteria, called the "Writers' Café", where prize-winning literary works are exhibited.

Special corners on the upper floor are dedicated to the life and works of around 50 renowned authors native to Istanbul, with busts of some, including Nedim (1681-1730), Yahya Kemal Beyatlı (1884-1958), Nâzım Hikmet Ran (1902-1963), Necip Fazıl Kısakürek (1904-1983), Aziz Nesin (1915-1995), Orhan Pamuk (born 1952), Ayşe Kulin (born 1941), Zülfü Livaneli (born 1946) and Doğan Hızlan (born 1937) in addition to Tanpınar.

It is also a place for discussions on various authors, poetry performances, literature award ceremonies, and writing workshops. The library of the museum accommodates over 8,000 books, including about 1,000 books on Istanbul as well as volumes of more than 100 periodicals on literature and other fields of the arts. The museum hosts also temporary art exhibitions. It is the fourth of its kind in Turkey after the literature museums in Ankara, Adana and Diyarbakır.

LOCATION SATELLITE MAP



These scripts and photographs are registered under © Copyright 2017, respected writers and photographers from the internet. All Rights Reserved.

BÜYÜK ÇAMLICA HILL PARK AND RESTAURANT

Üsküdar - İstanbul - Turkey

GPS : 41°01'39.9"N 29°04'09.5"E / 41.027743, 29.069296

Buyuk Camlica Hill Park & Restaurant / Uskudar - Istanbul photo bcamlica_park123.jpg

PHOTOGRAPHS ALBUM

Çamlıca Hill (Turkish: Çamlıca Tepesi), aka Big Çamlıca Hill (Turkish: Büyük Çamlıca Tepesi) to differentiate from the nearby Little Çamlıca Hill (Turkish: Küçük Çamlıca Tepesi), is a hill in Üsküdar district of Istanbul, Turkey. Situated on the Asian part of the city at 268 m (879 ft) above sea level, Çamlıca Hill has a panoramic view of the southern part of Bosphorus and the mouth of Golden Horn.

The hill is a popular visitor attraction. There is historical-designed teahouses, cafes and a restaurant inside a public park with monumental trees, flower gardens and fountains, run by the Metropolitan Municipality. In many poems and works of literature, Istanbul is known for its seven hills, Çamlıca is the tallest of the seven. Çamlıca Hill, which is also mentioned in many songs, is located in Üsküdar. The most beautiful sunsets in the entire city can be viewed from this hill.

In addition to the hill’s famous views, it is also home to many cafes, where you can get your fill of the unique pleasure that narghile offers. Often, newly-married couples make trips to Çamlıca Hill after their ceremony, further adding to the lively atmosphere on the hill.

Çamlıca got its name from the pine trees in the area (Çam means Pine in Turkish). First settlers turned the entire region into a pine forest, which survived not only the Roman period but also the Byzantines. In ancient times both Camlica hills were covered with pine trees so thick that no sunlight could shine through them. There were also wildflowers in all colors and poppies.

Ottoman Sultans had a high interest on Çamlıca. Sultan Murat IV ordered to build the first Summer residence here. Sultan Mehmet IV, who was given the nickname "Hunter", built a hunting lodge. The area of the spring water in Büyük Çamlıca was also upgraded during his reign. During the reign of Sultan Selim III, Çamlıca became a recreational place, together with the enjoyments in the Bosphorus and Kagithane.

During the Ottoman period, Çamlıca Hill and some other hills in Istanbul were also used for training birds of prey, such as hawk, falcon and peregrine. Ivaz Fakih, whose grave is in Çamlıca, was a religious person and a peregrine breeder during that time and the hill was handed to him as Peregrine Grooming Place for the first time, and later to Doğancıbaşı's and Şahincibaşı's, heads of falcon and hawk breeders.

The German emperor Wilhelm II has strolled and admired Çamlıca during his visit to Istanbul by the end of 1800's. He asked Çamlıca Hill from Ottoman Sultan Abdulhamit II for raising a monument here, but Sultan Abdulhamit kindly refused him telling as an excuse the existence of the tomb of Ivaz Fakih, who is admired by the Turks. After this refusal, Keiser Wilhelm II has ordered to build the German Fountain in the Sultanahmet Square as a gift to the sultan.

Çamlıca has also an important place in Turkish literature. Many poets and authors of the Administrative Reforms (Tanzimat) age, and also other literature figures who lived in later years have mentioned Çamlıca in their works.

Located in Çamlıca, one of the most important recreation areas facing across the Bosphorus and Marmara Sea, the Çamlıca Social Facility can accommodate 1,470 people in total with its outdoor space of 3,000 m2 and restaurant section of 400 m2.

Today, With its traditional snack "Gozleme", ice cream and corn on the cob, with its kiosks, fountains, tea and coffee shops and restaurants operated by the Metropolitan Municipality of Istanbul, surrounded by historic trees, great flora, colorful flowers and tulips, and with a cool breeze, Çamlıca attracts many local and foreign visitors enjoying the magnificent panorama of the Bosphorus and the city.

The hill is also one of the best locations in Istanbul where the migrating birds can be observed. Bird-watchers from all around the world come here especially in September and October or in the Spring time to watch the birds.

LOCATION SATELLITE MAP



WEB SITE : Büyük Çamlıca Restaurants

MORE INFO & CONTACT
E-Mail : dugun@beltur.com.tr
Phone : +90 216 444 6644 / +90 216 428 4696
Fax : +90 216 413 9699

These scripts and photographs are registered under © Copyright 2017, respected writers and photographers from the internet. All Rights Reserved.